VINYL - Page 34 of 46

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Matthew REVERT
“Being small”

Kye is proud to present Being Small, the new LP by Matthew Revert. Lovely collection of Matthew's philosophies, worldviews and wisdom recorded cheaply at his home in Melbourne, Australia. Being Small arrives in a Matthew Revert designed sleeve with matching labels in an edition of 300 copies.

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MESA RITUAL

Formed in New Mexico in 2009, Mesa Ritual is the duo of William Fowler Collins and Raven Chacon. In their five year existence they have created a concise, extremely focused, and inimitable body of work consisting of one EP, and this, their first full length album. Considering the rarified nature of their activities, the resultant sounds would suggest a process of patient sonic reductionism, whereby only the most essential elements are allowed to remain in the completed works. These skeletal compositions expose a core that is both vibrant and severe. Much like the environment from which they originated, the sounds conjured by Mesa Ritual on their debut full length are simultaneously alluring and forbidding. Over the course of the album’s nine tracks a deceivingly spare palette of sounds are implemented: sporadic gasps of crackling circuitry, arid washes of impenetrable static, dilapidated field recordings, and insistent cycles of rhythmic thunder. Through a deft and continual recombination of these elemental pieces, an interwoven series of fevered desert dreams are invoked in the listener - twisting and looming over the vast horizon, and then receding as new facets of the evolving storm supersede. Balancing on the precipice between purgatorial stasis and nightmarish descent, the album evokes the animalistic unease of finding oneself in familiar surroundings which have been uncannily altered beyond recognition. A tense listen though it may be, the album is not without its own form of subtle and serene beauty. In the midst of swirling sandstorms of agitated electronics there beats a steady heart, unwavering in purpose, poised in harmony. Perhaps it is this foundation of a pervasive living spirit veiled within the work that invites repeated visits into the outwardly hostile environments that Mesa Ritual devise.

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Maurizio GRANDINETTI
“Seek”

Maurizio Grandinetti is tirelessly exploring the possibilities of the acoustic and semiacoustic guitar, and «will fearlessly employ any technique, any instrument, to manifest the necessary sounds», as Elliott Sharp describes Maurizio Grandinetti’s openness to a wide range of tonalities and techniques. His activities are not limited to one genre or formation, but range from solo recitals, chamber and contemporary music to improvisation. Electrically amplified, and accompanying himself on electronic instruments, he breaks through the limitations of the instrument. Seek brings together the composers with whom Maurizio Grandinetti has collaborated in recent years. Composers who wish to explore the electric guitar more deeply, and who already bring along profound knowledge of the instrument, either by virtue of being guitarists themselves, as is the case with Elliott Sharp and Domenico Calliri, or because they already were familiar with electric guitars and electronics through their previous work. Upon Maurizio Grandinetti’s suggestion, seven pieces were created, and recorded under the supervision of composer and sound technician Alex Buess. The pieces were all recorded live in the studio, with no overdubs added to the tracks. On the vinyl, compositions by Alex Buess, Elliott Sharp, Junghae Lee. As bonus downloads compositions by Domenico Caliri, Eric Chasalow, Marcelo Nisinman, Volker Heyn.

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LA MORTE YOUNG – DRONE ELECTRIC LUST

A split with La Morte Young and Drone Electric Lust.
File under psychedelic rock, experimental, drone.
La Morte Young is the meeting of Talweg (Eric Lombaert, drums + Joelle Vinciarelli, voice) + Nappe (Christian Malfray, electronics + Pierre Faure, electric guitar and tape delay) + Sun Stabbed (the same Pierre Faure + Thierry Monnier, electric guitar and tapes). Recorded live at 102, Grenoble, in May 2014 by Pali Meursault.
Drone Electric Lust is Kjell Runar Jenssen, drums, electronics + Lasse Marhaug, electronics + Per Gisle Galåen and Fredrik Ness Sevendal, guitars.
A coproduction between Doubtful Sound, Apartment Records, Dysmusie, Pica Disk, Killer, Up Against the Wall, Motherfuckers!

17,00€

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WITCYST
“Screuma – Chilli Song”

Since the early 1990’s Witcyst (Michael Veet) has been the stunning big secret diamond of the New Zealand noise underground. A short circuiting monolith on top of the rubbish heap of NZ art and sound. This LP is made of two pieces originally issued on cassettes in 1995. 1. “Screuma”. A guitar is being fed through a washing machine. Its not a normal guitar mind you. It’s a giant home made one that’s been made from old medicine bottles and beard hair. The washing machine is on full spin and it has pine cones in it. Michael mumbles a running commentary. It goes on and on. All outputs are fed back into the inputs. 2. “Chilli Song”. A Witcyst rock song stretched into a spitting blur of strumming and singing. Streaks of hiss and saturation swamp and dissolve the riff. Someone is frying old meat and Michael has a lot to say about it. It goes on and on. All outputs are fed back into the inputs. Witcyst instructions for completing yourself the sleeve artwork: “if the vinal comes with unprinted blank card covers rub them a bit on rough concrete, cut out the center holes like a 12” sleeve, but not perfect circle… like rough chop chop. hack or lay a cover on wood, slab with a big metal pipe end, slam down off center like cutting with a cookie cutter?! and tear the centers out. that would be goodly!”. Witcyst lives and works in a concrete floor shed in Whangarei, in the far north of New Zealand. His releases on his own labels Extemporaneous and LifeSpace run into the thousands. Each item hand made from insect casings, old X-rays, beer cans and elbow grease. Exquisite drawings, obsessional collage, unreadable calligraphy and photocopying onto tinfoil. His music is always a surprise and wrestles every potential sound out of endless mutations of endless new ideas. Every variation is layered, wrung out and exploded. It is the freest of all the free noise’s. A complete drooling feast for the eyes and ears. Witcyst makes everyone else seem like a baby with a coloring-in book and one crayon. Edition of 300 copies in diy sleeve.

19,00€

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Sloboda KAJKUT
“Sick Nature – City of Bore”

Slobodan Kajkut, composition. Heifetz (Arne Glöckner, guitar. Patrick Wurzwallner, drums. Maggot (Gottfried Krienzer, guitar. Martin Pfeiffer, percussion). For Slobodan Kajkut there was always and intention to write a piece for hardcore/trash/speed/reaction duet Heifetz. Fascinated not only with their variety of different musical styles, that are part of their musical language, but also with their ability to perform with extreme level of passion and variation of sarcasm and severity, Kajkut wrote a piece that musically and physically tests their patience. Somehow, the piece titled City of Bore (named by Heifetz), illustrates the character of the piece. Literally, there is nothing happening, the piece is a half an hour of emptiness, filled with periodical points. There is nothing new in the piece itself, many artists, such as Taku Sugimoto and many others, wrote thousands of such pieces, but in this case, interesting is to hear how Heifetz perform such music, always on the border to explode, though with ability to abstain. On the other side, Sick Nature (played by Maggot, duet formed to perform this particularly piece), also explores punctuality but in a rhythmical way, and with slightly extended instrumentation. Each single note of the piece is performed with almost mechanical precision, which make the piece extremely cold. Various percussions and dynamic extremes from very silent, to extremely loud, make a great correspondence to boredom of City of Bore. This is the music where Nothing makes sense

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BJ NILSEN & STILLUPPSTEYPA
“Big shadow Montana”

“After producing their frozen trilogy of intoxicated dronemuzik for the Agency, these Scandinavian gentlemen have ventured into more absurdist territories through fictionalized soundtracks for imagined Mondo films and science fiction serials. It is in this context that BJ Nilsen & Stilluppsteypa present the apparitional Big Shadow Montana, an album of slow-motion delirium manifested in occluded smears, nocturnal gasps, and arcane tones from a variety of analogue synthesizers. Amidst the near constant wash of bleary-eyed etherialism, Big Shadow Montana cycles through several sonic themes and leitmotifs, displayed in varying states of clarity. In these transitions between half-remembered phrases and bleary-eyed thrumming, the album emerges as if it were the aftermath from a protracted bout of metaphysical channel surfing. Flickered impressions flash in conjunction with Breton’s manifesto of Surrealism in the form of the memories from happily drunk escapades in the heart of winter, the sidereal spells cast by the innerspace travelers Klaus Schulze and Coil, and the nagging questions of existential portent: "Was that bassline from Goblin, or was it German Oak? Maybe something from Faust IV?" The trio of Nilsen, Sigmarsson, and Thorsson elegantly twist and bend these fleeting images into a spiraling symphony of bubbling electronics and spectral drones that mutate on both sides of the record into lugubrious yet carnivalesque waltzes. When this first appears, it is the echoing undercarriage of a simple melody, bobbing amidst rattling chains and cascading cymbal crashes only to dissolve into sequences of cold-war era tone beacons and empathic swaths of maudlin sound design. At the second occurrence, the melody washes ashore on the Iceland beach, where nude Viking men and women try in vain to get a tan when the sun is just barely going to rise above the horizon in the winter months. It is a pyrrhic jubilation of calliope harmonies set down by organs and synths turning a pale-blue hue in the wake of all that white skin shivering underneath the arctic sky. A hauntological album? Quite certainly. And yes, the vinyl does come with a download code.” label info

15,00€

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“Gates and Variations rounds out a loose trilogy of records by Jake Meginsky for Open Mouth. Not an intended trilogy on Jakes part but it has become one to my mind. It has come to be how I listen to them and experience them, all informing each other, echoing and challenging each other and growing into each others space and light like a garden of plants that would never actually coexist anywhere in reality. Jake is always tirelessly reaching for something new yet I’d avoid using the word progression here. It instead feels to me like the last piece of a puzzle, or of a world created by some Jack Kirby demigod. Something has been completed and now all the pieces are interchangeable. The first can go last. The middle can be first. The whole thing becoming a universe looping in on itself with a multitude of entry points and not a lot of exits. These are dense environments where sections can move from microscopic to macroscopic, day to night and back again, so effortlessly that its hard to tell if its intended or if something imperceptible within you shifted the locus of yr perception. But it is all very intentional, something carefully carved to give the feeling of something, though unfamiliar and strange, organic and grown. Theres a sense of danger here like warning transmissions, concussive roiling rhythms and jagged disturbances. Yet also clear straight lines giving way to enveloping curve and staggering beauty. Supplant the beginning with the end with the beginning.”

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2 LP

COMPILATION
BRIDGES

Concept by Gerco Hiddink and Rutger Zuydervelt. Graphic design and photography by Gerco Hiddink. Field recordings and coordination by Rutger Zuydervelt. Mastered by Giuseppe Ielasi. Featuring Jim Denley and Espen Reinertsen, Burkhard Beins and Jon Mueller, Mats Gustafsson and Nate Wooley, Erik Carlsson and Steven Hess. Limited to 250.
“Bridges is an audiovisual project involving four pairs of improv players reacting to field recordings made at four bridges between Sinderen and Nijmegen in The Netherlands. Eight musicians were paired not to play together, but to react separately to the field recordings, which where then mixed together with the primary field recordings. The four pieces are released as a double 12" picture disc, with the artwork printed with a zoetropic series of images of the bridges”.
“Like music, film is time-based. Print is static. I thought that if I could find a way to translate the video into print, some element of time and movement would remain within the design… I edited dozens of small film loops per bridge, and placed frames of these in rings on vinyl, so that when the record is played, the film comes alive again in stop-motion. It’s a moving photograhic score.”

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Philip CORNER
“PoorManMusic”

Historical recording of previously unpublished Fluxus classic masterpiece available now in an edition of 300 copies only. Pulse Polyphony!
“PoorManMusic” (1966).
The simplest materials and the things your own body is and does claps, slaps, stamps. Rubbing and scratching: body, all parts, and clothing if any voices. And all the sounds your voice and breath and throat may make except words. Although a mightbe rare&special one sound deep word and meaning / warning, affectations show up. If sincere, express.
Better a middle and easy utterance of like natural soundings & thus beyond outside things, but the matter might be simple sticks of every day life. The small stones and the fabrics papers and textures, easily picked up. Rattle, rattles, nuts
little bells, seeds this is not quite all of homemade noise makers.
Homemade noise made, among others, by Philip Corner, Max Neuhaus, Steve Reich, James Tenney, Malcolm Goldstein, Jackson Mac Low, Dick Higgins, Alison Knowles, Carolee Schneemann, Jerome Rothenberg… the Technicians of the Sacred.
Gift Event III: A Celebration for Poets, Musicians and Dancers, based on the orders of the Seneca Indian Eagle Dance and performed at the Judson Dance Theatre, Judson Memorial Church, New York City, March 21st and 22nd 1967.
A part of the Spring Happenings.
The group cohesion and reentering and listen
ing (ensemble sensitive)
Out of flux of differing individual tempi, to fuse into one
Felt agreed beat
(this is easier, very easy, than it may seem)
In period of pulse - polyphony.. non-rationalizable multipl
licity of the beats.
And the whole at ease. If ever at extremes
of intensity, and moving towards their implications of passions,
let it relax and tend intowards the mean, just the energy and
the continuing which is devotion in every day life and works.

19,00€

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2 LP

Petra DUBACH & Mario van HORRIK
“Waves”

Petra Dubach and Mario van Horrik have been working together as an artistic duo in Eindhoven since 1983. Originally, they combined dance and music in concerts, performances and theater pieces, Dubach being a dancer and van Horrik making music. He is also a long-time member of the Maciunas Ensemble alongside Paul Panhuysen et al. Dubach’s and van Horrik’s starting point was the notion that movement and sound are essentially the same: If there is no movement (vibration), nothing can be heard; if there is no sound, nothing moves.
Over the years, the boundaries between movement and sound in their work became more and more blurred while they worked out their root idea in every thinkable form ranging from installations and site-specific works to performances and concerts. In 2010, they started their ongoing research project Waves which
involves producing movement feedback using shakers, a kind of loudspeakers that reproduce sound frequencies as vibrations, attached to long strings. Over the years, they have made numerous installations and concerts based upon this concept and have experimented with all sorts of objects incorporated into the basic Waves setup, including Chinese lanterns, hooks, loose strings etc.
This edition gathers four recordings of different Waves installations, all made in Dubach’s and van Horrik’s private studio in Eindhoven. It is presented as a double 12” set (45 rpm) with a full-color gatefold sleeve and liner notes by Milo Vojt chovsk . Edition of 300.

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2 LP + CD

Kevin DRUMM
“Inexplicable Hours”

Inexplicable Hours is the sequel of the successful six-CD boxset Elapsed Time, also released by Sonoris in 2017. The first LP documents a new direction in his music, with some of his last electroacoustic experimentations with audio generators, field recordings, and various electronic devices. The second one explores the same ambient/drone territories as the boxset, with tracks less static and more complex than it appears on the first listen. And as always with recent Kevin Drumm’s music there’s a sense of majesty, of mystery and a melancholic beauty that is uniquely his own.
Some words about the boxset are also appropriate for this record:
“Despite Drumm’s noisy reputation, his music can be overwhelmingly sensual even at its loudest, providing a form of minimalism replete with a delicate, melancholic motion. How wildly divergent emotions rise, hover, and fall using so little is a mystery that only Kevin Drumm can provide.” (Soundohm)
“The vast array of styles and works to be had here makes it an engaging challenge, one that can differ widely from disc to disc, but never lacks the cohesion and touch of a master craftsman and composer working at the top of his game.” (Brainwashed)
“These pieces, despiste their lenght, are like perfect miniatures, timeless puzzles that you try and unravel through close listening. And their sense of place, of home, of sanctuary, feels more important than ever right now.” (The Wire)
Mastering by Giuseppe Ielasi.
2 LPs packaged in a deluxe 6-panel/double gatefold sleeve, with CD version in cardboard cover included. Limited to 700 copies.

25,00€

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PBK & WOLF EYES
“Rabid”

“Rabid” consists of six tracks mixed by Phillip B. Klingler, aka PBK, between 2004-06 using Wolf Eyes source material, this is the Wolf Eyes lineup of 2000-05: Nate Young, John Olson and Aaron Dilloway.
Klingler: “I was given the audio sources (via cdr) by John Olson at the Ear Candy Festival in Dearborn, Michigan, in 2004. None of the compositions on the album were completed using a computer, they were all recorded live in my home studio or at gigs and radio shows directly to digital.”
Three of the pieces on the LP were previously released in Russia on the CD, “Under My Breath”, in 2009. Also in 2009, the American Tapes label run by John Olson released a cdr of the PBK & Wolf Eyes collaborative tracks as part of the ongoing “Live Frying” series. Later, “Rabid” was available for a brief time as a net release. One review from the time stated: “Not a single track passes by without conveying grisly and creepy sensations of imminent death or disaster.”
Mastered for vinyl by Giuseppe Ielasi and with the beautiful cover illustration created by Pole Ka.
American composer, Phillip B. Klingler, better known as PBK, has been active in the experimental music underground since 1986. His compositions are created using extreme turntable manipulation, sampling, analog and digital synthesis. Improvising spontaneously and with little preconception, PBK creates pulsing, dense soundscapes of unknown sonic origin. [wikipedia]
Wolf Eyes is a post-industrial/noise band from Detroit, Michigan. They are widely considered the "kings of US noise".
“Their development since the earliest rumblings in 1997 has yielded some of the most staggering and genre-defining sounds of noise and sound art’s dense, largely obscured history.” (Allmusic)

15,00€

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eRikm
“L’art de la fuite”

L’art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist/improviser/composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today. Mastered by Giuseppe Ielasi. 300 copies. eRikm 2015

15,00€

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Twig HARPER
“New Lost Knowns”

Edition limited to 200 copies. In the beginning of what exactly was this beginning that has remained one of the mysteries ever since? In this beginning the year might or might not be 2011 and the whole practice could still be in-process now (though we firmly reject the meaning of the meaning as an open forma s we consider it more a time-binding). It is doubtful if this sonic process would have ever evolved beyond the animal stage suspended as it is in a fragile balance between sounding familiar to the nervous system and unfamiliar and alien. This process is wholly dependant upon the integrity of the system and its necessary environment… an extermination program created by working multiple channels, reducing mixes, removing sections, adding segments, layering inversions under continual growths and constant changes, until we can no longer recognize the original source or process itself. A very limited unit of sound and image biologically activated to act as communicable dizziness existing in the past present and future when listening to it. Let’s turn it on. LP record and silkscreened sleeve are the access, your playback new “reality”. Edition of 200 copies which will turn your eyes and ears inside out, upward, backwards and in all directions.

23,00€

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EVIL MADNESS
“Super great love”

“Evil Madness are: BJ Nilsen, Jóhann Jóhannsson, Helgi Thórsson, Sigtryggur Berg Sigmarsson and Pétur Eyvindsson. Cover artwork by Helgi Thórsson. Recorded and mixed 2007 - 2010. Cut at Dubplates & Mastering, December 2010. This album is dedicated to Franz Graf. Evil madness has been described as the Traveling Wilburys of Icelandic electronic music. Behind the name stand men like Petur Eyvindsson, Johann Johannsson, Sigtryggur Berg Sigmarsson, Helgi Thorsson and BJ Nilsen (who is not “quite” Icelandic but was born in a country “very” near Iceland). This album, “Super Great Love”, presented by Editions Mego will be their 4th album since the time their formation in 2006. Now for those of you reading who know the music of Evil Madness will know for sure that this band does what ever they damn well pleases when it comes to making the music. With “Super Great Love” they want to get people in the “good” mood for the fresh new year and present them with some upbeat Icelandic “Disko” tunes. Edition of 500.” label info

7,00€

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Slobodan KAJKUT
“The Art of Living Dies”

Lack of musical material, minimalism but not for it’s purposes, patterns shifting in themselves... The piece is performed by Michael Moser, a cult figure in Austrian new music, whose work includes significant collaborations with bands like Polwechsel and Zeitkratzer and artist such as Bernhard Lang, Peter Ablinger, Fennesz, David Sylvian (Manafon)… Very slow, extremely static, the piece drives into one direction, without specific target but also without tendency to be contemplative. As with some previous pieces (check out GOD 13) its goal is the pure sense of nothingness…

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GOOD AREA
“French Antartica”

Kye is proud to present ’French Antarctica’, the debut LP by Good Area. Drawing from a palette of guitar, rhythm box, cornet, shortwave radio and room activity Good Area have crafted the ultimate stand-alone testament to instantaneous expression. Bypassing such obsolete concepts as dexterity and restraint ’French Antarctica’ cuts loose with a raw unbridled rush of creative force, bristling with home-spun malevolence and anti-social aplomb. Good Area harvest the wisdom passed down from the Decayes, Semool, Nishimura Alimoti and other bastions of shoe-box cassette culture and transcribe their teachings into epic new screeds of confusion. French Antarctica arrives in a full color, high gloss sleeve, with commemorative postcard, in an edition of 400 copies.

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LAGO MORTO
“Obitorio Veneto”

Lago Morto is a band conceived by italian artist Nico Vascellari as contribution to the exhibition ‘Rock Scissors Paper’ curated by Diedrich Diedrichsen at Kunsthaus Graz. Lago Morto is, in the curator’s words’, ‘a social punk sculpture’, a way ‘to turn the model of the cast band upside down. Lago Morto is about things that casting calls usually exclude - targeted aggression, unpredictable social effects and local politics’. The result is a band that toured for fifteen days in Vittorio Veneto in non musical venue such as bar, osteria, pizzeria, laundrette, video store etc. The LP contains all fourteen songs the band has created. Edition of 300.

8,00€

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TAIGA REMAINS
“Works for cassette”

Here be the final drone / hypnogogic statement from Taiga Remains. The man behind Taiga Remains has now shelved this moniker; but he's far from hanging up his hat, as he now works under his given name Alex Cobb - also known as the philosopher king who benevolently reigns over his Students Of Decay. There are those at the Agency who can claim to speak with the poetics of corrosion, and we have long admired the sympathetic aesthetic in Cobb's gorgeously elegant compositions for guitar, bells, tape hiss, and whatnot. A sadness of things hangs in the air for Cobb's suspended mantras as these pieces evolve through a state of perpetual (un)becoming. For Cobb, the decaying sound is a steady dissolution of one chromatically rippling pattern into another which in turn diffuses into another and the cycle continues; but for every slippery note that pools into watery aquifers, Cobb distances himself from discursive and didactic languages that affix specific meanings onto work. He prefers a mystery and an ambiguousness to hang upon his crepuscular minimalism where the audience can entertain guided excursions of subjective thought. For us, these radiant guitar drones flecked with impressionist melodies bath in the snow of a thousand radios placed throughout Easter Island offering forth their eerie, luminous and beautiful sound that floats amongst those stoic heads that gaze beyond the horizon of the pacific ocean towards infinity, or oblivion if you prefer a more sublime reading. As the title to the album states, this album originally published in small cassette editions, long out of print. The material has been gloriously mastered for vinyl by James Plotkin. Those with an ear for Andrew Chalk, William Basinski and those long-form passages from Natural Snow Buildings will find much to celebrate in Taiga Remains.

10,00€

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3 LP

Peter KOLOVOS
“Black colors”

Over more than a decade Peter Kolovos has created an incredibly physical and dynamic musical language using the electric guitar. He plays music that unpredictably flows from electrified fragments of sound which fold and expand in dense layers and massive tones that surge and collapse in rapid succession. His approach has been called “massively a-formal” and his control of timing and texture “masterful.” Rather than set harmonic or rhythmic structures, he draws form from open sequences of sound events merged and propelled by a distinct internal logic. In his music Kolovos attempts to erase the line between intent and impulse and to create sounds that are immediate and unrepeatable. Black Colors is the fullest realization of Kolovos’s music to date. Over six sides of vinyl the album presents a vast world of intricate sound-at times dense and teeming with saturated bursts and drones and at others sparse with minute ticks and quiet tones that reverberate in open space. Without a preset listening sequence, the album is intended to be a shifting, prismatic work-with sides that can be arranged in hundreds of different sequences, each yielding a distinct sound experience. The music on Black Colors is coupled with Zoe Crosher’s artwork. Eight photographs from her "L.A. Black Like" series present views from the black spaces and shadows of Los Angeles where light and color only pierce the darkness in filtered and obscured glimpses of the outside world. Beyond being created in the same time and place, Crosher’s images and Kolovos’s music share a deeper consonance. Deluxe Packaging: 3 x 180 gram high-quality vinyl pressed at Pallas Germany. Mastered at 45 RPM for volume, dynamics, and clarity by Rashad Becker at D&M Berlin. Full-color, heavy tip-on slipcase with three full-color sleeves. Digital download included.

20,00€

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12"

Philipp QUEHENBERGER
“Uffuff”

“Mastered & cut by Rashad Becker at D+M, Berlin, June 2011. Pre-master by Falm. New gear from the PQ corner! 12” with 1 new Quehenberger original (Uffuff) and a trio of near remixes from his lastest album Hazard (released as Laton 047 in 2009). Patrick Pulsinger tackles New Beat, in his unique future funk sound. A welcome return of Elin (who hasn’t been on a Mego record since 1995, check Mego 003). He slurps out a version of Hey Gert, making it into an slamming slowed down twister of a track.This leaves the pumping exccess of Altroys (Minimal Sould) Keep Talking remix.”

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Kevin DRUMM
“Humid Weather”

16,00€

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LA TÈNE
“Tardive-Issime”

Collaborative release between Les Disques Bongo Joe and three:four. If this second opus relies on the same method of composition, it employs a decidedly richer timbral palette, combining long heavy descending harmonium sweeps, relentless percussion, and the ever more precise patterns and drones of the hurdy-gurdy. ‘Tardive/Issime’, something of a mirror to its predecessor, nevertheless reveals a few phantoms in the course of listening, prefiguring a music still to come. La Tène is a tricephale beast discharging a singular energy in which one may detect echoes of traditional music, saturated repetition, ethereal harmonics or imaginary choreographies... Alexis Degrenier: hurdy-gurdy. Cyril Bondi: percussions. D'incise: Indian harmonium, electronic.

16,50€

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Picture Disc

NURSE WITH WOUND
“Chromanatron”

2013. Chromanatron is the new album from Nurse with wound, collages of no less than 5 albums by the mythical German band from the late 60s SAND. These five psyche-experimental-krautrock albums include their first oddity Golem, that NWW discovered a long time ago and represented straight away a great source of inspiration for him. A great dedication to Sand, and hat-in-hand, chapeau bas ! to Nurse with wound for this once again unique masterpiece. Chromanatron is part of the series Inxodem released by Rotorelief. It is a series of new albums from Sand as well as a reissue of their obscure and rare album Golem. This series of albums is called Inxodem, the series title having one letter for each album. Current 93 is also part of the project with When the may rain comes, cover versions of the original track from Sand. All paintings and collages of the Inxodem series are created by Babs Santini aka Steven Stapleton. Limited and numbered edition of 500 copies on picture disc.

19,00€

Catalogue

CORTICALART

NEWSLETTER

INFORMATIONS