Composer/improviser Magnus Granberg, who lives in Stockholm, has presented outstanding composed works through Skogen, the ensemble he directs, and experimental music ensembles, projects and labels from around the world. He has released three CDs on the Meenna label: Whose Words? (meenna-983 / 2017), documenting a trio improvisation performance with Tetuzi Akiyama and Henrik Olsson; and two albums titled Come Down to Earth Where Sorrow Dwelleth (meenna-970, meenna-966 / 2020), each containing a different version, performed by a different ensemble, of the same composition by Granberg.
When Granberg accepted an invitation he received in September 2019 to participate in a project planned by Swedish artists including Leo Svensson Sander (cello), Stina Hellberg Agback (harp) and Eva Lindal (violin), it was the first step on the road to creating the work recorded on this CD. Granberg wrote the composition in the midst of the Covid-19 pandemic that began the following year, completing the quartet version, "How Lonely Sits the City?" (54 minutes). In October 2020, Sander, Agback, Lindal and Granberg (on prepared piano) recorded the work, and that recording is presented on this album.
Granberg subsequently prepared the extended version of "How Lonely Sits the City?" for his own group, Skogen. This was recorded by a seven-member Skogen ensemble, and released on the UK label Another Timbre in February 2022.
Magnus Granberg is a composer/musician based in Stockholm, Sweden. Since 2005, through his own ensemble Skogen and other experimental music groups including Ordinary Affects, Ensemble Grizzana and Insub Meta Orchestra, he has been presenting high-quality works demonstrating new compositional possibilities. Granberg's works have been released on various labels including the UK's Another Timbre. His recent activities have received a great deal of attention.
Granberg originally composed "Come Down to Earth Where Sorrow Dwelleth" in spring 2019 for the Boston-based experimental music ensemble Ordinary Affects. For the performance of this piece at Ftarri Festival, he created a revised version for sho, koto, prepared piano and electronics, and made his first trip to Japan in November 2019. On November 8, just before the festival, the four musicians met at the studio GOK Sound in Kichijoji, Tokyo, for a rehearsal and recording. This CD documents that studio recording of a 52-minute performance by Ko Ishikawa (sho), Miki Maruta (20-string koto), Granberg (prepared piano) and Toshimaru Nakamura (no-input mixing board). (At Ftarri Festival, Granberg used a piano without preparations.)
Throughout the work there's a gravity and mystical quality to the sound and the uniqueness of Magnus Granberg's artistry is amply displayed. It's interesting to compare this performance with the original version (released on Meenna in July 2020 [meenna-970]), which was performed by Ordinary Affects on violin, cello, electric guitar, vibraphone and prepared piano.
Miki Maruta: 20-string koto
Ko Ishikawa: sho
Toshimaru Nakamura: no-input mixing board
Magnus Granberg: prepared piano
Hot on the heels of his wonderful piece on the Early to Late CD released earlier this year, a new hour-long work for an ensemble of six musicians by Swedish composer Magnus Granberg. Recorded in Geneva in September 2017 and played by Anna Lindal (baroque violin), d’incise (vibraphone & electronics), Cyril Bondi (percussion), Anna-Kaisa Meklin (viola da gamba), Christoph Schiller (spinet) and Magnus Granberg (prepared piano).The piece borrows material from a song by Schubert, but transforms it into Granberg’s typically taut and focused soundworld: “The expressiveness of the song has been subdued or silenced, and has become something which takes place somewhere beneath the surface of the music.” (Magnus Granberg)