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In stock

book + 7"

Mats GUSTAFSSON’S
“Discaholics!”

Record Collector Confessions Volume 1. Swedish saxophone player/improviser/composer/music archivist Mats Gustafsson has worked in the outer regions of jazz, avant-garde, experimental rock and free improvisation for more than 35 years. Gustafsson is also a passionate record collector who strongly believes that actively nurturing the urge to seek for rare and obscure vinyl is a gateway to higher musical knowledge – a knowledge that it is a musician’s duty to share. He has coined the term Discaholism – and on his website Discaholic Corner he interviews fellow artists who have the same urge to spend all their waking hours obsessing about music and records. This book presents ten selected interviews with artists/record collectors: Brian Morton, Byron Coley, Dennis Lyxzén, Elena Wolay, Harald Hult, Henry Rollins, Oren Ambarchi, Paal Nilssen-Love, Thurston Moore and Robert Crumb. Also included are 25 TOP 10 lists of Gustafsson’s personal vinyl obsessions; an in-depth interview with Gustafsson himself; numerous illustrations and photos; plus a one-sided 7” vinyl single with an exclusive new track recorded 2017, created using elements from Gustafsson’s record collection.
30,00€
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In stock

book + CD

COMPILATION
HEAR & NOW – ENTRETIEN D’ARTISTES

2013, bilingual edition (English / French), 14 x 19 cm (softcover), 168 pages (+audio CD). A series of interviews with 27 international artists/musicians, centered on the relation of sound to space. The book includes interviews with the 27 artists of Parisonic 2011 in an original way: each artist states The question he would like to be asked on his work. The set of questions is then proposed to each artist. Thus, Hear & Now, artists interviews emphasizes the words of the artists themselves rather than outside comment. A text by Laurent Catala, published in 2011 in the journal Mouvement, and photographs illustrating the book provide an overview of the exhibition. The included CD presents the works shown in the listening room Magnetic Traces (with Loic Blairon, Thomas Tilly, Camilla Hannan & Eamon Sprod, Eric La Casa & Philip Samartzis, Jean-Luc Guionnet, Marc Baron, Anthea Caddy & Thembi Soddell, Lizzie Pogson, Geoff Robinson, Yannick Dauby, Rosalind Hall & Alice Hui-Sheng Chang, Cédric Peyronnet, Kristian Mark Roberts, Rainier Lericolais, Pali Meursault). Published following the Parisonic sound art exhibition in 2011. Interviews with Marc Baron, Mélanie Berger, Loic Blairon, Dominique Blais, Charlotte Charbonnel, Yannick Dauby, Jean-Luc Guionnet, Luc Kerléo, Eric La Casa, Rainier Lericolais, Nicolas Maigret, Pali Meursault, Nicolas Montgermont, Cédric Peyronnet, Philippe F. Roux, Thomas Tilly, Anthea Caddy, Alice Hui-Sheng Chang, Rosalind Hall, Camilla Hannan, Marcia Jane, Lizzie Pogson, Kristian Mark Roberts, Geoff Robinson, Philip Samartzis, Thembi Soddell, TARAB/Eamon Sprod.
23,00€
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book + 2 CD

Charles DUVELLE & Hisham MAYET
“The Photographs Of Charles Duvelle – Disques Ocora And Collection Prophet”

Limited edition. One time printing. Disques Ocora, a French label dedicated to capturing and publishing the sounds of folkloric culture from around the world, is held in the highest possible regard in the realms of professional and amateur ethnomusicology. Instigated in 1958 by Pierre Schaeffer, the founder of musique concrète, Disques Ocora’s sterling reputation is largely built on composer and musicologist Charles Duvelle’s pioneering field recordings, as well as his now-iconic photographs and graphic design. Charles Duvelle’s (1937 - 2017) work is indisputably one of the most important contributions to the human understanding of the rich biodiversity of our planet’s music and language. In 1977, his field recordings from Benin were selected by Carl Sagan for inclusion on the Voyager Golden Records, which were carried into outer space by the Voyager spacecraft to stand as an example of humanity’s highest musical expressions for the universe’s unknown listeners. Sublime Frequencies’ most ambitious project to date, this 296-page fine-art photography book comprises an exhaustive collection of Charles Duvelle’s field photography from 1959 to 1978, demonstrating that this master musicologist had an equally unerring eye for photography. It also contains an exhaustive interview with Charles Duvelle by Hisham Mayet, detailing the history of the label and offering Duvelle’s unique insights into the discipline of field recording. The package includes two full-length CDs of archival recordings (some of which have never been published) selected by Duvelle himself. In a tribute to Disques Ocora’s exquisite design sensibility, the book is printed on 170gsm Lumisilk matte artpaper and bound in grey buckram with gold foil stamping on the cover and spine. The front cover includes a tipped-on glossy photograph by Charles Duvelle. Contents • 188 black & white and 58 color photographs selected by Charles Duvelle and Hisham Mayet from five regions surveyed during his time with Ocora: West Africa, Central Africa, Indian Ocean, Pacific Islands, and SouthEast Asia. • Two CDs of music compiled exclusively for this volume by Charles Duvelle with fully annotated track listings and recording details. • An interview with Charles Duvelle by Hisham Mayet (French and English facing text). • “Disques Ocora / Charles Duvelle Discography, 1959–1974,” a complete overview illustrated with 94 full-color album thumbnails. • “The Prophet Collection, 1999–2004,” a discography of Duvelle’s post-Ocora label, illustrated with 41 full-color album thumbnails. • Ocora catalogues, 1964–1973. • A photo index listing the details of each photograph in the book. • “Eastern Music in Black Africa,” a 17 page report prepared by Charles Duvelle at the request of UNESCO, February 1970. Produced and edited by Hisham Mayet.
55,00€
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book

Juliette VOLCLER
“Contrôle. Comment s’inventa l’art de la manipulation sonore”

In French only. After sound as weapon, here’s sound as a social manipulation through the story of Harold Burris-Meyer. Juliette Volcler is a producer of audio documentaries for the radio program « L’Intempestive», broadcasted on the independent local radio stations : Radio Galère et Fréquence Paris Plurielle. She is also a regular contributor to the independent newspapers CQFD and article 11.
14,00€
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Out of stock

book

PORTRAITS POLYCHROMES 19
JEAN-CLAUDE RISSET

Jean-Claude Risset, today considered one of the major pioneers of computer music, was born in France in 1938 and pursued simultaneous studies in music and science. In the 1960s he worked as a young researcher in the Bell Telephone Laboratories alongside the “father of computer music”, Max V. Mathews. This book originally published in French presents recent articles by composers and musicologists, often published in English for the first time, concerning the aesthetic, ideas, repertory and career of JC Risset. Texts by Pierre-Albert Castanet, Olivier Meston, Daniel Teruggi, Fabien Lévy, Daniel Teruggi, Jean-Claude Rissetr, Pierre Couprie.
12,00€
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book

Alexandre PIERREPONT
“La Nuée. L’AACM : un jeu de société musicale”

The history of Association for the Advancement of Creative Musicians (AACM) ! In French only. With a postface from George E. Lewis.
19,00€
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In stock

book

Pierre SCHAEFFER
“Essai sur la radio et le cinéma”

An essay around radio and cinema that Pierre Schaeffer called “arts-relais” in 1941-42. This book has been made by Sophie Brunet and Carlos Palombini who did collect Pierre Schaeffer’s texts.
15,00€
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In stock

book + DVD

Nicolas COLLINS
“Micro analyses”

Texts in French only from Nicolas Collins around John Cage, Alvin Lucier, David Tudor, around experimentation in “Pea soup” or “Devil’s Music”, and around do-it-yourself with differents examples. The book comes with a DVD presenting seven different pieces from Nicolas Collins.
28,00€
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Out of stock

book

Matthieu SALADIN
“Esthétique de l’improvisation libre – Expérimentation musicale et politique”

Improvisation as musical and political experimentation (essay). With AMM, Spontaneous Music Ensemble et Musica Elettronica Viva. In French only.
26,00€
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Out of stock

book

PORTRAITS POLYCHROMES
FRANÇOIS BAYLE

Avant-propos, by Pierre-Albert Castanet. “La recherche de François Bayle”, portrait de l’artiste” by Gianfranco Vinay. “Hasard et nécessité” entretien de François Bayle avec Evelyne Gayou. “Entrons dans Camera Oscura et son Labyrinthe avec l’auteur” par Jean-Christophe Thomas. “Camera oscura, regard sur l’œuvre et sa chorégraphie”, par Solange Barrachina. “Mes images” de François Bayle.
9,00€
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book

PORTRAITS POLYCHROMES 10
FRANCIS DHOMONT

In french only. “Entretien avec Francis Dhomont “ by Évelyne Gayou, “Phénomènes” by François Bayle, “Charme discret du simulacre chez Francis Dhomont” by Jean-Christophe Thomas, “Du poétique au poïétique” by Francis Dhomont, “Points de fuite, analyse d’une errance existentielle” by Stephane Roy, “Types de sons et comportements sonores dans Novars” by Andrew Lewis, “ Forêt profonde - Fragment, implication et déflexion” by Anna Rubin, “ Pareil à un voyageur perdu” by Katharine Norman, “Catalogue des œuvres de Francis Dhomont” by Annette Vande Gorne, “Bibliographie - Discographie”.
9,00€
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In stock

book

John CAGE
“Silence”

New edition. The book of John Cage, “Silence” from 1961, translated into French by Vincent Barras.
28,00€
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In stock

book

Michael NYMAN
“Experimental music”

New edition of this French translation (by Nathalie Gentili) fromt his very important book written in 1974.
25,00€
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In stock

2 CD + book

COMPILATION
SLEPPET

’Natasha Barrett, Marc Behrens, Bjarne Kvinnsland, Steve Roden, Chris Watson and Jana Winderen. Six artists toured western Norway in april and may 2007, to experience and record its nature and rural culture. The itinerary included the small town of Sandane, the Jostedal glacier, Utvær - Norways westernmost island and the fjord city of Bergen. The works created out of the sonic input from this tour made out the components of Sleppet - a sound art exhibition curated by J¿rgen Larsson and presented by Grieg07, Lydgalleriet, Galleri 3.14 and Ultima. +3dB records is proud to present a series of works based on the materials from Sleppet. ’in my art I could not help but search for a way to express the wild music of the ocean’s roar, - but alas, in vain. I felt most deeply the impossibility of conveying that mighty chord in music. There was in that rushing and roaring something so infinite that it seemed presumptuous to dwell even for a moment on the idea of being able to reproduce it. Nonetheless I found some comfort in that it is the artist’s responsibility not to convey its material effect, but the reflection of the emotions it awakens; if this is done with genius then the impression can be equally divine despite the lack of the mass effect which is nature’s own.’ Edvard Grieg.’ label info
18,00€
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Out of stock

book

PORTRAITS POLYCHROMES 12
MAX MATHEWS

English version. Interviews with Max Mathews by Evelyne Gayou, Max Mathews and the digital age, by Jean-Claude Risset, Max Mathews at Ircam, and afterwards, by Gerald Bennett, Max and Ccrma, by Chris Chafe and John Chowning, Max’s importantce to field of electroacoustic muysic, by Jon Appleton, Letkrowsky’s Will ‘SF short story), by Max Mathews, Annnotated Catalog of the writing of Max Mathews, by Marc Battier. Annotated Catalog of the musical compositions, by Max Mathews.
9,00€
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book

PORTRAITS POLYCHROMES 7
JOHN CHOWNING

French version.
9,00€
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In stock

book + DVD

Éric LA CASA-Jean-Luc GUIONNET
“Reflected waves (Ondes réfléchies)”

Bilingual edition (English / French). 21 x 25 cm (softcover). 60 pages (ill.), DVD video 108’. First published in 2010 in a limited edition of 100 copies . This publication documents the making of a sound mapping project of the city of Melbourne by musicians and artists Jean-Luc Guionnet and Eric La Casa. In 2005, Jean-Luc Guionnet and Eric La Casa were invited by the Festival Liquid Architecture to lead a topographical and sound research on Melbourne, Australia. The artists sound mapped the city’s four cardinal points as well as the Central Business District to work with the landscape's reflected waves. The result was shown at West Space Gallery in the form of an audiovisual installation. This edition offers a complete description of the process as well as an analysis of the recordings and mixing protocols.
20,00€
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Out of stock

book

John CAGE
“Diary: How to Improve the World (You Will Only Make Matters Worse) Continued Part Three (1967)”

The third in Cage’s series of “Diary” essays (the other parts were published in different contexts), defined broadly as “collections of thoughts that develop out of working and being alive.” The text is formally and discursively roving: its margins, typeface, and color undergo continuous alteration by chance methods as Cage contemplates computers, Erik Satie; life on the road with Merce Cunningham; death; encounters with Mies van der Rohe, Duchamp, and Marshall McLuhan; books; cold remedies, and more. Above all, Diary seems to confront the problem of truly ecumenical thought. Dick Higgins, as the publisher’s original printing technician, meticulously engineered the variations in color, and as such, this may be the most outwardly beautiful of the Great Bears series. Originally published by Something Else Press between 1965 and 1967, the Great Bear Pamphlet series was envisioned by founding editor Dick Higgins as a “poor man’s keys to the new art,” or a means of exposing the most vital work of the time to a mass-market audience, and vice versa. The series made uncompromisingly radical work maximally accessible, with slim, chapbook-like publications of a mostly uniform, pared down design. Taken together, the pamphlets constitute a firsthand survey of the sixties avant-garde (Higgins, Barbara Moore, and Emmett Williams all had a hand in the editorial process) that is both sweeping and utterly unique, transmitting a still-vibrant signal of expanded possibility in art, music, and poetry. Presented here in a facsimile edition, the Great Bears epitomize the utopian vision of Higgins and Something Else. 5 x 8 inches, 16 pages, Paperback, B&W.
7,50€
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book

Kyle GANN
“No silence. 4’33” de John Cage”

French translation from this book around the work of John Cage published in 2010.
15,00€
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In stock

book + 2 CD

Teddy HULTBERG
“Öyvind Fahlström on the Air – Manipulating the world”

Reissue ! Under the motto: “Manipulate the world - take care of the world”, Fahlström set up a variety of meeting-places in which participants were invited to take part in an interdiciplinary game of purposeful discovery. He introduced elements of popular culture into his work early on and made substantial contributions to a critical assessment of the “medialisation” of art. In this, the most extensive book about Öyvind Fahlström to date, Teddy Hultberg charts the artist’s predominant lines of creative development and shows how his cross-genre endeavours were based on a few central ideas: character forms, signs, games and life materials. The present study focuses on two innovative and extraordinary compositions for radio: “Birds in Sweden” (1963) and “The Holy Torsten Nilsson” (1966). These works can be heard on the two accompanying CD records and are also included here in written form. Some unique and hitherto unpublished visual and textual material, the result of several years of research by Teddy Hultberg, is also included in the book. All text material in the book is written both in English and in Swedish.
48,00€
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In stock

book

POLI N°11
“Politiques sonores”

Under the direction of Maxime Boidy, Pali Meursault et Fred Pailler, this magazine - all in French (18 x 24 cm) - was build around an interview with Jonathan Sterne on Sound Studies. Texts by Textes de Maxime Boidy, Pali Meursault, Fred Pailler, Michael Taussig, Juliette Volcler, Paul Hegarty, Elizabeth Saint-James, Judith A. Peraino, Yannick Dauby, Nicholas Mirzoeff, Stéphan-Eloïse Gras, Yann Leguay, Jonathan Sterne.
12,00€
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In stock

book + mini-CDR

Guillaume BELHOMME – Daunik LAZRO
“Sales rectangle” – “Vieux carré”

Published in April 2015. French edition. 10 x 15,5 cm (softcover). 48 pages + mini CD. A literary text by Guillaume Belhomme combining metafiction and cut-up, with a CD on which Daunik Lazro performs Vieux Carré, a composition by Joe McPhee evoking the old French Quarter of New Orleans.
9,00€
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Out of stock

book

Alexandre GALAND
“Field recording. L’usage du monde en 100 albums”

Only in French. A selection of 100 records that you can file under “Field recordings”. And interviews with Jean C. Roché, Bernard Lortat-Jacob and Peter Cusack.
23,00€
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Out of stock

book + CD

Peter VOGEL
“Partitions de réactions”

French edition. Monograph. Peter Vogel (born 1937 in Freiburg) is a pioneer in the field of interactive electronic and musical sculpture. He was formally trained in physics, and has explored technology’s intersection with dance, musical composition, and visual art since the late 1960s. + one CD with different installations.
20,00€
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Out of stock

book

PORTRAITS POLYCHROMES 17
ELIANE RADIGUE

A book only in French about Eliane Radigue with texts from Emmanuel Holterbach, Thibaut de Ruyter, Lætitia Sonami, Éliane Radigue, Charles Curtis, Tom Johnson. List of works, records and films.
13,50€
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Out of stock

4 CD + book

COMPILATION
OPIKA PENDE : AFRICA AT 78RPM

Compiled and edited by Jonathan Ward. 112 page book with 4 CDs. Dozens of full-color images from the era. The CDs feature 100 never-before-reissued recordings from the 1920s-1960s. “It is truly astonishing to consider the tremendous variety of music that was pressed to shellac discs on the continent of Africa. Popular songs, topical songs, work songs, comic songs, songs of worship, ritual, dance, and praise-the sheer range of musical styles resists any easy categorization. Further, African geography itself resists boundaries. The boundaries of cultures and languages are often far more complex than political boundaries. Complicating things further, entire countries seem to have been skipped over by both commercial 78 rpm record companies and ethnographers during the 78 rpm era. No doubt it was the same with many cultures. But that doesn’t mean that 78s weren’t everywhere, even in remote parts of the continent. By the mid-1960s, 78s were still a popular if not preferred medium in much of Africa, as a significant amount of the population still used wind-up gramophone players. I have created this compilation with one simple goal in mind: to showcase a diverse amount of long-forgotten music from Africa that transports me as a listener. It is one person’s offering of music that is wholly unavailable except in its original elusive and fragile format. While it is not definitive, nor am I attempting to construct or invent a narrative, there are important connections to be made. Around one musical corner is another corner, and another. Within these 100 tracks, traditional music stands side by side with popular music as traditional culture coexists with so-called modernity. As a non-African, I offer this set as an example of the riches that lay in waiting when considering the tens of thousands of phenomenal African 78 rpm discs that were issued, played, dispersed, and in large part, forgotten.” “Opika Pende,” is a saying in the Lingala language that means “be strong” or “stand firm.” It can also mean “resist.” Jonathan Ward, 2011
52,00€
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book

Jacques DEMIERRE
“Corps, son et geste”

Improvisor, composer and performer, Jacques Demierre writes about gesture and writting. In French only.
12,00€
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Out of stock

book

PORTRAITS POLYCHROMES 1
LUC FERRARI

New edition from 2007. “Luc Ferrari: Mnemosyne mise à nu par P.A.Castanet, “Avec, de, sur… Entre” entretien de Luc Ferrari avec E.Gayou, “Les presque rien de Luc Ferrari” par D.Teruggi, “Entretien avec Luc Ferrari” par Tatjana Mehner, “Entretien avec Brunhild Meyer” par Évelyne Gayou, “Ferrari et le mot” par Radosveta Bruzaud, “L’escalier des aveugles: un hörspiel de Luc Ferrari”, par Andréa Cohen, “La dramatique de la vie même: Cellule 75” par Monika Lichtenfeld, catalogue, bibliographie, discographie.
9,00€
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In stock

book + CD

Helen THORINGTON
“Il est si difficile de trouver le commencement.”

A book in French + CD about the radio artist Helen Thorington. 450 copies.
28,00€
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Out of stock

book

COMPILATION
ECHTZEITMUSIK BERLIN

“Shaped by the perspectives of participants and various observers, the book Echtzeitmusik Berlin - Self-Defining a Scene investigates, documents, and reflects on a multilayered phenomenon within Berlin’s musical culture, a phenomenon whose influence and meaning has effects that extend far beyond Berlin itself. Having emerged in the open spaces of the city’s east side after the fall of the Berlin Wall, and rooted in a cultural coordinate system made up of squats and free improvisation, punk and New Music, social experimentation and performance art, the Echtzeitmusik scene has passed through an eventful history of musical and social development and matured into a wide spectrum of predominantly experimental forms of music, bordering on fields as varied as noise, electronica, trash pop, free jazz, and contemporary composed music, not to mention performance and sound art. This book is a theoretical approach to a scene that constituates itself through practice, that describes itself with every single contribution here, that invents, defines, and positions itself through writing. It is a verbal act of uncovering. There is not the history, but a myriad of histories, not the theory, but the widest range of somewhat discordant conceptions and approaches. Echtzeitmusik - Self-Defining a Scene mirrors this multiperspectivity. It is more than a mere documentation of the history of Echtzeitmusik, it might be considered a part of this history. Theoretical texts, memories, statements and artwork by Thomas Ankersmit, Harald Ansorge, Serge Baghdassarians, Boris Baltschun, Jürg Bariletti, Johannes Bauer, Burkhard Beins, Marta Bla anovi , Nicholas Bussmann, Lucio Capece, Diego Chamy, Clare Cooper, Werner Dafeldecker, Rhodri Davies, Bertrand Denzler, Bill Dietz, Axel Dörner, Phil Durrant, Ekkehard Ehlers, Sabine Ercklentz, Andrea Ermke, Kai Fagaschinski, Fernanda Farah, Kerstin Fuchs, Björn Gottstein, Matthias Haenisch, Hanna Hartman, Franz Hautzinger, Robin Hayward, Teresa Iten, Sven-Åke Johansson, Margareth Kammerer, Christian Kesten, Annette Krebs, Christof Kurzmann, Greg Malcolm, Thomas Meadowcroft, Chico Mello, Thomas Millroth, Toshimaru Nakamura, Gisela Nauck, Vered Nethe, Andrea Neumann, Nina Polaschegg, Michael Renkel, Ana Maria Rodriguez, Adeline Rosenstein, Arthur Rother, Olaf Rupp, Ignaz Schick, Ulf Sievers, Stefan Streich, T. Turner, Michael Vorfeld, Antje Vowinckel and Steffi Weismann”.
29,00€
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book

Lionel MARCHETTI
“La musique concrète de Michel Chion”

In French only. A book about the music of Michel Chion by a french composer Lionel Marchetti. With an interview of Michel Chion by Christian Zanési.
10,00€
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Out of stock

book

PORTRAITS POLYCHROMES 23
MUSIQUE ET TECHNOLOGIE. Regards sur les musiques mixtes

In French only. About the meeting of instruments and electronic. Texts from Daniel Teruggi, John Back, Denis Dufour, Pierre Couprie, Gilles Racot, Bruno Bossis, Laurent Cuniot… under the direction of Marc Battier.
12,00€
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In stock

2 LP

Eliane RADIGUE
“Triptych”

The final collaboration between Eliane Radigue and Important Records is this double LP edition of Triptych. Radigue insisted that her music only be released on vinyl if the pieces would fit without being edited or cut. Triptych met those requirements leaving room for an etching on the 4th side. Back to music after three years of silence... On the suggestion of Robert Ashley, Douglas Dunn commissioned Triptych from Eliane Radigue for choreography. Only the first part of Triptych was staged at the premiere at the Dancehall/Theatre of Nancy on February 27 1978. Recorded in the composer's studio in Paris. After the 1974 premiere of Adnos in San Francisco, a group of French students introduced Eliane Radigue to Tibetan Buddhism. When she returned to Paris, she†began to explore this spirituality in depth, which slowed her musical production up until 1978. Triptych marks her return to composition, and draws its inspiration from "the spirit of the fundamental elements, water, air, fire, earth" Eliane Radigue likes to add that this has often been useful to her in her moments of research and transitions. This three-part composition, with its great humility and contemplative simplicity, heralded a new period of her work and was the first in a series of masterpieces inspired by Tibetan Buddhism: Adnos Trilogy (1980), Songs of Milarepa (1983) - with the voices of Lama Kunga Rinpoche and Robert Ashley , "Jetsun Mila"(1986), as well as the Trilogy of Death: Kyema (1988), Kailasha†(1991) and Koume†(1993).
45,00€
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In stock

LP

Andrew CHALK
“Mystical Obscurant”

Over the course of more than four decades, Andrew Chalk has created one of ambient and experimental music's most distinctive, influential, and enduring bodies of work. Though his recordings have taken many forms—from the raw, post-Industrial sounds of Ferial Confine in the 1980s to the fragile guitar meditations, blurred keyboard studies, and richly textured collages that populate the Faraway Press catalogue—they remain united by a singular sensibility: an uncommon attentiveness to atmosphere, nostalgia, and the power of restraint. Mystical Obscurant offers a rare opportunity to encounter the expansive character of that oeuvre in miniature. Rather than documenting a single period or methodology, it functions almost like a survey of Chalk's musical language—a collection of new music that illuminates the breadth of his practice while distilling the singular vision that unites it. “The Seed of Sorrow” and “Peacemaker” feel cut from the same cloth as the sacred guitar minimalism of The River That Flows Into the Sands, while “Against the Tide” would sit naturally alongside the smudged and distant keys of Blue Eyes of the March. Other pieces draw upon environmental sound and loop-based constructions, hallmarks of Chalk's more recent, vignette-like compositions. Though these recordings emerge from different moments in his long creative journey, each inhabits a recognizable world: one where melodies drift in diffuse, unhurried forms and sound gathers with painterly grace. What is most striking when these pieces are heard together is not their difference but their coherence. Across changing instruments, collaborators, and approaches, Chalk has consistently pursued a subjunctive music of suggestion rather than declaration, creating spaces where memory and imagination are allowed to unfold at their own pace.
25,50€
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In stock

LP

ELEH
“Floating Frequencies / Intuitive Synthesis I”

When ELEH's debut "Floating Frequencies/Intuitive Synthesis I" was originally released it was praised as a powerful piece of new electronic minimalism. Twenty years later the artist's legacy has grown while ELEH continues to hypnotize new listeners with time stopping music. Critics, fans and neurologists have praised the music of ELEH as aiding attention and focus while seeming to slow time. Eleh's slow change drones are a state of flow hypnotizing listeners into meditative focus. From the original packaging, "Pure Sound. Pure Volume. Pure Analog. Dedicated To La Monte Young" ELEH began in 1999 as an exploration of analog synthesis, emphasizing low frequency difference tones and other resonant acoustic phenomena. ELEH highlights the physical presence of sound as it has been inspired by the physical world. There is also something ‘cathedral-like’ and cosmos-inducing in the sound constructed by ELEH. This audiophile quality presentation of ELEH's debut album was mastered by Tom Eaton at Sounds And Substance and manufactured at Optimal in Germany for the lowest possible noise floor and the highest analog resolution. Packaged using a 5th color metallic shimmer ink on solid black board stock.
25,00€
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LP

Bob BELLERUE
“Chaos Is A Law”

Avec Chaos Is A Law, Bob Bellerue fait du chaos une force créatrice. Feedback, cordes de piano, métal, électronique et drones s’entrechoquent dans une matière sonore en perpétuelle transformation, entre rugosité, dissonance et étranges éclats mélodiques. Une musique physique et imprévisible, qui se construit, se fracture et renaît sans cesse. Ici, le bruit devient matière vivante, l’incontrôlable devient méthode, et le chaos, une forme de liberté.
27,50€
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In stock

CD

Russell HASWELL
“Let It Go”

It has been twenty-five years since the seismic events of 2001—when twin towers collapsed under terrorist attack and Coventry's sonic insurgent Russell Haswell launched his inaugural salvo on the original Mego label with Live Salvage 1997–2000. The intervening era has delivered unrelenting turbulence: protracted wars, institutional corruption, a global pandemic, the resurgence of fascist currents, rampant media distortion, and omnipresent surveillance. For Haswell, a lifelong admirer of 1970s and 1980s dystopian cinema, the verdict is unequivocal: "Science Fiction is now!" In the face of this darkening reality, LET IT GO arrives as both acknowledgment and antidote. This new full-length on Editions Mego extends an olive branch through defiant sonic diversity—an unpredictable mosaic that embraces everything from propulsive rhythms to radical abstraction and enveloping ambience. True to Haswell's core practice, the material draws from the same tactile, free-improvised electroacoustic framework that powers his live sets: immediate, powerful and unscripted. The album weaves reverent echoes of 1990s Detroit techno's hypnotic pulse and the abrasive, metallic edge of the Birmingham sound into fractured generative territories. Haswell returns to his computer-generated origins while integrating his recent modular-synthesis experiments. During a residency at the Bergen Centre for Electronic Arts (BEK) in Norway, he harnessed the latest GRM Tools suite to conjure the volatile, "rapidly fluctuating pitched sounds" that characterized Iannis Xenakis' late electronic works—resulting in pieces such as Fall 3 and Fall 2, where instability becomes a form of vitality. The tracks Exit Downwards and The Anxieties Of Our Time whilst reflecting the currents of the release also offer surprisingly melodic patterns over jagged rhythms. The wryly titled Thu 25 Dec 2025, (recorded in Glasgow after a solitary post-Christmas-lunch walk home) is a vast drone which evolves according to the random walk model—known more evocatively as the drunken walk—each sonic step veering unpredictably, mirroring the disoriented lens of contemporary existence. LET IT GO is liberation. Amid the cacophony of crumbling certainties, Haswell deploys a full arsenal of resistance: kinetic drive, disorienting rupture, quiet refuge, raw aggression, and tentative hope. In an age where dystopia has shifted from fiction to lived fact, this music asserts that possibility endures.
15,00€
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LP

Klara LEWIS
“Opening”

Klara Lewis’ distinctive talent for disfiguring sound into forms that remain recognisably song-like reaches a new peak here. Her new album Opening is a deceptive recording with veiled melodies and clandestine bangers. Lewis, creator of worlds, treats music as a mirror that reflects a perspective misaligned with the real image. Her music moves in unusual and often startling ways. Acoustic instruments such as ukulele and piano are subjected to processes of deconstruction and reconstruction, their original forms continually reshaped. The tracks within Opening offer an array of disorientating tactics; damaged field recordings are suddenly sliced into ominous rhythmical patterns whilst deceptively simple tactics provide foreboding dread. Often alien on entry, the progression of a piece can land in a surprising tenderness, or the other way around. The momentum grows as a physical state but also one which is questioning, desiring, encapsulating a feeling, to explore a further way of expression and ultimately connecting: A new closeness, a new perspective. Opening is an album in which the protagonist’s manipulation of sonic matter seems to extend beyond the music itself, resulting in a corresponding manipulation of the active listener. Sounds shift, dissolve, and re-emerge in altered forms, creating an experience that feels both intimate and disorienting. Lewis maintains a delicate balance between abstraction and emotional immediacy, drawing the listener into a world where familiar musical gestures are constantly reconfigured in surprising ways. The works on Opening are refracted through an exploratory and transformative lens, suggesting an artist continuing to redefine the possibilities of musical language as a space where the instantaneous and the eternal come together.
26,00€
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