INA-GRM (FR) - Corticalart

14 CD box

Éliane RADIGUE
“Œuvres électroniques”

2024 repress With a 80 pages booklet (french/english). Tracklist CD1 1. Chry-ptus (version 2001) 24’01 2. Geelriandre 29’57 CD2 1. Chry-ptus (version 2006) 23’10 2. Biogenesis 21’06 3. Arthesis 25’40 CD3 1. Ψ 847 (version concert) 71’08 CD4 1. Adnos I 71’28 CD5 1. Adnos II 72’44 CD6 1. Adnos III 72’40 CD7 Les Chants de Milarepa 1. Mila’s Song in the Rain 19’10 2. Song of the Path Guides 21’01 3. Elimination of Desires 17’22 4. Symbols for Yogic Experience 19’29 CD8 Les Chants de Milarepa 1. Mila’s Journey Inspired by a Dream 62’22 CD9 Jetsun Mila 1. Jetsun Mila (première partie) 44’25 CD10 Jetsun Mila 1. Jetsun Mila (seconde partie) 39’57 CD11 Trilogie de la Mort 1. Kyema 61’07 CD12 Trilogie de la Mort 1. Kailasha 56’09 CD13 Trilogie de la Mort 1. Koumé 51’18 CD14 1. L’Île re-sonante 55’04

70,00€

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François BAYLE
“Le Projet Ouïr”

Digipack CD including a 24-page booklet in French and English INA grm is pleased to present Le Projet « Ouïr » by François Bayle, a 62’ minute piece composed between 2015 and 2019, published for the first time on CD digipak. The French language can hear (entendre), listen (écouter), grasp (comprendre). “Comprendre” aims too far. What is grasped has already been digested by the mind, away from the ear. “Entendre” is poorly distinguished from it—mainly because of “entendement”, which is virtually the same as “raison” (reason). That leaves us with “écouter”: the only one amongst the three that exclusively refers to the ear. Whoever listens stretches out his or her ear and expects to hear something and understand its ins and outs. However, this is still too nice, too urban. The idea is to break out of these customary dimensions and enter more difficult and risky territories. This is the “Ouïr” Project (Le Projet « Ouïr »). This archaic verb, which is now obsolete and that we can’t conjugate properly anymore, invites us to exercise a proto-listening, awkward, uncomfortable and unsure of its aims—yet with the promise of new horizons. - Regis Renouard Larivière

21,00€

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10 CD

Luc FERRARI
“L’œuvre électronique”

2023 repress The decision to assemble a boxed set titled Luc Ferrari, l’œuvre électronique [Luc Ferrari, Electronic Works], defining the word electronic in the widest sense possible, meant bringing together an essential part of the composer’s work: tape music without any classical instruments. From Étude aux accidents (1958) to Arythmiques (2003), the 31 works in this compilation will help the listener to discover all the facets of his art based on “captured” sounds. He tried and tested all the different techniques of studio work: brilliantly elaborated electroacoustic works, radiophonic story-telling or Hörspiele, which he particularly relished, or other semi-improvised works. This editorial choice is not a way of drawing a hierarchy between on the one hand so-called mixed music (with instruments), which he excelled at, and on the other hand the type of music published here, which only includes recorded sounds. On the contrary, what we aimed to do was to show the strong links he drew between natural sounds and the way he scored them. On this subject, Pierre Schaeffer often talked of the necessary balance between sounds and musicality. The power of recorded sounds alone (voices, landscapes, strange sounds, everyday scenes, etc.) without formal mastery is not enough to hold the listener's attention for long. From that point of view, each work of Ferrari’s is a discrete lesson in music. Ferrari was always very lucid when he claimed that a composer was a little like a “journalist” who, through his compositions, witnessed the state of the world while at the same time creating a work of art. This is another aspect of this edition: as we listen and in filigree, half a century unfolds before us. A committed artist bears witness to technological progress, political awareness, reports and crucial encounters. More than an essential compilation, this boxed set reflects the personality of a diverse, inventive and extraordinarily musical man. Daniel Teruggi / David Jisse, 2008 CD1: “Étude aux accidents”, “Étude aux sons tendus”, “Étude floue”, “Échantillon pour mimes”, “Visage V”, “Tête et queue du dragon”, “Tautologos I”, “Tautologos II”, “Music Promenade”. CD 2: “Hétérozygote”, “J’ai été coupé”, “Petite symphonie intuitive pour un paysage de printemps”. CD 3: “Presque rien n°1 ou le lever du jour au bord de la mer”, “Presque rien n°2 ou Ainsi continue la nuit dans ma tête multiple”, “Presque rien avec filles”, “Presque rien n°4 La remontée du village”. CD 4: “Danses organiques”. CD 5: “Ouvert-Fermé”, “Unheimlich Schön”, “Dérivatif”. CD 6: “Dialogue ordinaire avec la machine ou trois fables pour bande doucement philosophiques”, “Strathoven”, “Capricorne”, “Chute libre”. CD7: “Far-West News 1 : De Santa Fé à Monument Valley”, “Far-West News 2 : De Page à Grand Canyon”. CD 8: “Far-West News 3: De Prescott à Los Angeles”, “Archives génétiquement modifiées”. CD 9: “Les Anecdotiques”. CD 10: “L’escalier des aveugles”, “Les Arythmiques”.

60,00€

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2 CD

COMPILATION
“Banc d’essai 2011-2019”

Between 2011 and 2019, INA Grm organised a yearly competition, called Banc d’essai. During this period, the jury listened to nearly a thousand works, with an ever-renewed curiosity for what seemed to be the voice of a new generation of creators. Every year, about ten pieces were selected to be performed on the Acousmonium, and it’s on those occasions that all these talents have revealed themselves to us with the most forcefullness. In 2020, as the competition renews itself, we wanted to close this chapter with a record release featuring eighteen works whose depth and sensitivity have particularly moved us, and which, through a remarkable spirit of research and invention, have, each in their own way, contributed to the gradual, stimulating and ongoing transformation of music at large. CD 1 01. Benjamin Miller Zond-9 07’18 02. Hideki Umezawa Inutile 08’08 03. Lydia Debeer Tremble Garden 08’01 04. Gaëtan Parseihian La forêt mécanique 07’30 05. François Buffet Le songe du retour 07’31 06. Loïse Bulot Daphnia 09’05 07. :such: Monte-Charge 07’11 08. Thomas Hilbert Fluage 06’13 09. Christophe Ratier et Julia Hanadi Al abed Eubulie 06’54 CD2 01. Scarabj Nos yeux 09’36 02. Raphaël Mouterde Violens 09’20 03. Rocío Cano Valiño Astérion 08’22 04. Renaud Bajeux Leaving the Nest 07’55 05. Florent Colautti Jupiter 09’06 06. Sophie Delafontaine Respire marche pars va-t-en 09’48 07. Thomas Manoury Soundtrains 05’03 08. Kristian M. Roberts Seashell Music 05’04 09. Tucuxi Rayon vert 07’02

17,00€

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12 CD box

Bernard PARMEGIANI
“L’œuvre musicale en 12 CD”

2021 repress

Disc 1: Violostries (1964), 16:37 JazzEx (1966), 16:51 L’instant mobile (1966), 10:41 Capture éphémère (1967), 11:57 Disc 2 Bidule en ré (1969), 9:18 Pop’eclectic (1969), 10:59 Du pop à l’âne (1968), 10:09 Ponomatopées (1970), 6:17 Musico picassa (1978), 6:53 Et après (1973), 11:35 Disc 3 L’œil écoute (1970), 19:11 Pour en finir avec le pouvoir d’Orphée (1972), 23:27 La roue Ferris (1971), 10:40 Disc 4 Enfer (1972), 61:20 Disc 5 De natura sonorum (1975), 53:01 Disc 6 Dedans-dehors (1977), 22:24 La table des matières (1979), 19:02 Des mots et des sons (1977), 19:17 Disc 7 La création du monde (1982-84), 72:44 Disc 8 Exercisme 1 (1985), 17:22 Exercisme 2 (1985), 27:03 Exercisme 3 (1986), 24:13 Disc 9 Litaniques (1987), 21:23 Rouge-mort: Thanatos (1987), 16:48 È pericoloso sporgersi! (1991), 25:37 Disc 10 Le présent composé (1991), 23:45 Entre-temps (1992), 22:22 Plain temps (1991-93), 24:23 Disc 11 Sonare (1996), 21:22 Sons-jeu (1998, 2000), 21:09 La mémoire des sons (2000-01), 24:40 Disc 12 Immer / sounds (1999), 11:24 Espèces d’espace (2002-04), 21:47 Au gré du souffle… le son s’envole (2005-06), 20:03 Rêveries (2007), 13:46

60,00€

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15 CD

François BAYLE
“50 ans d’acousmatique”

“François Bayle’s itinerary spans over five decades through which music was able to renovate its material through a sensible use of technology. The terms of Musique Concrète, Electroacoustics or Acousmatics, as conveniently proposed by François Bayle, ultimately explore a similar artistic approach: a creative and expressive work on recorded sound. This last half-century saw many major technical mutations and François Bayle - in the fertile context of the Grm - seized the right opportunities, often initiating them through his function as director, so as to renovate and update creativity to serve what he called the Light Speed Sound. The fifty opuses in this box set are all markers or beacons illuminating this musical adventure firmly placed under the sign of modernity. Listening through them with a curious and active ear is also a way of witnessing how utopia can occur; how yesterday’s strange sounds are now fully part of our audible landscape.” Christian Zanési. “Trois rêves d’oiseau” (1963, 1971). “Espaces inhabitables” (1967). “Jeîta, ou Murmure des eaux” (1970 - new version 2012). “L’expérience acoustique” (1969 - 1972). “Purgatoire d’après la Divine Comédie de Dante” (1972). “Vibrations composées” (1973). “Grande polyphonie” (1974). “Camera oscura” (1976). “Les Couleurs de la nuit” (1982 - new version 2012). “Erosphère” with “Tremblement de terre très doux” (1978), “La Fin du bruit” (1979-80 - new version 2009), “Eros” (1979-80), “Toupie dans le ciel” (1979-80 - new version 2009). “Son - Vitesse - Lumière” with “Grandeur nature” (1980), “Paysage, personnage, nuage” (1980), “Voyage au centre de la tête” (1981), “Le Sommeil d’Euclide” (1983), “Lumière ralentie” (1983). “Motion-Émotion” (1985). “Théâtre d’Ombres” (1988). “Fabulæ” with “Fabula” (1990), “Onoma” (1990), “Nota” (1991), “Sonora” (1992). “Mimaméta” (1989). “La main vide” (1994-95) with “Bâton de pluie”, “La Fleur future”, “Inventions”. “Morceaux de ciels” (1996). “Arc, pour Gérard Grisey” (unedited) (1999). “La forme du temps est un cercle” with “Concrescence” (2001), “Si loin, si proche…” (1998 - 2001 - new version 2012), “Tempi” (1999-2000), “Allures” (1999-2000), “Cercles” (2000-2001). “La forme de l’esprit est un papillon” (2002-04) with ”Ombrages et trouées” (2004 - new version 2012), “Couleurs inventées” (2003). “Univers nerveux - in memoriam K. Stockhausen” (unedited) (2005-2007). “L’oreille étonnée - in memoriam O. Messiaen” (unedited) (2006-2012). “Rien n’est réel” (unedited) (2009-2010) with “… sensations” (2010) et “… perceptions” (2009). “Déplacements” (unedited) (2011-12) with “Horizontal-vertical” (2012) et “Spiral” (2011).

70,00€

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3 CD

Pierre SCHAEFFER
“L’œuvre musicale”

This is a new and final edition of this 3CD box. All the musical work from Pierre Schaeffer (1910-1995). From the first studies in 1948 to his electronic piece “Le trièdre fertile” in 1975, and of course the ones composed with Pierre Henry like “Symphonie pour un homme seul” (1950). + a booklet of text and photos 114 pages in French and English. CD 1: Pierre Schaeffer : Les incunables 1948-1952 with “Cinq études de bruits”, “Diapason Concertino”, “Variations sur une flûte mexicaine”, “Suite pour 14 instruments”, “L’oiseau RAI”, “Masquerage”, “Les paroles dégelées”. CD 2: Pierre Schaeffer - Pierre Henry, les oeuvres communes 1950-1953 with “Symphonie pour un homme seul”, “Bidule en ut”, “Orphée 53, Suite de concerts”. CD 3: Pierre Schaeffer, les révisions 1958-1979 with “Etude aux allures”, “Etude aux sons animés”, “Etude aux objets”, “Continuo (with Luc Ferrari)”, “Musique de scène pour Phèdre”, “Trièdre fertile”, “Bidule”.

40,00€

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9 CD

COMPILATION
9 TRAJECTOIRES

9 CD with 9 composers of electroacoustic music who did work at INA-GRM. Ludger Brümmer, “Deconstructing Double District” (2011), “Xronos” (2002), “Glasharfe” (2006), “Spin” (2014). Philippe Leroux, “La guerre du faire” (1992), “M.É” (1998), “Objets trouvés… posés” (2009). Diego Losa, “Cronicas del tiempo” (2005), “Historias de dos mundos” (2007), “Sortie d’un rêve dans une nuit étrange très loin d’ici…” (2012), “Horizons ou le récit d’un voyageur” (2015). Mario Mary, “Signes émergents”v (2003), “2261” (2009), “Une bouffée d’air” (2006), “Portraits témoins” (1997). Luis Naon, “La sphère et la pierre” (1993-94), “Perspectives” (2004 - 2017), “Lascaux rbana” (2004). Ake Parmerud, “Les objets obscurs” (1991), “Renaissance” (1994), “Dreaming in darkness” (2005), “Electric birds” (2012). Elzbieta Sikora, “Axerouge V” (2011), “Chicago Al Fresco” (2009), “Flashback” (1968-1997), “Derrière son double” (1982-83). Kees Tazelaar, “Chatoyance” (2013), “Chroma” (2006), “Sternflüstern” (2003), “Sérénade” (2016). Hans Tutschku, “Extrémités lointaines” (1998), “Distance liquide” (2007), “Monochord” (2008), “Migration pétrée” (2001).

55,00€

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Michel REDOLFI
“Appel d’air”

“Appel d’air” (1991), “Jazz, d’après Matisse” (1990), “Portrait de Jean-Paul Celea avec contrebasse” (1991) for doublebass and tape.

15,00€

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Jean SCHWARZ
“The sea maid’s music” (1990)

“The Sea Maid’s Music” (1990). Élise Caron: voice. Daniel Terruggi: syter.

15,00€

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Le cantique des cantiques (1989).

15,00€

Out of stock

Pieces for saxophones and syter (live processing of sound) from Daniel Teruggi, Jean-Claude Risset and Gilles Racot, played by Daniel Kientzy.

15,00€

Out of stock

Back in stock and last copies. "Chant d"ailleurs" (1992) for soprano and computer, "Hildegard"s Dream" (1994) for soprano and computer, "Borjes y el Espejo" (1992) for soprano and computer, "Go" (1981).

15,00€

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