From 1985, the beginning of their collaboration in Amsterdam, Peter Bosch and Simone Simons have been involved in performances, concerts and theatre productions. Since 1990, however, they have focused in particular on the development of autonomous music machines.
All these machines are dynamic: Sound and movement are constantly evolving. »Krachtgever« is their best-known piece for its Golden Nica, received at Prix Ars Electronica, Linz, 1998. The other projects on the LP are »Cantan un Huevo«, commissioned by the Ives Ensemble in 2000 and awarded in 2002 at the 29th edition of the International Competition of Electroacoustic Music and Sonic Art, Bourges, France, and one of their first installations, »Was der Wind zum Klingen bringt«, from 1989/90, shown in the Stedelijk Museum, Amsterdam, 1990, as part of the exhibition »Energieën«, and in 1991 at the Multimediale 2, Z.K.M., Karlsruhe. The LP demonstrates that sound produced by the Bosch & Simons music machines can also be listened to as autonomous »music«.
Jens Brand has created a large number of installations, musical performances and interactive media works. He uses the concepts of parallel activities rather then ideas of fusion. The pieces presented on this recording focus on sonic events related to electronic music (such as intense volumes and dynamics, white noise, square or sine waves) but stay entirely acoustic.
On a live performance of »Ratchets«, the sounds are generated with the idea of a physical, sculptural, yet invisible presence. It might happen that the body of a person moving around in the audience has more impact on the sound then the variations produced by instruments themselves.
"I was always interested in the idea of making acoustic music that has the quality of electronic music," muses Dortmund based musician and visual artist Jens Brand. "Electronic music is fantastic, but I don't like speakers very much."
Take his performance entitled »Motors And Styrofoam«. Pieces of glistening white styrofoam fitted with small motors hang from the ceiling above the audience's heads, squatting balefully in mid-air like lopsided clouds. Acting as a resonator, the styrofoam amplifies the whirr of the motors, which builds up into a loud, persistent drone overlaid with overtones.
Equally uncompromising is »Ratchets«, which deploys a number of football rattles, those small wooden devices originally used by hunters. The ratchets are set in motion by motors whose speed and direction are controlled by a computer: they click busily away, producing a dense, enveloping sound reminiscent of heavy rainfall. In performance, the sound of the ratchets is spellbinding in its rawness and intensity, attaining impressive volumes as it interacts with the features of the space.
Sine is one of the earlier works by renowned sound-artist, composer and sound designer, Radboud Mens. It was constructed in 1998 and released on CD by Staalplaat in 2000 who now reissue this on vinyl in 2021, featuring an entire side of new material. Having forged out a unique path in music for many years this is a means by which to view the genesis of what would become “Radboud Mens music”.
Side A comprises the original Sine which is considered a minor masterpiece of the early 2000’s click dub electronica. Funkhummer launches proceedings by a measured gathering of elements, buzzes and hums traverse the rhythmic spikes that punctuate throughout. Already at this starting post one can acknowledge machine music with a human pulse. Machines lurch and growl gently amongst a tiny ping pong pulse on the next track Steel. Moi attaches itself to the subconscious with its dizzying sinewy highs and bare bones bass shadowing an equal love for dub processes and experimental forms. With Metal Dub Plate a dark drone anchors the mischievous random play on the surface. Equally unnerving and enticing here we see the end of the original Sine.
Flip the record and we enter the new chapter in the story of Sine. Radboud works on music that binds disparate forms together into one sound, as a result these new tracks incorporate all styles witnessed in the original, retaining the clicks and cuts mentality whilst incorporating a deeper ambient drone approach with a minimal dub influence sweeping throughout. For Da is a direct continuation of the original work with it’s light clicks and a woozy atmosphere. Tape shifts gears into a deep haunted world with a skittering beat and repeating melodic cloud of sound. Condition takes the experimental dub further into space leading into the uplifting conclusion where ascension takes hold.
The original and updated Sine fit firmly together as a unique whole bringing together a sparse assured sound carefully crafted to ignite a transcendental mood in the listener.
21,00€Original price was: 21,00€.14,00€Current price is: 14,00€.
“Staalplaat Soundsystem is releasing a series of artist vinyl release used in our own sound installations. This record is a second atempt to create random vinyl release. Our first atemt was the release of Yokomono 03 where we hoped to cut two tracks, one spiraling from outside in and the others from inside out. So that the nedle would move in different directions. This atempt failed (for reasons that we will not go in to at this moment). This is a record with three paralel soundtracks where the cutting needle was lifthen twice with short intervals, in order to make the nadle used during “wiedergabe” to jump tracks randomly. To play this record you must not see your turntable as a reproduction machine that reproduces the music on the record. You can not put it on and sit down to listen. You should see the record and turntable much more as a music instrument that with each turntable model and with each setting if your machine you will create a different sound and mix of this record. As with any instrument you have to learn how to play your turntable and find what setting you like best. Of vital influence are the skate settings en the wait on the tone arm, these and others you must very to experience the options of the record. Side A : Pure brown noise. Cynthia Zaven. Merzbow. Side B : Pure white noise. Mika Vainio. Jaap Blonk. Limited edition of 500.”