Zone Habitable is as its name suggests, in astronomy and exobiology, a region of space where conditions are favorable for the appearance of life as we know it on Earth and therefore potentially capable of supporting extraterrestrial life. Like a fiction, Habitable Zone is a translation, a musical interpretation (using various instruments, electronic processing and field recordings) of what this exoplanet could be. (Bruno Duplant).
100 copies
French musician Bruno Duplant is one of the most talked-about artists on the experimental music scene today. In recent years he's presented many outstanding composed pieces and released a succession of excellent recordings on labels around the world. The abundance and vitality of his work are remarkable.
On this album, two compositions by Duplant are performed by Ordinary Affects, led by Boston-based musician/composer Morgan Evans-Weiler. Ordinary Affects is an experimental music ensemble with an established reputation for performing works by contemporary composers such as Christian Wolff, Antoine Beuger, Michael Pisaro, Jürg Frey, and Kyoko Akama. Track 1 (21 minutes) is a quintet and Track 2 (26 minutes) is a string quartet. The performers are Laura Cetilia (cello), Jordan Dykstra (viola), Morgan Evans-Weiler (violin), J.P.A. Falzone (Fender Rhodes, Track 1 only), Luke Martin (guitar, Track 1 only), and Ashley Frith (viola, Track 2 only).
Each piece has a highly controlled, spacious tempo throughout. The sounds' overlapping and their successive emergence have a dreamlike quality that gently beckons the listener into a state of abstraction. Bruno Duplant's talent and originality as a composer and Ordinary Affects' excellence as performers are fully on display in this superb recording.
Performed by The Suidobashi Chamber Ensemble - a Tokyo-based group for new music with Wakana Ikeda, flute & harmonica, Yoko Ikeda, violin & viola, Masahiko Okura, clarinets, Taku Sugimoto, guitar & mandolin, Aya Naito, bassoon & voice, Hikaru Yamada, electronics - and by Taku Sugimoto (guitar).
Two major nuclear disasters, Tchernobyl and Fukushima, left its traces in our collective memory. Their devastating impact on the immediate environment left behind the ghost towns of Prypiat and Futaba. French sound artist Bruno Duplant never visited these exclusion zones. He took their existence as a starting point for an electroacoustic composition to investigate the relationship between fiction and reality. Sonic journalism like Peter Cusack’s “Sounds from dangerous places” documents the reality of exclusion zones. Bruno Duplant tries to translate the reality of such zones into fiction by using sounds which originally had no relation with these places. Two compositions of same length, one on Prypiat, the other on Futaba. Fiction as testimony of a reality easily forgotten, buried in silence. Fiction as recollection. Cover by Walter Methlagl, mastered by Giuseppe Ielasi. 300 copies on 180g vinyl.