Shutting Down Here
2019 / 35’13
Recorded at INA GRM and Steamroom
Piano: Eiko Ishibashi // Violin, viola: Atsuko Hatano // Trumpet: Eivind Lonning
Cut by Andreas Kauffelt at Schnittstelle, Berlin, February 2020
Photo by Eiko Ishibashi // Sleeve design by Stephen O’Malley
Special thanks to Francois Bonnet and Jean Schwarz for bookending 30 years
Due to the wide dynamic levels, please adjust your volume accordingly
Shutting Down Here is a special work. Symbolically, it covers a period of thirty years, between two visits by Jim O'Rourke to the GRM, the first, as a young man fascinated by the institution and his repertoire, the second, as an accomplished musician, influential and imbued with an aura of mystery. Shutting Down Here is a piece shaped like an universe, a heterogeneous world in which collides the multiple musical facets of Jim O'Rourke: instrumental writing, field recordings, electronic textures and cybernetic becomings, dynamic spaces, harmonic spaces, silent spans . This variety of approach, strangely, does not in any way weaken the coherence of the whole and this is the talent of Jim O'Rourke, a talent, properly speaking, of composition, where all the sound elements compete and participate to stakes that exceed them and of a common destiny, that is to say of an apparition.
Released in association with Editions Mego.
Coordination GRM: François Bonnet, Jules Négrier
Executive Production: Peter Rehberg
Shutting Down Here
2019 / 35’13
Recorded at INA GRM and Steamroom
Piano: Eiko Ishibashi // Violin, viola: Atsuko Hatano // Trumpet: Eivind Lonning
Cut by Andreas Kauffelt at Schnittstelle, Berlin, February 2020
Photo by Eiko Ishibashi // Sleeve design by Stephen O’Malley
Special thanks to Francois Bonnet and Jean Schwarz for bookending 30 years
Due to the wide dynamic levels, please adjust your volume accordingly
Shutting Down Here is a special work. Symbolically, it covers a period of thirty years, between two visits by Jim O'Rourke to the GRM, the first, as a young man fascinated by the institution and his repertoire, the second, as an accomplished musician, influential and imbued with an aura of mystery. Shutting Down Here is a piece shaped like an universe, a heterogeneous world in which collides the multiple musical facets of Jim O'Rourke: instrumental writing, field recordings, electronic textures and cybernetic becomings, dynamic spaces, harmonic spaces, silent spans . This variety of approach, strangely, does not in any way weaken the coherence of the whole and this is the talent of Jim O'Rourke, a talent, properly speaking, of composition, where all the sound elements compete and participate to stakes that exceed them and of a common destiny, that is to say of an apparition.
Released in association with Editions Mego.
Coordination GRM: François Bonnet, Jules Négrier
Executive Production: Peter Rehberg
DDS catch enduringly absorbing sonic alchemist Jim O’Rourke at his knottiest and most ingenious in a wormholing suite of amorphous rhythm and psychedelic electronics - a massive RIYL Autechre, Roland Kayn, Bernard Parmegiani, NYZ, Keith Fullerton Whitman.
Playing up to and into DDS’ freeform aesthetics, O’Rourke renders 40 minutes shearing hyaline synth tones and ruptured rhythm generated at his Steamroom facilities in Tokyo, a modular out-zone trawling that harks back to his iconic Mego releases and some of the more recent Steamroom experiments. It’s an ideal addition to the ever expanding DDS cosmos, following Demdike’s recent ‘Drum Machine’ expo with a slice of purist and screwed modular magick that transcends early electronics and modern styles in pursuit of musical sensations that defy stylistic brackets.
‘Too Compliment’ was assembled using a bespoke Hordijk modular system, a rare West Coast-style setup hand made by Dutch engineer Rob Hordijk. O’Rourke focuses on the frequency shifter here, using it to coax out fluxing tone thickets, haphazard frequencies and elongated drone corridors. It’s transportive stuff, harking back to the early days of private press academic synth music but also sitting on edge alongside Autechre’s recent long-form work, as well as O’Rourke’s classic “I’m Happy, And I’m Singing, And A 1, 2, 3, 4”
In O’Rourke’s hands, the mass of electronics takes on throbbing, organic dimensions, congealing grey matter and purplish veins of fluid in viscous transitions that glisten and spark with invention as they form new tissue. What comes out is as unearthly as the earliest electronic music, but also blessed with a psychedelc spirit in a way that’s long kept O’Rourke right out on his own, teetering between paradigms yet never settling into any single style. If you’ve always been keen on finding a way into that sprawling soundworld, ‘Too Compliment’ is a perfect entry point into a highly rewarding creative macrocosm.
Matière Mémoire presents the MMXX Series. In anticipation of the year 2020, Matière Mémoire asked 20 great artists to create an original 20 minutes piece and an artwork. Throughout this year, each quarter will see the release of 5 new vinyls, available individually or as a bundle. Each record is limited at 500 copies and comes as a crystal clear vinyl featuring an original track of 20 minutes on one side, and a laser engraved artwork on the other. Each contained in a transparent sleeve printed with the MMXX logo, and each coming with a print of the artist artwork.
25,00€Original price was: 25,00€.12,00€Current price is: 12,00€.
A 4-hour work recorded at Steamroom (composer’s studio) between 2017 and 2018.
Detailed and delicate electronic layers, processed instruments, and ambiguous field recordings come together in a slow-moving, fascinating kaleidoscope with multiple reflections and wrong turns, always in constant state of flux. The finely crafted art of subterfuge.
“To magnetize money and catch a roving eye”, four CD’s – a hypnotic, multi-faceted, labyrinthine piece which flows as slowly as a river while speeding back through memory, and shows all the talent of Jim O'Rourke.
Composer, performer, multi-instrumentalist, born in Chicago in 1969, Jim O’ Rourke is a veritable chameleon, working at the frontiers of very diverse musical genres.
Back in stock. Few copies left. The second archive release following last years great ’Scend’ LP (3P8). 2 pieces for organ composed and performed in 1991 when Jim was finishing his music studies at de Paul University in Chicago. ... these pieces had almost been forgotten about as Jim’s musical interests soon took a change of direction. Only now released for the first time in any format this LP instantly draws the listener inside this recently imagined timelessness... Arik Einstein - ’Certain Music’ (LX) Edition of 1000 copies in special die-cut cover with full color innersleeve.