In stock
CD
Clara DE ASÍS
“Without”
Clara de Asís is a Spanish composer and guitarist based in Marseille, France. Her intuitive, unconventional composition style utilizes a minimal, spatial framework in which performers can create individual sounds incorporating active listening, attaining a paradoxical but coherent result, "setting a frame could bring out a lot of unexpected possibilities and revelations that come from the sound itself."
De Asís composed 'Without' for the duo of Erik Carlson (violin) and Greg Stuart (percussion) in 2018. In this 43-minute piece, she gave a precise framework for the position and the duration of each sound section and each silence, as well as a rough outline for the texture and the volume of each sound, the use of tone or noise (or tone-noise), and the materials for the percussion, but a large part of the score was open for the two performers' freedom. In the realization of this piece, Carlson and Stuart brought out the unique voice of each instrument by applying various use of bows on violin and various percussive materials (metal, wood, ceramic, clay, glass, etc.) with their attentive, virtuosic skills and great sensitivities for the sound and silence. Moving along in parallel, Carlson and Stuart showed their individual musical personalities while creating an organic flow, with an exquisite balance between preciseness and openness. The duo's introspective approach to the sound and silence evokes the tranquility of a Zen garden while showing a clean contemporary edge, highlighting the simple yet intense beauty of de Asís's minimal composition. David Sylvian's cover photograph of the small stones, each of which has a unique color and texture, faintly illuminating in the pitch-black background, echoes the mysterious depth and the lucidity of de Asís's piece.
14,50€
In stock
CD
Clara DE ASIS
“Do Nothing”
Electroacoustic and minimal studio composition for guitar and percussion performed by Clara de Asis. Six beautiful solo pieces developed over the course of 2017. “It’s the way I work now. To me, one of the differences between improvisation and composition is how I think about and experience time. Meaning the time within the piece itself, but also the time of my life in which I develop the piece, and how I live through that time. I believe that, as with any other activity, music is very much related to the moment, the stage of one’s life, where it is produced – be it either in a perceptibly evident or in a subtle way. There is a correspondence between one’s life and way of living and the music one makes. And when I’m developing a piece, during the process of composing it and making it, which can last months, weeks, or days, I learn things about myself; there’s a feedback between the developing piece and my own life. And that feedback leads me to make choices. Choices that set up a frame regarding a situation that goes beyond the present time. In that sense, I do find improvisation limiting as a means of music-making, because improvised music is formally circumscribed by one instant.”
12,50€