SEARCH
What are you looking for?
  • Account
  • Contact
  • Shipping
Facebook
  • Home
  • Shop
  • Sales
  • Infos
0 0

View Wishlist Add all to cart

0 0,00€ 0

No products in the cart.

Return To Shop
Shopping cart (0)
Subtotal: 0,00€

View cartCheckout

0 0
0 My Wishlist

View Wishlist Add all to cart

0 0,00€ 0
0 Shopping Cart

No products in the cart.

Return To Shop
Shopping cart (0)
Subtotal: 0,00€

View cartCheckout

  • Home
  • Shop
  • Sales
  • Infos
  • My Account
Facebook
Home Shop NURSE WITH WOUND

Page 2

Return to previous page
Grid
List
Show

In stock

2 CD

NURSE WITH WOUND
“Shipwreck Radio Volume Two”

Double CD. Eight enigmatic episodes from Utvaer. Between June & July 2004, as guests of Kunst I Nordland, NWW broadcast twenty four unexpected radio transmissions from the Arctic Lofoten Islands, eight of which are included here. Review by Lucas Schleicher from Brainwashed : Eight new broadcasts from the chilly world of the Arctic Lofoten Islands are made available on this double disc and, in some ways, they all exemplify just how much Steven Stapleton must be falling in love with digital sound stretching. Just as the first volume was an effort to reshape the world around them in sound, the second volume of Shipwreck Radio turns the world of Lofoten into a strange place occupied by distortions of the Arctic's natural sound world.
14,00€
Add to cart

In stock

CD

NURSE WITH WOUND
“Shipwreck Radio: Final Broadcasts”

“June 22,” the first of the two half hour tracks, begins with the by-now familiar greeting of Utvaer’s most beloved Deadhead, echoed by his perky sidekick. As they vanish, something sinister appears in their place. The image most prominent in my mind is of a furnace possessed by spirits best left unidentified, swelling into aggressive bursts of volume in increasing lengths as the track progresses, with a particularly bone-rattling eruption occurring just after the twenty minute mark. Frequently the sound hovers like thick, humid air, as if waiting for an unnamed menace to slither forth from the darkness. A subdued alarm bell appears out of the fog from time to time, commingling with faint metallic overtones on the fringe of perception while revenant gasps hiss in the mist. Even listening to the this track in the daylight, I have to say that I found it to be one of the more viscerally thrilling and frightening Nurse With Wound experiences I’ve had in a while, much like the gut feeling I used to get just before the initial drop on a roller coaster. As the last track in the Shipwreck series, “July 13” is quite the headcleaner. After the initial greetings, loops of the phrase “Welcome to Shipwreck Radio” are subjected to repeated unsettling voice manipulations that become a rippling landscape of their own, stretching syllables into unnatural technological groans. Each time the phrase returns, it is slower and contains more glitch material, eventually obfuscating the source completely. As the length of the recurring phrase increases, so too does the silence between the repetitions. The slower the voice gets, the more it sounds like broken zeros and ones, high-pitched tones with little musical value. Because of this, the track feels more like an algorithmic exercise than a creative one. I can’t imagine what was going through the minds of the Norwegians tuning in to this particular broadcast, though I wouldn’t be surprised if they smacked their radios a few times thinking something was broken. In some ways, the predictable pattern of “July 13” is the antithesis of the previous track’s ability to surprise, and it’s one I probably won’t return to frequently. Even so, the force of “June 22” alone is enough to make this release an invigorating addition to the group’s catalog. From Brainwashed
9,00€
Add to cart

Out of stock

CD

NURSE WITH WOUND
“Rat Tapes One”

"An accumulation of discarded musical vermin 1983 - 2006." With Mr. Stapleton returning to publishing through his United Dairies imprint, he has collected various studio outtakes from over the years and compiled them into this exceptional body of NWW ephemera. Immediately, Nurse fans will recognize vastly mangled variations of "Black Is The Colour Of My True Love's Hair" from She And Me Fall Together Into Free Death, "Cold" from Thunder Perfect Mind, and "Rock 'N Roll Station" from any number of those sessions. Stapleton has long recycled themes in a kaleidoscope of distortions, permutations, and hallucinations, and hearing such favorites all over again, brings a smile to us all. From Helen Scarsdale
10,50€
Read more

Out of stock

2 CD, Book

NURSE WITH WOUND
“Homotopy to Marie”

Deluxe silver hardcover book with the 2CD version + 24 pages of artworks by Steven Stapleton.
20,00€
Read more

Out of stock

2 LP

NURSE WITH WOUND
“Homotopy To Marie”

Homotopy To Marie is the fifth album by Nurse With Wound, released in 1982, created by Steven Stapleton, music and sleeve. The album is “a step on from the Dadaist rock of Merzbild Schwet, with much use of tape manipulation and classical avant-garde techniques”. The album which combined tape edits with resonating gong tones and disembodied children's voices to create a sonic collage far removed from the harsh improvisations of the group's early albums. The title of the brief closing track derives from a passage from Les Chants de Maldoror, a surreal poetic novel written by Le Comte de Lautréamont. This appropriation of a phrase from Maldoror is shared in common with the title of Nurse With Wound’s debut album Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella; both phrases appear in Lautréamont’s work. The album was first issued on Stapleton's own United Dairies label on vinyl, cassette and later in remastered compact disc including an extra track “Astral Dustbin Dirge”. This masterpiece reissue, is the official full double album from the original recording sessions. The 4 tracks from the original LP plus additional recordings from the same period. This second, double album masterpiece in the Silver Collection of Nurse With Wound albums, is a technically better, crystal clear performance, in comparison to the original 1982 cut. Black vinyl, 800 copies.
29,00€
Read more

Out of stock

2 LP

NURSE WITH WOUND
“Homotopy To Marie” (silver)

Vinyl silver & black + deluxe metallic gatefold limited to 700 copies. Homotopy To Marie is the fifth album by Nurse With Wound, released in 1982, created by Steven Stapleton, music and sleeve. The album is “a step on from the Dadaist rock of Merzbild Schwet, with much use of tape manipulation and classical avant-garde techniques”. The album which combined tape edits with resonating gong tones and disembodied children's voices to create a sonic collage far removed from the harsh improvisations of the group’s early albums. The title of the brief closing track derives from a passage from Les Chants de Maldoror, a surreal poetic novel written by Le Comte de Lautréamont. This appropriation of a phrase from Maldoror is shared in common with the title of Nurse With Wound’s debut album Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella; both phrases appear in Lautréamont’s work. The album was first issued on Stapleton’s own United Dairies label on vinyl, cassette and later in remastered compact disc including an extra track “Astral Dustbin Dirge”. This masterpiece reissue, is the official full double album from the original recording sessions. The 4 tracks from the original LP plus additional recordings from the same period. This second, double album masterpiece in the Silver Collection of Nurse With Wound albums, is a technically better, crystal clear performance, in comparison to the original 1982 cut.
36,00€
Read more

Out of stock

Picture Disc

NURSE WITH WOUND
“Chromanatron”

2013. Chromanatron is the new album from Nurse with wound, collages of no less than 5 albums by the mythical German band from the late 60s SAND. These five psyche-experimental-krautrock albums include their first oddity Golem, that NWW discovered a long time ago and represented straight away a great source of inspiration for him. A great dedication to Sand, and hat-in-hand, chapeau bas ! to Nurse with wound for this once again unique masterpiece. Chromanatron is part of the series Inxodem released by Rotorelief. It is a series of new albums from Sand as well as a reissue of their obscure and rare album Golem. This series of albums is called Inxodem, the series title having one letter for each album. Current 93 is also part of the project with When the may rain comes, cover versions of the original track from Sand. All paintings and collages of the Inxodem series are created by Babs Santini aka Steven Stapleton. Limited and numbered edition of 500 copies on picture disc.
19,00€
Read more

Out of stock

CD

NURSE WITH WOUND
“Chromanatron”

2013. Chromanatron is the new album from Nurse with wound, collages of no less than 5 albums by the mythical German band from the late 60s SAND. These five psyche-experimental-krautrock albums include their first oddity Golem, that NWW discovered a long time ago and represented straight away a great source of inspiration for him. A great dedication to Sand, and hat-in-hand, chapeau bas ! to Nurse with wound for this once again unique masterpiece. Chromanatron is part of the series Inxodem released by Rotorelief. It is a series of new albums from Sand as well as a reissue of their obscure and rare album Golem. This series of albums is called Inxodem, the series title having one letter for each album. Current 93 is also part of the project with When the may rain comes, cover versions of the original track from Sand. All paintings and collages of the Inxodem series are created by Babs Santini aka Steven Stapleton. CD 3 flaps 6 panels Digipak
12,50€
Read more

Out of stock

book + 2 CD

NURSE WITH WOUND
“Spiral Insana”

Same content as the vinyl reissue but on two CDs inside an art book with screenprinted artworks.
20,00€
Read more

Out of stock

2 CD

NURSE WITH WOUND
“An awkward pause”

“Originally released in 1999, “An Awkward Pause” adds David Tibet, Christoph Heemann, Colin Potter and Petr Vastl (Aranos) to the mix, resulting in an extremely unique sounding and dare we say, rocking release. This two CD set is released in a deluxe 6 panel digifile and adds a second disc of all previously unreleased tracks.”
15,00€
Read more
  • prev
  • 1
  • 2




Catalogue


  • BACK IN STOCK
  • SALES

New arrivals :

In stock

CD

Tony CONRAD
“Untitled (Solo for the Building of a Museum)”

This recording (2002) captures the two instruments central to Conrad's practice at the time: his self-built Long String Instrument and his amplified violin. He performed hidden behind a large sheet, and the nature of what unfolded behind it was never disclosed to the audience. Mudam Recorded at the construction site of the future Mudam - Musée d'Art Moderne Grand-Duc Jean, Luxembourg, designed by I. M. Pei - during the Museum Night of October 12, 2002, by invitation of Marie-Claude Beaud. The concert was co-organized by Transhistorics, a coproduction by Sub Rosa and Philippe Franck's Transcultures. Conrad also performed several times in Europe alongside Charlemagne Palestine in the following years, including the October 2005 concert An Aural Symbiotic Mystery. Short Bio Tony Conrad (1940-2016) was an American musician, experimental filmmaker, and composer, active across media since the early 1960s. A pioneer of drone music, he was a central figure in the New York scene of the 1960s and performed as part of the Theatre of Eternal Music. He became known as a filmmaker for his 1966 film The Flicker. Over the following decades he performed and collaborated with a wide range of artists. Interview The recording is accompanied by an extended interview conducted by Philippe Franck, published here as a tribute to him. - Doesn't this relate to intensity - the kind of theatrical intensity largely absent from computer music performance? - When I started performing again with the violin in the 1980s, some people described what I was doing as "expressionism." I was surprised at first - in my own arrogance I thought: this is mine, I invented it. But I took the criticism seriously, and it led me to ask what actually distinguishes expressionism from other forms of expression. - Perhaps we should simply speak of expression, rather than 'Expressionism'? - Exactly. In performance, I like to work at what I'd call the zero degree of sound - harmonic structure itself. I can be entirely satisfied with a pure open fifth: dance, meditation, heroism, all of it is contained within a fifth, provided I can find my way into that sonic space. Once, a student who admired La Monte Young told me I was playing out of tune. I remember thinking thinking: I'm playing music, not notes. I'm making music that speaks to people.  
13,50€
Add to cart

In stock

CD

David TOUB
“Gendarme de la Libertad”

David Toub is a unique voice in American minimalism, a genre that has produced quite a few composers over the past 80 years. Our first contact dates back about fifteen years, and from the very beginning, David struck me as a committed composer, dedicated to building a coherent body of work. But he is also an engaged individual, deeply concerned with the challenges of our time and genuinely generous. In other words, a mensch—a rare kind of person. His music, in some ways, reflects today’s anxieties and uncertainties: repetitive, obsessive, often dark, and questioning. This is the second album of his music that I have recorded, and this time, David has incorporated the human voice to feature a speech given by Che Guevara in 1964. The speech addresses the contradiction between a state's founding principles and its actions. How can a nation advocate for freedom year-round while deliberately acting against minorities, particularly those historically oppressed? The piece does not provide an answer—this question remains just as relevant today, 60 years later. (Stephane Ginsburg) David Toub (b. 1961, Newark, NJ) is largely self-taught, with the only formal composition education consisting of attending music school (Mannes College of Music; Juilliard Pre-College Division) during weekends while in high school. He remains an active composer. While Toub composed serial and dodecaphonic music until 1982, his subsequent works have been described as “minimalist,” although the durations of a subset of his compositions are not at all minimal (1.5 to over 4 hours in some cases).
13,00€
Add to cart

In stock

CD

Mats ERLANDSSON & Gus LOXBO
“Minnets Långa Kedjor”

Minnets Långa Kedjor by Mats Erlandsson & Gus Loxbo is an intimately crafted musical topos moving through landscape of free improvised music, electroacoustic drone and doom metal according to an inherent dream logic. Their collaboration takes its starting point in a long friendship and a common frame of reference shaped by their upbringing environment in Bergslagen, with the specific moods that a shared past geographical location can give rise to. Through associations and memories - geographical, poetic and imaginary - immediate musical impulses shaped by an interplay that has developed over 25 years were captured instantly. These impulses formed the foundational material for a process of transformation where the music has been amplified, obscured and refined through extensive studio work carried out by Mats Erlandsson in the electroacoustic music tradition using editing and audio transformations through digital processing and analogue tape work. As a composer, musician and sound artist, Mats Erlandsson is part of the vibrantly reemerging field of drone music in Stockholm, Sweden, and is associated with practices characterized by the extensive use of sustained sound. Erlandsson presents his work both as a solo artist and in various collaborations utilizing synthesized and recorded analog and digital sound, contaminated field-recordings and extensive tape processing. Gus Loxbo has had a long career in improvised music primarily as a double bass player both solo and with groups such as Pombo and Silence Blossoms. His solo debut album Trådknaster was recorded by Mats Erlandsson and released in 2021 to much acclaim. The album contained nine solo compositions for double bass with no overdubs presenting the abstract sound of Loxbo’s extended performance techniques and a stark highly amplified light. Mats Erlandsson and Gus Loxbo have been playing music together since before either one of them had any notion of the existence of experimental music, and their musical relationship was fundamental in helping each other transform and extend their respective ideas about what could constitute a valid musical expression. The album Minnets Långa Kedjor is their first recorded work presented in public.
17,50€
Add to cart

In stock

LP

Maria W HORN
“Melting Pillars Of Snow”

XKatedral is proud to present a new full-length album by label co-founder Maria W Horn. Melting Pillars of Snow is a collection of new compositions from the renowned Swedish composer written for Contrabass Recorder, Shō, Percussion, Electric Guitar, Voice and Electronics performed by Horn together with a chamber ensemble consisting of Anna Petrini, Mattias Hållsten, Magdalena Meitzner and Mats Erlandsson. The album also features narration by Horn as well as a guest appearance by Michael Gira on the first single Scythe of Saturn. Melting Pillars of Snow sees Maria drawing inspiration from W.G. Sebald’s novel The Rings of Saturn which is a poetic reflection following an unnamed narrator wandering along the Suffolk coast in England. As the landscape gradually shifts the text touches in various ways on the passage of time and the distance between past, present, and future, reflecting both vast temporal scales, such as the cycles of the seasons, deep historical time and microscopic moments and fragments. With the compositions contained in this release Maria evokes a similar sense of stillness - an environment in which the movement of time itself can be illuminated and observed. The instrumentarium found on this album is Horn’s most ambitious to date and sees her adding a complex array of percussion instruments, wind instruments operating at each extreme of the musical range and electric guitar paired with her regular palette of customized algorithmic synthesis and electronic processing to weave a spiraling spectral tapestry through the audio range. Percussionist Magdalena Meizner performs specialized techniques on the overtone triangle, dubachi, timpani and tam-tam, as well as pitched wine glasses and bowed crotales. The low end contrabass recorder played by Anna Petrini and the high frequency Shō performed by Mattias Hållsten add contrasting chordal arrangements set in strict metric structures. The ensemble is completed by Mats Erlandsson performing on electric and acoustic guitars moving from gentle arpeggiated figures to doom-laden drones and feedback howls. Maria W Horn: Electronics, hurdy gurdy and narration Anna Petrini: Contrabass recorder Magdalena Meitzner: Overtone triangle, bowed crotales, tam-tam, dubachi, timpani, pitched wine glasses and specialized percussion techniques Mattias Hållsten: Shō Mats Erlandsson: Electric and acoustic guitars, analog tape treatments Michael Gira: Narration on Scythe of Saturn
27,50€
Add to cart

In stock

LP

Stephen O’MALLEY
“Avaeken”

American experimental composer Stephen O'Malley releases 'Avaeken', two sides of immense, immersive, self-annihilating music via Dais Records. The record preserves site-specific work: O'Malley installed 'Avaeken' as part of 'Wish You Were Here', the exhibition by renowned American artist Banks Violette, underscoring the tension between presence and absence, life and loss. O'Malley and Violette have developed a distinct language of sound, space, and sculpture over the past two decades, reverberating the walls of world-class institutions from The Guggenheim and Centre Pompidou to prominent galleries such as Maureen Paley in London, Gladstone Gallery in NYC, and Antwerp’s TICK TACK, the brutalist space where Wish You Were Here unfolded in early 2026. Emerging now as an LP, 'Avaeken' presents power and phenomena: low-frequency vibrations, deep oscillations, and phase cancellations that translate as innately effective in any environment. Violette’s visual expression — the impossibility of locating yourself within the loss of a friend and the broader decay of culture — now fills the LP sleeve and feels inextricable from O'Malley’s sound, both still without resolution. The origins of 'Avaeken' date back to 2020, when O’Malley was commissioned by the ZWERM electric guitar quartet of Belgium. He rendered the piece, naming it after the millennium-plus-old oak tree on Sweden’s island of Fårö, for four guitarists on standard electric guitars, sustaining microtonal harmony produced with EBows and slides. "Natural harmonic tone coloured by the valves of the amplification is the one desired characteristic," reads the initial notes. "At first I asked, why would I write for another guitar player?" he says. "I realized how amazing it is to be a listener on the other side of the music; together we were able to try all these precisions with intonation, harmonics, specific microtonal ideas." The quartet performed 'Avaeken' several times before O'Malley joined them for a recording session in Muziekcentrum De Bijloke, a 13th-century former hospital with modern acoustics in Gent.
26,00€
Add to cart

In stock

CD

Kassel JAEGER
“Sub Re”

Kassel Jaeger (aka François J. Bonnet) returns to Shelter Press after Swamps / Things, Shifted in Dreams, and the recent reissue of the classic Zauberberg, co-composed with Akira Rabelais and Stephan Mathieu. With this major new album, entitled Sub Re, Bonnet continues his long exploration of the musical possibilities of sound, extending the concrete approach developed at the Groupe de Recherches Musicales, the historic and essential Parisian studio that Bonnet has been directing since 2018. Sub re, in Latin, can mean “under the thing, under the substance, under the matter.” It's precisely this direct approach to music, drawing on the extraction of raw sound material, that forms the basis of this album. Under the matter thus signals the concrete aspect of music, but not the concrete that is transfigured, becoming vapor and form, the substrate of an idea. Rather, it signals the concrete beneath the concrete, in the immanence of sounds, in their becoming, as a driving force, like a tide, like a vault of imperious and powerful matter. To achieve this, Bonnet draws on a multitude of sound sources (acoustic, electronic, natural or artificial, created on purpose or found by chance) and a multitude of contexts and occasions to give them form. The movement, a shell, a bell, a spell, for example, was heard for the first time during a concert organized in Venice in connection with Latifa Echakhch's contribution to the Swiss Pavilion at the 2022 Art Biennale, while the last movement on the record, signalmirror, concluded a piece presented at the first Sound Biennale in Sion (Switzerland) in 2023. These elements, formed and detached from their original context of appearance, of the places and people who made them possible and listened to them, contribute to a complex layering of climates and sonic worlds and help create a contrasting album, where density and tenuity coexist in a succession of moving waves, sometimes laden with memories, sometimes filled with regrets, always set in motion by their own morphology. Sub Re also refers to a chapter in Victor Hugo's Toilers of the Sea, a key passage in which the main character, faced with a colossal task, finds himself alone in the middle of the sea, beneath a gigantic shipwreck caught in the jaws of an isolated reef, surrounded by water, currents, and winds, alone to face the impossible. It is indeed beneath the surface that actions arise, decisions are made, and intuition guides us.  
17,50€
Add to cart

CORTICALART

Mail-order and distribution of experimental music (electroacoustic, improvised music, sound-art, noise, sound poetry), past or present, along with some books, magazines and DVDs.

NEWSLETTER

INFORMATIONS

  • Contact
  • My Account
  • Shipping

CORTICALART / Ass. META
44, rue Camille Sauvageau
33800 Bordeaux
France

© Corticalart 2026    • Terms Of Use    • Legal Notice    • Privacy Policy

• CGV    • Mentions légales    • Politique de confidentialité