Out of stock
CD
Robert RENTAL
“Mental Detentions”
Robert Rental was a British pioneer of the post-punk DIY industrial electronic music scene in the United Kingdom. Originally from Port Glasgow, Scotland, he moved to the south of England with Thomas Leer in the late 1970s, and became involved with the local music scene. Robert Rental however released very little of his solo music, preferring to collaborate with Thomas Leer, as well as with Daniel Miller. The only solo recording from The 1970s is the 7" single "Paralysis" first released on the homemade Regular Records, then re-released on Company Records in 1978. Mental Detentions was released as a cassette in 1979, the same year as his masterpiece The Bridge with Thomas Leer (who also features on several tracks on this album). It is an album full of electronic songs ranging from abstract Industrial to rhythmic proto pop. Robert spoke to friends of his frustration at being unable to replicate his sound in a commercial studio – it was these demos’ sound that he wanted to create. Sometimes having only access to the most rudimentary of equipment can hone the creative talent into something sharper and more focused – necessity is the mother of invention, indeed.
12,50€
In stock
CD
Asmus TIETCHENS
“Ptomaine 1”
Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in Musique Concrete by listening to a German radio programme when he was 10 years old. In 1965, at the age of 18, Asmus started experimenting with tape loops and turned them into musical collages. Soon, the use of synthesizers was added. In 1980 his debut album Nachtstücke was released, produced by Peter Baumann of Tangerine Dream. This was soon followed by a series of albums of electronic pop music for the Sky label, home of many Krautrock bands. Tietchens often uses special source materials for his compositions such as water (Seuchengebiete), human voices (Von Mund zu Mund), paper (Papier ist geduldig). He is associated with the Industrial music scene through his collaborations and releases on labels such as United Dairies, Esplendor Geometrico or Dom Records. Tietchens never studied composition, he has no academic background, everything he does is self taught or learnign by doing. Nevertheless, he was professor for sound design in Hamburg in recent years. Ptomaine was originally released on RRRecords in 1996 as a 3 LP set. This is the first volume of the first ever CD re-issue.
12,50€
Out of stock
CD
Joke LANZ & DIEB13
“Musical Education”
Joke Lanz was born in Basel, Switzerland and is a well-know noise musician, performance artist and turntablist. He is also founding member and singer in the art rock group Sudden Infant, a meber of the legendary Schimpfluch group (alongside Rudolf Eb.er, Dave Phillips, Marc Zeier and Daniel Löwenbrück) and performs in many duos and and other forms in the improvisation scene. He also writes music for theatre and film, radio, installations and objects. Dieter Kovačič aka Dieb13 is an Austrian improvisational musician who mostly works with turntables. Since the late 1980s he has been experimenting with cassette players, vinyl records, CDs and harddiscs. He has a duo with Billy Roisz which combines electronic music with experimental filmmaking. In autumn 2020, the two met in Vienna for a concert at GrillX. Three turntables were used and the result was amazing: stunning sounds, great humor, heads full of ideas. This CD is a recording of that show.
12,50€
Out of stock
CD
UN DRAME MUSICAL INSTANTANÉ
“Carnage”
Un Drame Musical Instantané were founded in 1976, featuring Jean-Jacques Birgé, Bernard Vitet and Francis Gorgé. Their aim was to promote collective musical creation, co-signing their albums, which they consider as artworks in themselves, or their live shows which they tried to renew every time they played. Their sound was created with many influences: They borrowed their sources from rock (synthesizer player Birgé and guitarist Gorgé, both authors of the album, Défense de); jazz (trumpeter Vitet who founded the first free jazz band in France, together with François Tusques, as well as Michel Portal who played with many American and European jazzmen); classical modern music; as well as movies or world news; they were the first in France to give a new impetus to live music on silent movies. After having improvised freely for many years, they led a fifteen piece orchestra from 1981 to 1986, and from 1989 onwards they produced multimedia shows (live video remix on a giant screen, fireworks, choreographies). Still their music was the most important technique, they called their recordings "blind cinema". The Drame used to mix acoustic and electronic instruments in real time as well as original instruments built by Vitet (a reed trumpet, a multiphonic French horn, a variable tension double-bass, a giant balafon with frying pans and flower pots keyboard, a fire organ, plexiglas flutes, etc.). After Francis Gorgé left the band in 1992, Birgé and Vitet went on recording and producing with other musicians close to the "family" such as percussionist, Gérard Siracusa, or multi-instrumentalist, Hélène Sage. Un Drame Musical Instantané always remained independent (they always owned their own recording studio and record label GRRR) and stopped its activities in 2008, with Birgé being the only one active until this day. Carnage was the band's 6th album, released in 1985 on their own GRRR label. It sees the band back to their most famous trio format consisting of Birge, Gorge and Vitet.
12,50€
In stock
CD
Tom CORA – David MOSS
“Cargo Cult Revival”
Tom Cora made his musical debut as drummer on a local US television programme. In the mid 1970s he played guitar for a Washington, D.C. jazz club house band. He took up the cello while an undergraduate at the University of Virginia and studied with cellist Pablo Casals' student Luis Garcia-Renart and later with vibraphonist Karl Berger. During this time he formed his own group, The Moose Skowron Tuned Metal Ensemble and began constructing instruments for it. In 1979 Cora moved to New York City where he worked with Shockabilly guitarist Eugene Chadbourne. He performed at improvising clubs and venues in New York with John Zorn, Fred Frith, Butch Morris, Wayne Horvitz, David Moss, Toshinori Kondo and others. Cora also collaborated with George Cartwright and Bill Laswell which led to the formation of the art rock band Curlew in 1979 . Cora remained with Curlew for over ten years and appeared on five of their albums. In 1982 Tom Cora and Fred Frith formed Skeleton Crew, an improvising rock and jazz band best known for their live performances where they played various instruments simultaneously.
David Moss' life was shaped by drumming and singing. First, his father’s drum-set, Bertoia sound sculptures, duos with dancer Steve Paxton. Later, singing: at Berlin Philharmonie, Lincoln Center, Carnegie Hall, Salzburg Festival. In 2018/19 he received the German Music Authors Prize for experimental voice; sang in Olga Neuwirth’s opera Lost Highway, sang Frank Zappa’s music at the Venice Biennale; visited Taipei, Seattle and Bogota with Heiner Goebbels’ Surrogate Cities; worked with video artist Lillevan. Moss received Guggenheim and DAAD Artist-in-Berlin Fellowships. He directs the Institute for Living Voice (and teaches). In 2019 he made his debut at the Elbphilharmonie, Hamburg as the baritone soloist in Xenakis ÄIS; with the Rundfunk-Symphonie Orchester Berlin under Peter Rundel.
In 1983 Tom and David recorded the album "Cargo Cult Revival" together which was released on Fred Frith's label Rift Records. For this first ever CD re-issue, it was remastered by Martin Bowes.
12,50€
In stock
CD
Joke LANZ & Ute WASSERMANN
“Half Dead Half Alive”
Joke Lanz was born in Basel, Switzerland and is a well-know noise musician, performance artist and turntablist. He is also founding member and singer in the art rock group Sudden Infant, a member of the legendary Schimpfluch group (alongside Rudolf Eb.er, Dave Phillips, Marc Zeier and Daniel Löwenbrück) and performs in many duos and and other forms in the improvisation scene. He also writes music for theatre and film, radio, installations and objects.
Ute Wassermann is a German vocalist, composer and sound artist. She studied fine arts focusing on sound installations and performance at the University of Fine Arts of Hamburg. Wassermann has developed her own unique vocal techniques. She explores them in different forms such as voice performances, compositions, improvisations and installations. The human voice is extended in many different ways in her work and often plays with all kinds of other sound connotations. This also results in an extensive use of bird whistles, different kinds of resonating objects and prepared loudspeakers.
Lanz and Wassermann have been working as a duo for some time, and in 2019 they performed an excellent concert at Nickelsdorf jazz festival. This CD is a recording of that show.
12,00€
In stock
CD
ETANT DONNES
“L’Étoile Au Front”
Etant Donnes is a French duo named after Marcel Duchamp's last major work. The group consists of brothers Marc and Eric Hurtado, born in Morocco and working mainly as performance artists and musicians. Their sound can be described as a mix of field recordings, found sounds and sometimes whispered, sometimes violent vocals. They describe their sounds like this: "Through Marc and Eric, it is the volume of each word that becomes an object-sculpture, together with the power of their bodies expressing their voices. Each event is a scream - indeed even the glissando - of the strength of the word that sometimes abruptly becomes a rock, a solid surface, not in the least fluvial, as is the narrative of a tale, novel or poetic epic. With both of them, there is no more trace of ancient prosodies, no more trace of the incomprehensible Sainte-Beuve who could claim: "I have to collect a volume of prose". The word, the voice, the volume take shape with each other, unveiling a theatre that theatre usually ignores, which has given it such things as a Samuel Beckett's Fin de Partie."
Over the years Etant Donnes have collaborated with people like Lydia Lunch, Michael Gira, Alan Vega and Genesis P-Orridge. L'Etoile du Front was the band's third album, dating back to 1982 and originally issued on French Bain Total label (run by Philippe Fichot of Die Form). For this CD re-issue we have added a long bonus track not on the original album.
12,00€
Out of stock
CD
ALIEN BRAINS
“Menial Disorders”
The Industrial / experimental project Alien Brains was founded by Nigel Jacklin in 1979 while he was still at school in Oundle, near Peterborough, in the UK. Menial Disorders was their first release on Deleted Records. The cassette album includes recordings made in the school physics department using sound generators and a ‘loopotron’ which had been lent to Nigel by one of Billy Bragg’s bandmates (Billy Bragg’s Punk band, Riff Raff, were based in Oundle at the time) as well as their first live appearance in the Dryden Chemistry lecture theatre. The concert featured Jacklin and Instant Automatons member / Deleted Records boss Mark Lancaster alongside a number of fellow school pupils.
Released on January 1st 1980, Menial Disorders was obtainable by sending a blank C90 cassette to Deleted Records who then copied it onto the cassette and posted it back to you. In Jacklin’s word this was like, ‘an early version of the internet, bypassing the conventional music industry.’ Jacklin went on to organize the legendary Industrial Records concert at Oundle School featuring Throbbing Gristle and Monte Cazazza. The concert was filmed by Daniel Landin (a.k.a. Stan Bingo) of 23 Skidoo / Last Few Days and released on video, much to the surprise - and horror! - of the school headmaster. Alien Brains went on to release several more cassettes as well as contributing to several compilations.
Jacklin describes Alien Brains as 'an abstract non-collective’ (rather than a group), pointing out that there was no fixed line-up, everything was spontaneous. Live appearances included The Basement in Newcastle, Ultra's in Amsterdam as well as Centro Iberico and the Architectural Association, both in London. Jacklin worked with a wide range of people including Dominic Guerin (SPK), Philip and Richard Rupenus (primarily known for their work as The New Blockaders), Allen Adams (The Destructors, Methods Of Execution), Philip Sanderson (Storm Bugs, Snatch Tapes), David Jackman (Organum), Harold Schellinx (of Dutch band The Young Lions) and Lionel Jarlan (Ptose Production.)
12,00€
Out of stock
CD
Lol COXHILL & Fred FRITH
“French Gigs”
George Lowen Coxhill, generally known as Lol Coxhill, was an English free improvising saxophonist and raconteur. He played the soprano or sopranino saxophone. In the late 1960s and early 1970s, he was a member of Canterbury scene bands Carol Grimes and Delivery and then Kevin Ayers and the Whole World. He became known for his solo playing and for work in duets with pianist Steve Miller and guitarist G. F. Fitzgerald. Coxhill collaborated with other musicians including Mike Oldfield, Morgan Fisher, Chris McGregor's Brotherhood of Breath and its musical descendant The Dedication Orchestra, Django Bates, The Damned, Derek Bailey and many others.
Jeremy Webster 'Fred' Frith is an English multi-instrumentalist, composer, and improvisor. Probably best known for his guitar work, Frith first came to attention as one of the founding members of the English avant-rock group Henry Cow. He was also a member of the groups Art Bears, Massacre, and Skeleton Crew. He has collaborated with a number of prominent musicians, including Robert Wyatt, Derek Bailey, The Residents, John Zorn, Brian Eno, Mike Patton, Lars Hollmer, Bill Laswell, Iva Bittová and Jad Fair.
The duets between Coxhill and Frith were recorded from the late '70s to the early '90s. They were originally released on AAA in 1983 on LP and on Ayaa Records in France in 1991 on CD. This re-issue was re-mastered by Myles Boison and features previously unreleased music recorded in 1999, the last time Coxhill and Frith performed together.
12,00€
In stock
CD
Andrea CENTAZZO & Elisabeth HARNIK
“Duophonic Landscape”
Elisabeth Harnik, an Austrian based pianist and composer has created a multi-faceted body of work by blurring genre boundaries through various collaborations in the field of improvised music, interdisciplinary projects and contemporary compositional works. She studied classical piano and later – with Beat Furrer – composition at the University of Music and Performing Arts, Graz. As an improviser she works within an electro-acoustic inspired sound-world, using specific preparations and extended techniques while pushing the limitations of the piano. Amongst others she has collaborated with Frank Gratkowski, Dave Rempis & Michael Zerang, Joelle Leandre and Ken Vandermark.
Andrea Centazzo is an Italian-born American composer, percussionist, multimedia artist and record label founder. In the 1970s he played percussion in avant-garde jazz with John Zorn, Steve Lacy, and Don Cherry and became "a leading figure in the European avant-garde". Centazzo has recorded over 60 LP's and CD's, and has composed 350 musical works of diverse types, in addition to writing eight musicology books. He founded the Ictus label with his wife Carla Luigi in 1976.
The music for Duophonic Landscape was recorded in a winery in Gorizia, Italy, in 2019. "The improvisations on this recording radiate with life and provide an expansive look into the deeper reaches of our minds. Each one completely engaged me, spurring my imagination in so many ways, taking me to new places that created landscapes with some vivid and unusual scenery. It was a fun listen by two master improvisers and the perfect antidote to another day in the confines of the Corona-Virus Blues. The power of improvisation. Its where it’s at my friends", says musician friend Steve Swell about the recordings on this album.
12,00€
In stock
CD
Susanna GARTMAYER & Christof KURZMANN
“Smaller Sad”
Susanna Gartmayer is an Austrian composer and bass clarinetist working in the fields of experimental rock music, multi idiomatic improvisation, jazz and contemporary music. She is especially interested in the sound possibilities of the low clarinets and the theory and practical implications of working together in bands and collectives. Christof Kurzmann is a performer, musician, composer and curator. After a successful start with his first band Extended Versions he continued his work in experimental electronic music. He has worked with people like Luc Ferrari, Fred Frith, John Butcher, Mats Gustafsson, Ken Vandermark, and has released more than 30 CDs.
Smaller Sad is the first album by this duo and was recorded in various locations at various times. Gartmayer and Kurzmann create an often fragile music somewhere between jazz, songwriting and improvisation. Susanna plays bass clarinet, Christof plays ppooll, rubber band and sings. They first performed together at an open session in 2014 and play together regularly since 2018 as a duo. Although the music is improvised, they always focus on melodies, too.
Susanna Gartmayer - Bass clarinet, Artwork
Christof Kurzmann - Ppooll, Voice, Tubber band
Christoph Amann - Mastering
12,00€
Out of stock
CD
Asmus TIETCHENS
“Raum 318”
Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in Musique Concrete by listening to a German radio programme when he was 10 years old. In 1965, at the age of 18, Asmus started experimenting with tape loops and turned them into musical collages. Soon, the use of synthesizers was added. In 1980 his debut album Nachtstücke was released, produced by Peter Baumann of Tangerine Dream. This was soon followed by a series of albums of electronic pop music for the Sky label, home of many Krautrock bands. Tietchens often uses special source materials for his compositions such as water (Seuchengebiete), human voices (Von Mund zu Mund), paper (Papier ist geduldig). He is associated with the Industrial music scene through his collaborations and releases on labels such as United Dairies, Esplendor Geometrico or Dom Records. Tietchens never studied composition, he has no academic background, everything he does is self taught or learnign by doing. Nevertheless, he was professor for sound design in Hamburg in recent years. Raum 318 was originally released on cassette only in 1991 on the E'ostrate label in France, in an edition of only 138 hand-numbered copies. It is a part of Tietchens' more Industrial sounding body of work and was remastered for this edition. In addition, a long previously unreelased bonus track has been added.
12,00€
Out of stock
CD
Phil MINTON & DIEB13
“With, Without”
Phil Minton is a jazz/free-improvising vocalist and trumpeter. He is a highly dramatic baritone who tends to specialize in literary texts: he has sung lyrics by William Blake with Mike Westbrook's group, Daniil Kharms and Joseph Brodsky with Simon Nabatov, and extracts from James Joyce's Finnegans Wake with his own ensemble. Minton is perhaps best known, however, for his completely free-form work, which involves "extended techniques" that can be as unsettling as they can be mesmerising. His vocals often include the sounds of retching, burping, screaming, and gasping, as well as childlike muttering, whining, crying and humming; he also has an ability to distort his vocal cords to produce two notes at once. Dieter Kovačič aka Dieb13 is an Austrian improvisational musician who mostly works with turntables. Since the late 1980s he has been experimenting with cassette players, vinyl records, CDs and harddiscs. He has a duo with Billy Roisz which combines electronic music with experimental filmmaking. Their first collaborative album has been recorded live at various festivals, including Wels Unlimited, Disobedience Ljubljana or Instants Chavires, Montreuil.
Original price was: 12,00€.7,00€Current price is: 7,00€.
In stock
CD
Rodrigo AMADO & Dirk SERRIES
“Jazzblazzt”
Rodrigo Amado was born in Lisbon, Portugal, in 1964 and took up the saxophone at the age of 17 while convalescing from an accident. Later he studied at the Hot Club Music School and was soon playing with numerous rock, pop and experimental projects. At the shifting boundary between free jazz and improvised music, Amado's position is clear: he plays jazz. He is so clearly a jazz musician that he doesn't require any pre-determined elements of rhythm, harmony, chorus lengths or melody to play jazz. There's a rhythmic impetus, a bite in his sound, and it drives his lines forward, a fundamental impress on the world that tenor saxophonists like Archie Shepp, Coleman Hawkins or Sonny Rollins have been making for generations.Dirk Serries is a Belgian musician who started as an ambient composer and musician under the name of Vidna Obmana (releases also on Klanggalerie). In 2007 he gave up thsi pseudonym to concentrate on work under his own name and under the name Fear Falls Burning. The collaboration "Jazzblazzt" was recorded live in in concert on August 28th, 2018 at the venue "Jazzblazzt" in The Netherlands. Amado plays tenor saxophone, Serries electric and acoustic guitars. It was mixed and mastered by Dirk Serries. Originally released as a very limited cassette only, we are happy to now offer you a CD of this fantastic duo collaboration.
12,00€
In stock
CD
Sainkho NAMTCHYLAK – Ned ROTHENBERG – DIEB13
“Antiphonen”
Sainkho Namtchylak is a singer originally from Tuva, an autonomous republic in the Russian Federation just north of Mongolia. She is known for her Tuvan throat singing or Khöömei. Her music encompasses avant-jazz, electronica, modern composition and Tuvan influences. Once the Soviet Union had collapsed, she moved to Vienna, making it her base, although she traveled widely, working in any number of shifting groups and recording a number of discs that revolved around free improvisation. Amongst them are collaborations with Evan Parker, Ned Rothenberg, The Moscow Composers Orchestra and Wolfgang Puschnig.
Ned Rothenberg is an American multi-instrumentalist who was born in 1956 in Massachusetts. He has been internationally acclaimed for both his solo and ensemble music, presented for the past 33 years on 5 continents. He performs primarily on alto saxophone, clarinet, bass clarinet, and the shakuhachi - an endblown Japanese bamboo flute. His solo work utilizes an expanded palette of sonic language, creating a kind of personal idiom all its own.
die13 was born as Dieter Kovačič in 1973. He is a turntablist, hacker, filmmaker, autodidact, composer, collageur and conscientious copyright objector. Since the late 1980s he has explored the possibilities of vinyls, cassettes, harddisks, ip-protocols etc. as material for collages and compositions. Using various playing techniques and his own lathe cutter, he has pushed the development of turntables as instruments aside "classical dj techniques" and developed his very unique style.
Antiphonen was the first time this trio played together. Kazuhisha Uchihashi from Japanese group Altered States co-curated the festival and 2019 and invited the musicians to perform together.
12,00€
Out of stock
CD
Pascal COMELADE – Marc HURTADO
“Larme secrète”
Pascal Comelade was born in Montpellier, France. After living in Barcelona for several years, he made his first album, under the name of Fluence, influenced by electronic music and by the group Heldon. Since 1980 Comelade releases music under his own name. Ever since, his music has become more acoustic and is often characterised by the sounds of toy instruments, used as solo-instruments or as an integral part of the sound of his group, the Bel Canto Orchestra. Marc Hurtado is one half of the experimental French duo Étant Donnés. Active since the end of the 1970s, the group has released several albums, also collaborating with people like Alan Vega, Lydia Lunch, Michael Gira or Genesis P-Orridge. Hurtado has also released several solo albums under his own name, again collaborating with various artists, and has toured with Lydia Lunch celebrating the music of Suicide. Larme Secrete is the first time that Comelade and Hurtado have collaborated. Larme Secrete is the sound of an electric shock , the sound of two hearts beating at the same rhythm, united in the pulsating and hypnotic music of Pascal Comelade melted in the fire of the celestial poems of Marc Hurtado. Synthesizers, guitars, drums, organ, piano, sound loops, whispering, flying, screaming voices transport you in a blazing sonic dream."
12,00€
In stock
CD
SEMANTICS (ROTHENBERG / SHARP / BENNETT)
“Semantics”
Semantics was a jazz supergroup consisting of Elliott Sharp, Ned Rothenberg and Samm Bennett. Elliott Sharp, born in Ohio in 1951, began playing the piano at the age of six and started to perform concerts two years later. He soon gave up the piano, first in favour of the clarinet and later for the guitar. Sharp became intrigued with all types of experimental music, from contemporary classical to free jazz and sophisticated rock. He studied anthropology at Cornell University, where he played in a band and took an electronics class with synthesizer inventor Robert Moog. Ned Rothenberg is an American multi-instrumentalist who was born in 1956 in Massachusetts. He has been internationally acclaimed for both his solo and ensemble music, presented for the past 33 years on 5 continents. He performs primarily on alto saxophone, clarinet, bass clarinet, and the shakuhachi - an endblown Japanese bamboo flute. His solo work utilizes an expanded palette of sonic language, creating a kind of personal idiom all its own. Samm Bennett was born in 1957 in Alabama. In 1977 he moved to Boston, a town that seemed to offer broader possibilities for a young musician eager to play and grow and try new things. It was there that he was first exposed to African drumming styles, mostly through attending weekly drum ensemble workshops led by Boston underground percussion legend Syd Smart. In late 1980, he went to Nigeria, West Africa. Traveling with a friend who introduced him to a family in Benin City, Nigeria, he remained there as their guest for six months, making daily trips to the home of drum master Idemudia Izevbihen. Later Bennett lived in Brussels and played many solo shows. The short lived Semantics were active in the middle of the 1980s and released two albums. The self-titled debut has so far never been released on CD. It is a masterpiece of contemporary jazz with a rock attitude added for good measure.
12,00€
In stock
CD
OFFICER!
“Yes Yes No No Yes No Yes”
Officer! was founded by Londoner Mick Hobbs. His roots were in the Rock In Opposition scene of the late 70s and early 80s. Initially he worked as guitarist in The Work, subsequently he became closely associated with This Heat and their Cold Storage Studio in Brixton, working with artists like Family Fodder, Catherine Jauniaux or Zeena Parkins. The band's first album "8 New Songs By Mick Hobbs" came out in 1982 on casette only. It was followed by the second album, "Ossification". The third album, "Cough" was recorded and released in France in 1985. It is often overlooked in the band's discography, a fate that many cassette releases share. "8 New Songs By Mick Hobbs" and "Cough" have been collected to form the CD "Earlier Music", which is also available from Klanggalerie. "Yes Yes No No Yes No Yes " was the band's fourth album and came out as a vinyl LP in 1988, released by the band themselves. It was recorded in France and England between 1986 and 1988. Performing on the album are Antoine Gindt, Bill Gilonis, Claudia Schmid, Daniel Koskowitz, Felix Fiedorowicz, Keisuke Matsui and of course Mick Hobbs. Hobbs is a songwriter with a gift for plangent melody, ingenious arrangement and lyrics at once caustic and courtly, playful and profound.
12,00€
In stock
CD
Asmus TIETCHENS
“Linea +”
Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in Musique Concrete by listening to a German radio programme when he was 10 years old. In 1965, at the age of 18, Asmus started experimenting with tape loops and turned them into musical collages. Soon, the use of synthesizers was added. In 1980 his debut album Nachtstücke was released, produced by Peter Baumann of Tangerine Dream. This was soon followed by a series of albums of electronic pop music for the Sky label, home of many Krautrock bands. Tietchens often uses special source materials for his compositions such as water (Seuchengebiete), human voices (Von Mund zu Mund), paper (Papier ist geduldig). He is associated with the Industrial music scene through his collaborations and releases on labels such as United Dairies, Esplendor Geometrico or Dom Records. Tietchens never studied composition, he has no academic background, everything he does is self taught or learnign by doing. Nevertheless, he was professor for sound design in Hamburg in recent years. Linea was originally released on cassette on Dutch Korm Plastics label, later re-issued as a CDR in 1999. It is one of Tietchens's most minimal compositions, and has a special place in our music hearts here at Klanggalerie. For our new edition, Asmus Tietchens has dug deep into his archive and unearthed two further Linea pieces that have so far never seen the light of day.
12,00€
In stock
CD
Asmus TIETCHENS
“Dämmerattacke”
Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in Musique Concrete by listening to a German radio programme when he was 10 years old. In 1965, at the age of 18, Asmus started experimenting with tape loops and turned them into musical collages. Soon, the use of synthesizers was added. In 1980 his debut album Nachtstücke was released, produced by Peter Baumann of Tangerine Dream. This was soon followed by a series of albums of electronic pop music for the Sky label, home of many Krautrock bands. Tietchens often uses special source materials for his compositions such as water (Seuchengebiete), human voices (Von Mund zu Mund), paper (Papier ist geduldig). He is associated with the Industrial music scene through his collaborations and releases on labels such as United Dairies, Esplendor Geometrico or Dom Records. Tietchens never studied composition, he has no academic background, everything he does is self taught or learnign by doing. Nevertheless, he was professor for sound design in Hamburg in recent years. The album Dämmerattacke was originally released on Dutch Korm Plastics label in 1997 as a limited edition vinyl LP only. It was later reissued as a double CD with Eisgang. For this latest edition, we have added another bonus track making the CD 20 minutes longer than the LP.
12,00€
Out of stock
CD
UN DRAME MUSICAL INSTANTANÉ
“L’homme à la caméra / La glace à trois faces”
"Un Drame Musical Instantané were founded in 1976, featuring Jean-Jacques Birgé, Bernard Vitet and Francis Gorgé. Their aim was to promote collective musical creation, co-signing their albums, which they consider as artworks in themselves, or their live shows which they tried to renew every time they played. Their sound was created with many influences: rock; jazz, and classical modern music; as well as movies or world news; they were the first in France to give a new impetus to live music on silent movies. After having improvised freely for many years, they led a fifteen-piece orchestra from 1981 to 1986, and from 1989 onwards they produced multimedia shows (live video remix on a giant screen, fireworks, choreographies). Still their music was the most important technique, they called their recordings 'blind cinema'. The Drame used to mix acoustic and electronic instruments in real time as well as original instruments built by Vitet (a reed trumpet, a multiphonic French horn, a variable tension double-bass, a giant balafon with frying pans and flower pots keyboard, a fire organ, plexiglas flutes, etc.). After Francis Gorgé left the band in 1992, Birgé and Vitet went on recording and producing with other musicians close to the 'family' such as percussionist, Gérard Siracusa, or multi-instrumentalist, Hélène Sage. Un Drame Musical Instantané always remained independent (they always owned their own recording studio and record label GRRR) and stopped its activities in 2008, with Birgé being the only one active until this day. L'Homme À La Caméra was originally released on GRRR in 1984 and features 15 musicians. In addition to the original album, we offer you a whole new section of previously unreleased music from the time entitled La Glace A Trois Faces which is another soundtrack to a silent movie from 1927."
Original price was: 12,00€.6,00€Current price is: 6,00€.
In stock
CD
Massimo TONIUTTI
“Variation séculaire géomagnétique (Antidocument/Groundwork)”
"Massimo Toniutti is an Italian sound designer and experimental musician. He is the brother of Giancarlo Toniutti who is best known for his dark ambient masterpiece La Mutazione which was originally released on the Broken Flag label in the UK and later reissued by Klanggalerie. Massimo started working with sound when he was a teenager, collecting and playing recordings of all kinds. In th 1980s he released four cassettes on his own label, all heavily influenced by the experimental musis scene of that time. He soon developped a strong relation to electroacoustic structures, space/environment and silence. In the 1990s, he began investigating radio, creating his own sound archive and producing unusual broadcasts. He released an album entitled Il Museum Selvatico, which was reissued in Australia in 2018 on Oren Ambarchi's label Black Truffle. A documentation of his radio work can be heard on the CD Le Gabbiette Di Faraday, collecting radio pieces from 1996 to 1998. After a twenty year break, the cassette Antidocument/Groundwork was released in 2016 in a tiny edition of only 100 copies. Klanggalerie asked Massimo Toniutti to reissue this composition on CD to which he agreed. When work was started, Massimo decided to extend it to a much longer piece which became Variation Séculaire Géomagnétique. if you are into Musique Concrete, Dark Ambient or simply beautifully crafted atmospheric music, then this release is for you."
12,00€
In stock
CD
Jac BERROCAL – David FENECH – Vincent EPPLAY
“Ice Exposure”
Jac Berrocal is a 1946-born musician (trumpet player), poet and sometime film actor who came of age in the ‘70s Paris improv scene, where the boundaries between music, art and theatre were porous and begging to be breached. Inspired by bebop, chanson, free jazz, beat poetry, early rock ‘n roll and myriad Eastern influences, and with an iconoclastic, anything-goes approach to instrumentation and technique that would later align him with post-punk sensibilities, Berrocal blazed an eccentric and unstoppable trail across the underground throughout the ‘70s and ‘80s, both solo and as part of the Catalogue group he co-founded. During this time his uproarious performances routinely wound up jazz and rock audiences alike, but earned the admiration of many musicians: Steven Stapleton invited him to perform on two Nurse With Wound albums, and other notable collaborators in his career include Sunny Murray, Lizzy Mercier-Descloux, Lol Coxhill, Yvette Horner and James Chance.
In the 90s his protean achievements were celebrated on the Fatal Encounters compilation, but far from slowing down in the autumn of his life, Berrocal has maintained an extraordinary work-rate, keeping studio dates with Pascal Comelade, Telectu and Jaki Liebezeit, among others.
Now Berrocal has found the perfect foil in David Fenech and Vincent Epplay, two fearlessly inventive improvisers, composers and catalysts who create challenging, acutely modernist yet historically aware settings – wrought out of synthesis, guitars, computer processing, field recordings and unorthodox percussions – for Berrocal’s unmistakeable voice and breathtakingly lyrical horn sound to flourish. Fenech cut his teeth in the mail-art scene of the early ‘90s, leading the Peu Importe collective in Grenoble. His 2000 solo debut was recently reissued by Felix Kubin’s Gagarin label, and he has also worked as a software developer at IRCAM, and played with Jad Fair, Tom Cora, Rhys Chatham and James Plotkin; in 2011 he formed a trio with Berrocal and Ghedalia Tazartes for the Superdisque LP. Epplay is a highly regarded sonic and visual artist with a particular interest in aleatory composition and autonomous pieces, concrète, and the puckish reappropriation of vintage sound and film material, with dozens of published works to his name on labels like Planam/Alga Marghen and PPT/Stembogen. Ice exposure is the sequel and companion piece to 2015’s Antigravity, its title couldn’t be more apt: sonically it is both colder, and more exposed – in the sense of rawer, more volatile, more vulnerable – than its predecessor, capturing the combustible energy and barely suppressed violence of the trio’s celebrated live performances with aspects of noir jazz, musique concrète, no wave art-rock, sound poetry and spectral electronics all interpenetrating in unpredictable and exhilarating ways. While there are moments of great sensitivity and even a cautious romanticism, the prevailing mood is one of anxiety, paranoia, and mounting psychodrama: close your eyes and Ice Exposure feels like a dissociative Hörspiel broadcasting from the seedy backstreets of your own troubled mind. This CD version also has two bonus tracks that have not been available before.
12,00€
In stock
CD
Jean-Jacques BIRGÉ & Hélène SAGE
“Rendez-vous”
"French group Un Drame Musical Instantané was founded in 1976. They present an original, unclassifiable, inventive music, which drifts from jazz to electronic sounds and contemporary music. Klanggalerie has started an extensive re-issue program with these unique avantgarde pioneers which will bring back their classic albums but also side projects like this one. Rendez-Vous was recorded in 1981 but never released. This is what group founder Birgé has to say about the recording: 'I met Hélène when she was doing a performance at Espace Palikao in Paris with choreographer Lulla Card Chourlin. She was singing whilst driving an old Mercedes Benz, trying to run over Lulla, and playing double bass on its roof! I proposed her to record some improvisations at Studio GRRR as I've always done with new musicians and as I'm still doing. The connection was so great, as one can hear on this record 37 years later, that I asked her to join the 15-piece orchestra of Un Drame Musical Instantané which had just been founded. She brought some crazy stuff into the group, playing strange instruments she had invented herself. She is a wonderful flute player, but I asked her to play all kinds of instruments and also to sing, leaving her often free to improvise besides the written score. In the next years we both played as a duo and she became the fourth member of the Drame. When I listen to these pieces today, I'm surprised by the high degree of composition, the quality and variety of our inventions. The mix of acoustic and electronic instruments sounds totally contemporary, plus with the energy of youth and the absolute love for innovative forms.'"
12,00€
In stock
CD
ETANT DONNES
“L’opposition et les cases conjuguées sont réconciliées”
Etant Donnes is a French duo named after Marcel Duchamp's last major work. The group consists of brothers Marc and Eric Hurtado, born in Morocco and working mainly as performance artists and musicians. Their sound can be described as a mix of field recordings, found sounds and sometimes whispered, sometimes violent vocals. They describe their sounds like this: "Through Marc and Eric, it is the volume of each word that becomes an object-sculpture, together with the power of their bodies expressing their voices. Each event is a scream - indeed even the glissando - of the strength of the word that sometimes abruptly becomes a rock, a solid surface, not in the least fluvial, as is the narrative of a tale, novel or poetic epic. With both of them, there is no more trace of ancient prosodies, no more trace of the incomprehensible Sainte-Beuve who could claim: "I have to collect a volume of prose". The word, the voice, the volume take shape with each other, unveiling a theatre that theatre usually ignores, which has given it such things as a Samuel Beckett's Fin de Partie." Over the years Etant Donnes have collaborated with people like Lydia Lunch, Michael Gira, Alan Vega and Genesis P-Orridge. L'Opposition Et Les Cases Conjuguées Sont Réconciliées was the band's second album, originally released in 1981 on French label Bain Total, run by die Form, on cassette only. For this CD re-issue we have added a long bonus track not on the original album.
12,00€
Out of stock
CD
ETANT DONNES
“La vue”
Etant Donnes is a French duo named after Marcel Duchamp's last major work. The group consists of brothers Marc and Eric Hurtado, born in Morocco and working mainly as performance artists and musicians. Their sound can be described as a mix of field recordings, found sounds and sometimes whispered, sometimes violent vocals. They describe their sounds like this: "Through Marc and Eric, it is the volume of each word that becomes an object-sculpture, together with the power of their bodies expressing their voices. Each event is a scream - indeed even the glissando - of the strength of the word that sometimes abruptly becomes a rock, a solid surface, not in the least fluvial, as is the narrative of a tale, novel or poetic epic. With both of them, there is no more trace of ancient prosodies, no more trace of the incomprehensible Sainte-Beuve who could claim: "I have to collect a volume of prose". The word, the voice, the volume take shape with each other, unveiling a theatre that theatre usually ignores, which has given it such things as a Samuel Beckett's Fin de Partie." Over the years Etant Donnes have collaborated with people like Lydia Lunch, Michael Gira, Alan Vega and Genesis P-Orridge. La Vue was the first ever recording, dating back to 1979 and originally issued on French Bain Total label (run by Philippe Fichot of Die Form). For this re-issue, the band has found a longer version than was previously available, so this is a unique chance to hear Etant Donnes in their earliest form in a version that has previously been unpublished.
12,00€
In stock
CD
GEINS’T NAÏT
“GN”
Geins't Naït was founded in Nancy, France, in 1986 by Thierry Merigout and Vincent Hachet, both students at the Architecture School of Nancy. A year later Laurent Petitgrand joined the band. Their sound is often described as an equivalent of bands like Einstürzende Neubauten, Coil or Test Dept., but Geins't Naït is not pure classic Industrial. While Geins't Naït offers rough pieces of music as an extension of its punk attitude, Petitgand refines them to create some musicality within the post-industrial collages, adding guitars, piano, and classical instruments. Geins't Naït and Laurent Petitgand sharpen sounds, giving them a kind of balance and density and ensuring that the musical language evokes a deep experience. Their music is raw and fascinating, and largely influenced by Surrealists and Situationists. Their early albums were released by French label Permis De Construire, with G.N. being the first, released in 1986. It features two long tracks which have been carefully remastered for this first ever CD re-issue. G.N. is the start of a re-issue programme for this phenomenal band that is still going strong.
12,50€