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Clara DE ASÍS
“Without”


Artiste: Clara DE ASÍS

Label: ELSEWHERE (US)

Format: CD


Category: CD
SKU: elsewhere 004

14,50€

In stock

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Clara de Asís is a Spanish composer and guitarist based in Marseille, France. Her intuitive, unconventional composition style utilizes a minimal, spatial framework in which performers can create individual sounds incorporating active listening, attaining a paradoxical but coherent result, “setting a frame could bring out a lot of unexpected possibilities and revelations that come from the sound itself.”

De Asís composed ‘Without’ for the duo of Erik Carlson (violin) and Greg Stuart (percussion) in 2018. In this 43-minute piece, she gave a precise framework for the position and the duration of each sound section and each silence, as well as a rough outline for the texture and the volume of each sound, the use of tone or noise (or tone-noise), and the materials for the percussion, but a large part of the score was open for the two performers’ freedom. In the realization of this piece, Carlson and Stuart brought out the unique voice of each instrument by applying various use of bows on violin and various percussive materials (metal, wood, ceramic, clay, glass, etc.) with their attentive, virtuosic skills and great sensitivities for the sound and silence. Moving along in parallel, Carlson and Stuart showed their individual musical personalities while creating an organic flow, with an exquisite balance between preciseness and openness. The duo’s introspective approach to the sound and silence evokes the tranquility of a Zen garden while showing a clean contemporary edge, highlighting the simple yet intense beauty of de Asís’s minimal composition. David Sylvian’s cover photograph of the small stones, each of which has a unique color and texture, faintly illuminating in the pitch-black background, echoes the mysterious depth and the lucidity of de Asís’s piece.

Une composition de Clara de Asis (compositrice et guitariste installée à Marseille) interprétée par Erik Carlson (Violon) and Greg Stuart (Percussions) où une écriture précise de chaque élément de la pièce laisse ouverte l’intervention personnelle de chaque musicien. Une approche du son et du silence sous le signe du Zen.

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