In stock
3 CD
Le UN
“25 pièces sans vide”
3 CDs providing an overview of Le UN's work through improvisation in large ensembles (CD1 & 2) in different acoustics, improvisation in small and medium-sized ensembles (PME), and outdoor performances in public spaces (brigade d'intervention légère).
Le UN was started in 2012 at the initiative of David Chiesa. In 2019, the team was renewed to concentrate solely on what is known as free or non-idiomatic improvisation. Key principles being: no recourse to any sort of score or direction, and improvisation considered not as a style or genre but rather as an attitude to music making. Improvisation also poses questions about the ephemeral and impermanence: the music leaves traces, and not proof.
There are 25 of us, including a light artist and a performer. We play on different stages in different venues or theatres, and we also adapt to exhibition spaces, and we sometimes even invent "devices" that bring improvisation to the fore. We are increasingly attracted to playing with ideas beyond that of the traditional stage, to where the ensemble can be conceived as an ecosystem, taking as starting points ethical notions (the links between us, our rapport with the world and the environment, our choices of self-organisation...) and aesthetics (accepting or taking responsibility for the contradictions in our own practices, interrogating improvisation in all its components, and questioning the practice of the frontality of performance...). We venture into contexts that throw us, like playing on the street, on a river, in caves, in acousmatic situations with speaker projections, etc. We confront our sounds, our ephemeral discourses with all manner of surveying. Without quite knowing where we are going, we think that walking, breathing, feeling, looking, also speaks to a place that is rightly musical.
With Sophie Agnel, piano, Pascal Battus, rotating surfaces, Claire Bergerault, accordion and voice, Benjamin Bondonneau, clarinet, Christophe Cardoen, light apparatus, Patrick Charbonnier, trombone, David Chiesa, double bass, Michel Doneda, soprano saxophone, Camille Emaille, percussion, Nina Garcia, electric guitar, Amanda Gardone, double bass, Bertrand Gauguet, alto saxophone, Anouck Genthon, violin, Rozemarie Heggen, double bass, Benoit Kilian, percussion, Soizic Lebrat, cello, Lionel Marchetti, electronics, Michel Mathieu, actions, Natacha Muslera, voice, Jérôme Noetinger, electronics, Jean-Luc Petit, bass clarinet, sopranino saxophone, Christian Pruvost, trumpet, Dominique Regef, hurdy- gurdy, Aude Romary, cello, Mathieu Werchowski, violin and viola.
25,00€
In stock
2 CD
Anouck GENTHON – Lionel MARCHETTI
“Suite blanche”
Double CD with Suite blanche, composition, and Angelica, a live concert.
The Genthon_Marchetti duo works on a composition that takes space into account as one of the essential vectors in the sense that an acoustic response, through the arrangement of loudspeakers and sound volumes, becomes the very substratum on which the music will naturally rest. Inventing a form of duet in which the body of the violin itself seems to melt into the plasticity of the synthetic sounds, the two instrumentalists build, by subtly staging the loudspeaker projection, a musical work insisting on spatial emanation from a focal point – like a single eye, a lighthouse, a beacon that would indicate the path of an enchanting myth, or at least a direction to be considered as a life line, a magnetic pole.
CD1 : SUITE BLANCHE
Une écoute acousmatique / Acousmatic listening - 45:16
Anouck Genthon : violon / violin. Lionel Marchetti : synthétiseur, électroacoustique / synthesizer, electronics. Composition, tournages sonores, mixage / Composition, field recordings, mix : Anouck Genthon, Lionel Marchetti. Mastering : Lionel Marchetti
1: Le sol prend feu - 17:38
2: Verticale de l'est - 6:16
3: Le silence se déplace - 3:27
4: Les voutes, les cascades, les grottes... - 8:50
5: Coda - Nuit (le temps se défait) - 9:45
CD2 : Angelica
Anouck Genthon, violon / violin. Lionel Marchetti, synthétiseur, électronique / synthesizer, electronics. Concert live (41:16) enregistré par / recorded by Gianluca Turrini 11/02/2022, Teatro San Leonardo - Centro di Ricerca Musicale, Angelica Bologne Italie / Italy.
Mixage, mastering : Lionel Marchetti
19,00€
In stock
CD
CHOEUR TAC-TIL
“Blind ecosystem”
« We are nine voices, sighted and blind, who have been singing and exploring together for 11 years. Our practice consists of listening to and imitating sound ecosystems. We become the sounds of biotopes, machines, endangered species, humans and non- humans. Our songs blend ancestral and experimental vocal practices. We are the stumbling blocks of a memory populated by tunes, buried melodies that emerge and carry us away for hybridizations, mutations. »
In 2012, Natacha Muslera (vocalist, improviser, composer, researcher) breathes life into a choir of sighted and blind people. Choeur tac-til is a choir without a conductor, wherein Natacha proposes a composition mode far from the visual field, developped in partnership in an ever-changing practice of free improvisation.
This album retraces ten years of shared practice in which vocal explorations indoors (in residence at The Gmem, National centre for music creation) and outdoors are intertwined, with the sound ecosystems of the Calanques massif, the city of Marseille and the Sainte-Baume forest.
12,00€
In stock
LP + CD
LE UN
“Le Havre”
Large ensemble improvisation has a history and already many historical references such as Globe Unity Orchestra, King Übü Örchestrü, The Celestrial Communication Orchestra, London Improvisers Orchestra... or more recent ones like Splitter Orchester, Insub Meta Orchestra, GGRIL, ONCEIM...
How to combine energy, individuality, unexpectedness... with 26 people?
How to develop different improvisation strategies without falling into the obvious drone?
How can you simply improvise freely with 26 people?
Le UN (new version) was initiated by David Chiesa in 2019.
Le UN acts as an improvisation society: each member is involved in the artistic realisation as much as in the social, non-hierarchical organisation of the ensemble.
The individual and their practice - and not its dilution in the collective - are at the centre of this orchestral experimentation. Importantly, each individual preserves their singularity within a protean mass without obstructing the collective space.
This LP (+ CD) was recorded during a three-day residency at Le Volcan, Scène Nationale du Havre, in April 2021.
This recording is a manifestation of a collective practice of free improvisation beyond genres, a music full of effervescence and turbulence, where the acoustic and electric sources attempt the wager of spontaneous collective fabrication without any direction, irradiated by strong flickering light, with a flight of incongruous actions!
Sophie AGNEL, piano
Pascal BATTUS, rotating surfaces
Claire BERGERAULT, voice and accordion
Benjamin BONDONNEAU, clarinet
Christophe CARDOEN, lighting apparatus
Patrick CHARBONNIER, trombone
David CHIESA, double bass
Michel DONEDA, soprano saxophone
Camille EMAILLE, percussion
Nina GARCIA, electric guitar
Amanda GARDONE, double bass
Bertrand GAUGUET, alto saxophone
Anouck GENTHON, violin
Rozemarie HEGGEN, double bass
Benoit KILIAN, percussion
Soizic LEBRAT, cello
Lionel MARCHETTI, electronics
Michel MATHIEU, actions
Natacha MUSLERA, voice
Jérôme NOETINGER, electronics
Jean-Luc PETIT, contrabass clarinet, sopranino saxophone
Christian PRUVOST, trumpet
Aude ROMARY, cello
Mathieu WERCHOWSKI, violin and viola
20,00€
In stock
CD
LE UN ENSEMBLE
“The Coast”
The UN Ensemble is performing « The Coast » by Lionel Marchetti, « 3LS4 » by Mathias Pontevia, « Canicule » and « Attentats » by David Chiesa.
With Julia-Hanadi Al Abed, electronics, Tanguy Bernard, sousaphone, Eric Camara, viola da gamba, Patrick Charbonnier, trombone, Paolo Chatet, trumpet, David Chiesa, electric piano frame, Anouck Genthon, violin, Thomas Lachaize, saxophones, Loic Lachaize, sound, Juliette Lacroix, cello, Delphine Lafon, voice, Guillaume Laidain, analog synthesis, Bruno Laurent, double bass, Johann Loiseau, flutes, small percussions, Johann Mazé, drums, Jean-Luc Petit, contrabas clarinet, Mathias Pontevia, percussions, Jean Marc Reilla, analog synthesis, electronics, Julia Robin, double bass, Jean Rougier, double bass, Frédéric Roumagne, electric guitar, Ian Saboya, electric guitar, Claude Saubole, acoustic guitar, Julien Sellam, violin, Stéphane Torré-Truéba, indian harmonium, voice.
12,00€
In stock
CD
NOISE POETRY
“Wolf Rayet”
David Chiesa : double bass. Didier Lasserre : drums. Mathias Pontevia : horizontal drums.
Noise Poetry is a beautiful example of a concrete attitude of improvisors more concerned with collectively constructing a sonic complexity than gestural free expression. All three of them plunge into a universe akin to that of a Japanese garden – where the space between the stones is more important than the stones themselves – inventing an acoustic synthesis in a development of stratified objects that act like a giant mobile.
12,00€