Auryfa and Metaphon present Poly-Art Recordings 1976-1982, a lavish six-CD box set collecting Costin Miereanu's legendary series of self-published cassettes and LPs from 1982 and 1984. Culminating four years of meticulous work, this project breathes new life into these recordings, remastered from the original tapes by Stephan Mathieu and accompanied by restored artwork and a comprehensive essay by Vincent de Roguin. Born in Bucharest in 1943 and naturalized as a French citizen in 1977, Miereanu occupied a singular position within the French new music landscape -- one foot in the establishment, the other in a world of deeply personal, boundary-pushing creativity. Alongside his intricate orchestral works and demanding academic career, he also produced the semi-improvised solo performances and electroacoustic compositions featured in this collection. Drawing inspiration from Erik Satie, film soundtracks, semiology, Romanian folk and art music, Gilles Deleuze, avant-garde literature, Terry Riley, and atmospheric phenomena, these twelve pieces were crafted using an array of synthesizers -- Minimoog, Polymoog, PPG Wave, Prophet-10 -- supplemented by piano, organ, and a handful of other instrumental sources. Their textural palette and occasional whimsy bear affinities with 1970s meditative synth music, yet they eschew psychedelic excess or cosmic grandeur. Instead, they reveal a vibrant, nuanced complexity that becomes more apparent with each listen, rooted in Miereanu's extensive musical studies and commitment to the ideals of 1960s experimentalism. Within that period's context, this music ultimately sails in the same sonic currents as Harold Budd and Brian Eno's collaboration, and the output of David Behrman, Alvin Curran, or Laurie Spiegel. Originally released on Miereanu's own Poly-Art International/Records and initially met with limited attention, these recordings have since gained underground acclaim among new generations of listeners. They offer a rare synthesis of accessibility and formal ambition, reflecting Miereanu's unwavering pursuit of artistic freedom, a world away from the high culture dogmatisms inherent to the European modernist tradition. His wide-ran-ging associations -- from the spectralists (Horațiu Rădulescu, Tristan Murail, and Gérard Grisey) to mavericks such as Giacinto Scelsi, Luc Ferrari, and Walter Marchetti, as well as the French underground electronic music scene (including Philippe Besombes and Jean-Louis Rizet, who engineered much of this music, and Richard Pinhas) -- help illuminate his unique artistic position.
While not anomalies in a career that could hardly be described as normal, these recordings hold a special place within Miereanu’s body of work. Few composers of his generation, particularly in France, have covered such a broad spectrum, with works for instrumental ensembles, opera, ballet, and radical tape music (Luna Cinese in 1975 on Cramps Records) but also performances, videos, and sound installations. Yet these wondrous modal keyboard fantasies remain among his greatest accomplishments. Consistently original and captivating, they possess an undeniable magic, standing as some of the most essential yet overlooked documents of French minimalism, early ambient, and nonconformist contemporary music from that era.
All music composed by Costin Miereanu and originally released on Poly-Art International ⁄ Records in 1982 and 1984
Danish artist øjeRum (a.k.a. Paw Grabowski) has commanded a loyal following for his collage portraits of female subjects, while leading a dual life as a musician. Following the release of his debut album, There Is A Flaw In My Iris, øjeRum enjoyed a brief dormant period before returning to recording in earnest in 2014, unleashing a prodigious flurry of albums (many self-produced). Adorned with his beautiful collages, these physical recordings have become coveted works of art in their own right, the majority of which sold out instantly upon release. Fortunately for audiophiles and design aficionados alike, Art into Life has now reissued six of his early albums in a collectible six CD box set. This compendium of primarily acoustic recordings is a befitting testament to the raw, imminently personal emotion imbuing the artist’s work, capturing his distinct aural landscape as if privy to an intimate sketchbook of serene loops and ample helpings of atmospheric hiss.
Each CD in this special box set showcases photo prints, personally selected from the artist’s recent body of collages. Additionally, each box set includes a one-of-a-kind, handmade artwork, consisting of a leaf pressed into Japanese washi paper.
Limited edition of 300 box sets.
"Jeu du monde" is a collection of around twenty musique concrète pieces which spreads over more than six hours of music.
Each CD has been designed as an audio film which tells a full story. The box set includes previously released works which have long been unavailable, reworked versions of digital releases, as well as unreleased pieces especially composed for this occasion.
With the use of a complex sound palette ( synthesizers, analog and digital manipulation, percussion, low fidelity samplers, radios, Revox, vocals, prepared piano, field recordings... ), Lionel Marchetti takes us through an audio landscape in which the acoustic imagination feeds on nature and its diversity: the desert, the upper atmosphere -mankind - night and day, fire, death, until we disappear into the ocean space...
Includes: 32 page booklet illustrated by Adèle Marchetti
Presentation texts by Denis Boyer, Régis Poulet, Frédéric Neyrat, Yann Leblanc and the composer himself.
Some compositions were co written with Yôko Higashi and Olivier Capparos. Seijiro Murayama, Sébastien Églème, Isabelle Duthoit, Patrick Charbonnier are also featured.
Lionel Marchetti is a French composer of musique concrète and an improviser (various analog and digital electronic instruments and modified speakers ). He also writes poetry and essays on the art of Musique Concrète, as an artist working within the genre.
His musique concrète works follow in the steps of composers such as Pierre Henry, Bernard Parmegiani and Michel Chion.