Kye is proud to announce the release of Rules Of The Universe, a fully authorized anthology of archival audio work by the renowned Dutch artist Anton Heyboer (1924-2005). Heyboer’s stature in visual arts is well known and internationally celebrated, but documentation of his audio work is scant and difficult to locate. Heyboer’s only previous vinyl release - 1976’s ill-fated “She And She As One” LP (EMI) introduced a music so resolutely personal and uncommercial in nature that EMI ordered the unsold bulk of the pressing withdrawn and destroyed. Further recordings of Heyboer’s anomalous music eventually trickled out via a string of private press micro-edition CDs/CDRs through the Anton Heyboer Foundation in the 1990’s. Released with full approval from VOF Heyboer and overseen by Lotti Heyboer, Rules Of The Universe draws from over seven hours of surviving archival tapes, restoring the cream of the CDR editions and supplementing it with a selection of previously unheard tracks. Rules Of The Universe offers a fresh reappraisal of a lesser-known - but no less important field of creativity from one of the 20th Century’s most original artistic minds. Rules Of The Universe arrives in a full color high gloss gatefold sleeve, with an accompanying fold-out color poster, in an edition of 500 copies.
28,00€Original price was: 28,00€.15,00€Current price is: 15,00€.
Kye is proud to present Being Small, the new LP by Matthew Revert. Lovely collection of Matthew's philosophies, worldviews and wisdom recorded cheaply at his home in Melbourne, Australia. Being Small arrives in a Matthew Revert designed sleeve with matching labels in an edition of 300 copies.
19,00€Original price was: 19,00€.10,00€Current price is: 10,00€.
Kye is proud to announce the release of “OM Entering. and Once Enterd”, the latest LP from veteran fluxus composer Philip Corner. “OM Entering. and Once Enterd” comprises four previously unreleased recordings with the Barton Workshop, taken from performances in the Netherlands, and South Korea, between 2000-2007.
“Om Entrance” which one does.... because the performance is a real “passage from the material to the spiritual” unless the “real” world is just as spiritual already which i like to think it is. As perhaps an everyday awareness is already to be entranced which i have been told it is, really. To the facts: musicians’ coming-in already the performance of everything has to be done to get ready from unpacking to tuning and all that is done in the concentrated and exalted spirit of real music. Multiplicity moves noise to instrument possibilities with virtuosity show-offs slowing down to a perfect tuning in a quiet circle from where there is nowhere else to go but the sustaining of a quiet long tone.
My old friend and colleague also great composer Jim Fulkerson is there as he has be, as he was even at the first performance way back must be almost 50 years by now joining the Creative Associates at the University of Buffalo on his initiative as likewise these performances in Holland with his group he calls The Barton Workshop and for sure he is there playing trombone too.
The movement from Sang/Teh (Situations). Guard duty in a cold Korean winter. This piece was a major turning-point in my work. My life too you-could-say. “Of Ancient Times and Modern Sounds” i wrote then: a better world---much much better---than being in the American Army. The heterophonic melody-only texture learned from their “Ah Ahk” court music (“Soo Je Chun” the most beautiful music in the history of the world!) imposed on a thoroughly modern chromatic note structure. Occidental instruments absorbing the traditions of subtle sound colours so-long absent from the West.
Public performance in Seoul. That must have been the Spring of 1961 just before they “shipped me out”, to bring all that back home.
Before that the wonderful and exceptional opportunity to “run through” some of it with the indigenous instruments of the Koog Ahk Wun (National Music Institute) thanks to the cultural open-mindedness of the classical kayageum master Byungki Hwang. And Jim has not only played the 3rd movement often, but brought if back to Korea once at the Pan Music Festival. But my long-waiting-for performance in Korea on native instruments has yet to take place.
The Chopin Prelude piece is one of two, reworking passages from his D Major Prelude for piano, and a part of the “as a revelation” series which “looks into” moments from the classics which usually go by too fast. Begun with Mozart, the series has “got a lot of mileage” out of Satie, as well as including Buxtehude, Bach, Rimsky-Korsakoff, Verdi, Ives, Berlioz, and others.” (Philip Corner, 2015)
“OM Entering. and Once Enterd” arrives in a full color, high gloss Philip Corner designed sleeve, with insert, 350 copies black vinyl.
20,00€Original price was: 20,00€.10,00€Current price is: 10,00€.
Kye is proud to present ’French Antarctica’, the debut LP by Good Area. Drawing from a palette of guitar, rhythm box, cornet, shortwave radio and room activity Good Area have crafted the ultimate stand-alone testament to instantaneous expression. Bypassing such obsolete concepts as dexterity and restraint ’French Antarctica’ cuts loose with a raw unbridled rush of creative force, bristling with home-spun malevolence and anti-social aplomb. Good Area harvest the wisdom passed down from the Decayes, Semool, Nishimura Alimoti and other bastions of shoe-box cassette culture and transcribe their teachings into epic new screeds of confusion. French Antarctica arrives in a full color, high gloss sleeve, with commemorative postcard, in an edition of 400 copies.
16,00€Original price was: 16,00€.8,00€Current price is: 8,00€.
Kye is proud to present “Cofradia Nautica” the debut LP by Chile’s Glorias Navales, and the follow-up to 2015’s “Carta a Maureen Tucker” cassette on ETCS. “Glorias Navales is a band based in Santiago, Chile, who combine local folk traditions and paganism with a post-Velvets aesthetic. Imagine Lou Reed, John Cale and Violeta Parra together, doing late night acoustic lo-fi trance jams in a rural area of Chile.” (Ivan Daguer) Drawn from live concert tapes recorded at BYM Records, and recordings made in the band’s private practice space “Cofradia Nautica” offers a raw, unvarnished walkway straight into heart the of the contemporary Chilean underground. “Cofradia Nautica” arrives in a full-color matte stock sleeve with printed innersleeves, mastered by Jason Lescalleet, in an edition of 400.
Kye is proud to announce the release of ‘Absence’, the new LP by Maths Balance Volumes. Side A presents material recorded live at the Arts Center of St. Peter, Minnesota as part of Free Form Freakout’s ‘An Evening of Experimental and Improvised Sound’ (04/21/17) while Side B gathers unreleased home recordings from the previous decade. Visionary cassette-based constructs with enough crude mechanics and smudged internal logic to delight the corpse of Arthur Pétronio. Edition of 250 copies.
Kye is proud to announce the release of “Moonrise”, the brand new solo LP by Michael Morley. After a 30-odd year history cutting electric music with the likes of Wreck Small Speakers on Expensive Stereos, The Dead C, and Gate, Morley opens a new chapture with “Moonrise”, being the first readily available document of the man in solo acoustic mode. “Moonrise was recorded as an experiment in my newly established recording studio to see what might happen if I played acoustic instruments only, with an ear to some early Spanish guitar music and the Persian oud. After 30 years of playing the acoustic guitar in private for no good reason, I decide to record the activity.” (Michael Morley).’Moonrise’ arrives in a full color Morley designed matte stock sleeve, with complimentary inner bags, in an edition of 500 copies.
Kye is proud to present “Lend an ear, leave a word” the new LP from Glasgow’s Mark Vernon. “The pieces composed for this album combine field recordings of contemporary Lisbon with found tape recordings from the past; reel-to-reel tapes, micro-cassettes and Dictaphones collected from the Feira de Ladra market, a popular and lively flea market in the Alfarma district. Each tape recording is an audio snapshot of a specific time; a family album in sound, a musical performance, a compilation of treasured music, or even just the fun of playing around with a tape recorder captured for posterity. Every thoughtless edit or push of the record button teleports us to a different time and place. The musical material extracted from the tapes is also an evocative signifier that locates it within a specific era. The interesting thing is how the tapes accumulate different strata of time even within a single side. There are consecutive chronological recordings but also sequences with unexpected breakthroughs where the user has carelessly fast-forwarded through the tape, randomly ‘dropping-in’ new recordings. These accidental edits create instantaneous new collages of sounds and voices. I have endeavoured to retain the essence of these unintentional edits and unexpected outbursts in the pieces I have assembled here. The noisy whir and clicking of the various tape mechanisms is evident on many of the found recordings. As the material is sped up and slowed down it acts as an internal clock, a continuous, steady marker of time, almost like the second hand of a timepiece. All of the pieces contained here within explore one particular environment - the city of Lisbon. Field recordings by their very nature are time-based but the introduction of found tapes into the mix expands the time-scale of these studies from just the short period spent in the city making recordings, backwards to possibly forty or more years in the past. It is a portrait in time *and* place, an archeology of sound. The result of the audio flotsam and jetsam washed up on the shores of low commerce in the flea markets of Lisbon.” (Mark Vernon) “Lend an ear, leave a word” arrives in a full color matte stock sleeve with insert and download card that features additional pieces left off the LP due to time constraints. Mastered by Jason Lescalleet in an edition of 400.
Sunday Night, Sunday Afternoon is the debut LP by the duo of Marcia Bassett and Samara Lubelski. Both musicians have played crucial roles in the development of underground sound over the last 20 years, tinting the broad waters of abstract folk, chromatic noise and longform drone, and cementing themselves as cornerstone artists in the process. Sunday Night, Sunday Afternoon is the perfect synthesis of Bassett and Lubelski’s individual crafts - two sidelong forays into deep black string meditation that hang in the air like ghosts on Ludlow Street. Sunday Night, Sunday Afternoon was recorded, mixed by Barry Weisblat in 2010 in Brooklyn, NY, and arrives in a high gloss monochrome sleeve, in an edition of 500 copies.
Kye is proud to present ‘Home of the Blues’, the latest LP by Dan Melchior, and his sophomore effort for the label following 2012’s now legendary ‘Excerpts (& Half-Speeds)’. For ‘Home of the Blues’ Dan agreed to undergo a series of exercises aimed not only at destabilizing his natural songwriting process, but also testing the durability of the blues idiom when placed under stress. As one would expect, Dan met the challenge with aplomb, hoisting the project beyond a one-dimensional art-school prank, toward a sincere and multi-faceted presentation of damage and survival as sound. ‘Home of the Blues’ arrives in a full color, high gloss sleeve featuring original artwork by Dan, with an accompanying 18” x 24” foldout poster, in an edition of 400 copies.
“Kye is pleased to announce the release of crete soundies, the major new work by moniek darge, and the follow-up to last years soundies (1980-2001) CD. Crete soundies presents three new pieces - Magnesia (2006), Anemos (2007) and East crete (2008-2009). These works were born from two years of levka ori sound research, and an additional year in east crete in collaboration with fellow sound artist Francoise Vanhecke. Moniek darge was born in bruges, 1952 and studied music theory and violin at the music conservatory of Bruges, painting at the ghent royal academy of fine arts; art history, philosophy and anthropology at the university of ghent, belgium. She is active as composer, violinist, performer and audio artist and has built light and soundsculptures, installations, musical instruments and for many years has been constructing a series of alternative music boxes, with which she also performs. darge has specialised in both soundscapes and live-art performances in which visual and musical aspects are combined and in interactional improvisation on violin. since 1970 she has performed around the world and has been active on stage, first with the logos ensemble, then with logos duo (together with godfired-willem raes), and more recently with the m&m robot ensemble. She also founded logos women, a small group specialised in intermedia improvisations performing their own compositions for various instruments, voices and music boxes. she’s often invited by international artists to collaboration. In 1986 the third program of the national belgian radio broadcasted a series of programs about her concerts and performances in new york city and about some artists with whom she collaborated there. a similar program was made about her music experiences in Kenya and Rwanda. and later on also about Japan, China, Bresil, Australia, New Zealand etc. She herself also realised radio programs about women artists over the world. in 1997 she received the title of cultural embassador of flanders for the logos duo. Moniek darge published several journalistic and literary essays, amongst which “inter media myths, auto-author” (1986), an art edition, combining poetry, drawings, scores and pictures (toronto, art metropole-catalogue no.12) and the book “lijf tegen lijf” (body against body, kritak, leuven, 1982). she’s general editor of the ’logos-blad’, the monthly magazine of the logos foundation, which appears already during more than 30 years and in which she also tells her international music travel experiences. many international magazines published her articles. besides her many concerts and performances all over the world and besides her activities as organiser, Moniek Darge is assistant professor at the "hogeschool gent" where she teaches 20th century art history, audio art and non western art studies at the fine arts department and an introductionary course in ethnomusicology at the music department. Crete soundies comes housed in 6-panel digipak, in an edition of 500, and is released with the support of the flemish government.” label info