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Michel REDOLFI

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LP

Michel REDOLFI
“Sonic Waters, Underwater Music 1979-1987”

A work that literally immerses the listener into an acoustical substance. The sound becomes almost like matter, like jelly. Soon, you're swimming in sound, getting lost inside it. With the Sonic Waters project initiated in 1978, my aim was to situate field of electronic music within a liberating and futuristic experience, outside the concert halls and in sync with the development of new instruments - in particular the Synclavier digital synthesizer, the first model of which I acquired in 1977. As concert space, the Pacific Ocean seemed to me to be the ideal experimental medium for both acoustic and cultural reasons. I then developed the aesthetic and technical elements that would contribute to the conception of Underwater Music. Numerous performances would follow spanning four decades, in natural sites or in large public pools such as those of Sydney, Paris or Venice during the 2006 Biennale. Michel Redolfi (1951), French composer and sound artist, is the founder of Underwater Music. The natural elements captured and highlighted by experimental technology are a constant in Redolfi's catalogue: many compositions explore the earth environments such as in 'Pacific Tubular Waves', 'Jungles', 'Desert Tracks' (re-released on Sub Rosa records) and especially with 'Sonic Waters', a work that literally immerses the listener into an acoustical substance. During the mid-seventies Redolfi carried out his electro-acoustic research in the United States, with major electronic music centers including the California Institute of the Arts and chiefly the University of California in San Diego. As invited resident of their studios, Michel Redolfi launched the underwater music concerts, with the series 'Sonic Waters' performed in the Pacific Ocean. Michel Redolfi's underwater creations have since been regularly programmed by major international festivals, with multi-media installations held in ecological marine reserves or in historical city pools. Among them, the Sydney Festival, Paris 'Nuit Blanche', Ars Electronica in Linz, the 2006 Venice Biennale (nominated Golden Lion) and lately the 2018 Ars Musica festival in Brussels. This record presents different variations of Sonic Waters from 1980 to 1987, alternating studio mixes with their re-recordings in the depths of the Pacific. Michel Redolfi CD's and LP's are currently published by Sub Rosa, INA-GRM and Radio France.
16,50€
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In stock

CD

Michel REDOLFI
“Sonic Waters, Underwater Music 1979-1987”

A work that literally immerses the listener into an acoustical substance. The sound becomes almost like matter, like jelly. Soon, you're swimming in sound, getting lost inside it. With the Sonic Waters project initiated in 1978, my aim was to situate field of electronic music within a liberating and futuristic experience, outside the concert halls and in sync with the development of new instruments - in particular the Synclavier digital synthesizer, the first model of which I acquired in 1977. As concert space, the Pacific Ocean seemed to me to be the ideal experimental medium for both acoustic and cultural reasons. I then developed the aesthetic and technical elements that would contribute to the conception of Underwater Music. Numerous performances would follow spanning four decades, in natural sites or in large public pools such as those of Sydney, Paris or Venice during the 2006 Biennale. Michel Redolfi (1951), French composer and sound artist, is the founder of Underwater Music. The natural elements captured and highlighted by experimental technology are a constant in Redolfi's catalogue: many compositions explore the earth environments such as in 'Pacific Tubular Waves', 'Jungles', 'Desert Tracks' (re-released on Sub Rosa records) and especially with 'Sonic Waters', a work that literally immerses the listener into an acoustical substance. During the mid-seventies Redolfi carried out his electro-acoustic research in the United States, with major electronic music centers including the California Institute of the Arts and chiefly the University of California in San Diego. As invited resident of their studios, Michel Redolfi launched the underwater music concerts, with the series 'Sonic Waters' performed in the Pacific Ocean. Michel Redolfi's underwater creations have since been regularly programmed by major international festivals, with multi-media installations held in ecological marine reserves or in historical city pools. Among them, the Sydney Festival, Paris 'Nuit Blanche', Ars Electronica in Linz, the 2006 Venice Biennale (nominated Golden Lion) and lately the 2018 Ars Musica festival in Brussels. This record presents different variations of Sonic Waters from 1980 to 1987, alternating studio mixes with their re-recordings in the depths of the Pacific. Michel Redolfi CD's and LP's are currently published by Sub Rosa, INA-GRM and Radio France.
12,50€
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Out of stock

CD

Michel REDOLFI
“Appel d’air”

“Appel d’air” (1991), “Jazz, d’après Matisse” (1990), “Portrait de Jean-Paul Celea avec contrebasse” (1991) for doublebass and tape.
15,00€
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Out of stock

CD

Michel REDOLFI
“Sons-Frissons”

Between sound imersion, soundscapes and narrative compositions. “History of sound” (2011), “L’ombre de la méduse” (2002), “Son frisson : deep EEG” (1998), “Songes drôlatiques” (1994), “Son frisson : light EEG” (1998), “Sonic immersion” (2011), “La galaxie du caïman” (1990).
15,00€
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Brunhild FERRARI – Eiko ISHIBASHI – Jim O’ROURKE
“L’Oreille Voleuse”

Persistence of Sound releases a new work by Brunhild Ferrari called »L’oreille Voleuse« (The Thieving Ear). The LP features an extraordinary live reinterpretation by Eiko Ishibashi and Jim O’Rourke, recorded in October 2025 in Paris. “No, without listening at doors, the ear captures noises here and there and unexpected sounds without choice, but remains attentive to the messages of each one picked up over the years. It gathers surprises and impressions, bringing them together in a simple mix. In waking up these ear memories again, which were mostly recorded on magnetic tapes, I am very happy about the collaboration of Eiko Ishibashi and Jim O'Rourke in playing on this mix tape.” Brunhild Ferrari
28,00€
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In stock

LP

FRANCE
“Good Thoughts, Bad Thoughts”

Good Thoughts, Bad Thoughts captures the band in full flight during their very first English tour, recorded at The state51 Factory in East London. Until this tour, UK audiences had only witnessed France once before, at Liverpool Psych Fest some years back. This album documents what they've been missing. For this performance, the lineup featured Jérémie Sauvage on bass, Yann Gourdon on electrified hurdy-gurdy, and Cyril Bondi (La Tène, Cyril Cyril) stepping in on drums while longtime member Mathieu Tilly took a well-earned break.
29,00€
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In stock

CD

Thomas TILLY
“Birds measuring space”

As a counterpoint to discourses about sound in nature, french sound artist Thomas Tilly continues his research on the use of noise by non humans. Following the noise walls of Codex Amphibia, Birds measuring space focuses on the strange rituals operating by the mysterious Guacharos de Cuevas, and its interpretation by humans and technology. Thomas Tilly (FR) is a sound artist and composer of experimental music. His work is based on field experiments using microphones, loudspeakers, and acoustic analysis instruments. Developing a unique approach to phonography, influenced by biology, anthropology, and sound measurement, his creations, broadcasts, and installations open up a field of listening that extends beyond the naturalist paradigm.  
13,50€
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In stock

LP

NURSE WITH WOUND
“Rock’N’Roll Station Redux Extraction”

At last Nurse With Wound’s classic masterpiece ‘Rock ‘n’ Roll Station’ gets it’s timely and well-deserved VIP treatment. A much loved and firm favourite with fans and critics alike, this celebrated seminal work is here represented by 4 tracks, each unique with extended reworking and mixing. This United Dirter 12” LP release is a forerunner to the imminent ‘The Iron Lung Gives Way To The Surgical Stocking’ 5CD boxset magnum opus to be released later this year. Featuring along side the usual suspects of Colin Potter, Matt Waldron, Andrew Liles, Diarmuid MacDiarmada is French pioneer and trail blazer of the ‘70’s, Jean Jacque Birge. Black & pink vinyl  
27,00€
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In stock

2 CD

NURSE WITH WOUND
“Alice the Goon”

Experience the mesmerizing allure of Nurse With Wound's 'Alice the Goon' in an expanded edition 8 panel digipak, featuring original release art, alongside older renditions by Babs Santini! This enhanced version promises to captivate and intrigue both new listeners and avid fans. Contains several unique mixes by Colin Potter, Andrew Liles, Matt Waldron, Diarmuid MacDiarmada, Señor Coconut and unreleased material from the original sessions. DISC ONE I Yam What I Yam Intro Remix Diarmuid MacDiarmada Pseudoacacia (I don't want to have) Easy Listening Nightmares Prelude to Alice the Goon Coconut Mix Remix Señor Coconut The Happy Wanderer Remix Andrew Liles, Queasy Listening Remix Colin Potter Impotence Out of Tune DISC TWO And That's All I Yam: Conclusion/Confusion Remix Diarmuid MacDiarmada Afterthought to Prelude to Alice the Goon Remix Matt Waldron
27,50€
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In stock

CD

NURSE WITH WOUND
“”Healsgebedda Budgerigar”

A welcome expanded CD release for this album, which sold out very quickly when it was released on vinyl last year. It comes in a full colour 6-panel digipak of heavy gauge card in gloss laminate, with 2 unreleased tracks & an alternative mix of the title track. On Healsgebedda Budgerigar, Nurse With Wound turn memory itself into a delirious tape loop: long, sample‑swollen excursions where pet chatter, phantom TV themes and street detritus melt into a woozy, psychedelic netherworld of half‑remembered sound.
16,50€
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CORTICALART

Mail-order and distribution of experimental music (electroacoustic, improvised music, sound-art, noise, sound poetry), past or present, along with some books, magazines and DVDs.

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