Double CD. Eight enigmatic episodes from Utvaer.
Between June & July 2004, as guests of Kunst I Nordland, NWW broadcast twenty four unexpected radio transmissions from the Arctic Lofoten Islands, eight of which are included here.
Review by Lucas Schleicher from Brainwashed : Eight new broadcasts from the chilly world of the Arctic Lofoten Islands are made available on this double disc and, in some ways, they all exemplify just how much Steven Stapleton must be falling in love with digital sound stretching. Just as the first volume was an effort to reshape the world around them in sound, the second volume of Shipwreck Radio turns the world of Lofoten into a strange place occupied by distortions of the Arctic's natural sound world.
“June 22,” the first of the two half hour tracks, begins with the by-now familiar greeting of Utvaer’s most beloved Deadhead, echoed by his perky sidekick. As they vanish, something sinister appears in their place. The image most prominent in my mind is of a furnace possessed by spirits best left unidentified, swelling into aggressive bursts of volume in increasing lengths as the track progresses, with a particularly bone-rattling eruption occurring just after the twenty minute mark. Frequently the sound hovers like thick, humid air, as if waiting for an unnamed menace to slither forth from the darkness. A subdued alarm bell appears out of the fog from time to time, commingling with faint metallic overtones on the fringe of perception while revenant gasps hiss in the mist. Even listening to the this track in the daylight, I have to say that I found it to be one of the more viscerally thrilling and frightening Nurse With Wound experiences I’ve had in a while, much like the gut feeling I used to get just before the initial drop on a roller coaster. As the last track in the Shipwreck series, “July 13” is quite the headcleaner. After the initial greetings, loops of the phrase “Welcome to Shipwreck Radio” are subjected to repeated unsettling voice manipulations that become a rippling landscape of their own, stretching syllables into unnatural technological groans. Each time the phrase returns, it is slower and contains more glitch material, eventually obfuscating the source completely. As the length of the recurring phrase increases, so too does the silence between the repetitions. The slower the voice gets, the more it sounds like broken zeros and ones, high-pitched tones with little musical value. Because of this, the track feels more like an algorithmic exercise than a creative one. I can’t imagine what was going through the minds of the Norwegians tuning in to this particular broadcast, though I wouldn’t be surprised if they smacked their radios a few times thinking something was broken. In some ways, the predictable pattern of “July 13” is the antithesis of the previous track’s ability to surprise, and it’s one I probably won’t return to frequently. Even so, the force of “June 22” alone is enough to make this release an invigorating addition to the group’s catalog. From Brainwashed
"An accumulation of discarded musical vermin 1983 - 2006." With Mr. Stapleton returning to publishing through his United Dairies imprint, he has collected various studio outtakes from over the years and compiled them into this exceptional body of NWW ephemera. Immediately, Nurse fans will recognize vastly mangled variations of "Black Is The Colour Of My True Love's Hair" from She And Me Fall Together Into Free Death, "Cold" from Thunder Perfect Mind, and "Rock 'N Roll Station" from any number of those sessions. Stapleton has long recycled themes in a kaleidoscope of distortions, permutations, and hallucinations, and hearing such favorites all over again, brings a smile to us all. From Helen Scarsdale
Homotopy To Marie is the fifth album by Nurse With Wound, released in 1982, created by Steven Stapleton, music and sleeve.
The album is “a step on from the Dadaist rock of Merzbild Schwet, with much use of tape manipulation and classical avant-garde techniques”. The album which combined tape edits with resonating gong tones and disembodied children's voices to create a sonic collage far removed from the harsh improvisations of the group's early albums.
The title of the brief closing track derives from a passage from Les Chants de Maldoror, a surreal poetic novel written by Le Comte de Lautréamont. This appropriation of a phrase from Maldoror is shared in common with the title of Nurse With Wound’s debut album Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella; both phrases appear in Lautréamont’s work.
The album was first issued on Stapleton's own United Dairies label on vinyl, cassette and later in remastered compact disc including an extra track “Astral Dustbin Dirge”.
This masterpiece reissue, is the official full double album from the original recording sessions. The 4 tracks from the original LP plus additional recordings from the same period.
This second, double album masterpiece in the Silver Collection of Nurse With Wound albums, is a technically better, crystal clear performance, in comparison to the original 1982 cut.
Black vinyl, 800 copies.
Vinyl silver & black + deluxe metallic gatefold limited to 700 copies.
Homotopy To Marie is the fifth album by Nurse With Wound, released in 1982, created by Steven Stapleton, music and sleeve.
The album is “a step on from the Dadaist rock of Merzbild Schwet, with much use of tape manipulation and classical avant-garde techniques”. The album which combined tape edits with resonating gong tones and disembodied children's voices to create a sonic collage far removed from the harsh improvisations of the group’s early albums.
The title of the brief closing track derives from a passage from Les Chants de Maldoror, a surreal poetic novel written by Le Comte de Lautréamont. This appropriation of a phrase from Maldoror is shared in common with the title of Nurse With Wound’s debut album Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella; both phrases appear in Lautréamont’s work.
The album was first issued on Stapleton’s own United Dairies label on vinyl, cassette and later in remastered compact disc including an extra track “Astral Dustbin Dirge”.
This masterpiece reissue, is the official full double album from the original recording sessions. The 4 tracks from the original LP plus additional recordings from the same period.
This second, double album masterpiece in the Silver Collection of Nurse With Wound albums, is a technically better, crystal clear performance, in comparison to the original 1982 cut.
2013. Chromanatron is the new album from Nurse with wound, collages of no less than 5 albums by the mythical German band from the late 60s SAND. These five psyche-experimental-krautrock albums include their first oddity Golem, that NWW discovered a long time ago and represented straight away a great source of inspiration for him.
A great dedication to Sand, and hat-in-hand, chapeau bas ! to Nurse with wound for this once again unique masterpiece.
Chromanatron is part of the series Inxodem released by Rotorelief. It is a series of new albums from Sand as well as a reissue of their obscure and rare album Golem. This series of albums is called Inxodem, the series title having one letter for each album. Current 93 is also part of the project with When the may rain comes, cover versions of the original track from Sand.
All paintings and collages of the Inxodem series are created by Babs Santini aka Steven Stapleton.
Limited and numbered edition of 500 copies on picture disc.
2013.
Chromanatron is the new album from Nurse with wound, collages of no less than 5 albums by the mythical German band from the late 60s SAND. These five psyche-experimental-krautrock albums include their first oddity Golem, that NWW discovered a long time ago and represented straight away a great source of inspiration for him.
A great dedication to Sand, and hat-in-hand, chapeau bas ! to Nurse with wound for this once again unique masterpiece.
Chromanatron is part of the series Inxodem released by Rotorelief. It is a series of new albums from Sand as well as a reissue of their obscure and rare album Golem. This series of albums is called Inxodem, the series title having one letter for each album. Current 93 is also part of the project with When the may rain comes, cover versions of the original track from Sand.
All paintings and collages of the Inxodem series are created by Babs Santini aka Steven Stapleton.
CD 3 flaps 6 panels Digipak
“Originally released in 1999, “An Awkward Pause” adds David Tibet, Christoph Heemann, Colin Potter and Petr Vastl (Aranos) to the mix, resulting in an extremely unique sounding and dare we say, rocking release. This two CD set is released in a deluxe 6 panel digifile and adds a second disc of all previously unreleased tracks.”