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Vilké: of Lithuanian origin, a word for the female wolf. An avid and voracious hiker, Menche found great inspiration in the beautiful lament of howling wolves during his overnight expeditions; and ultimately chose these sounds as the core sonic elements for Vilké. By layering and distending wolves voices, a choir of howls was constructed – a massive sound wall colliding with layers of poly-rhythmic drums, abstracted guitar and piano.
“(Menche) eschews classification as a noise artist, and while many of his techniques suggest similarities to musicians who work within that realm, he works within specific structures, with a meticulous sense of the relationships between sounds and the overall development of a piece”- Dusted
“(Menche’s) honed style thrives on subtleties, crescendos, sublimation, and locomotive transformation. One can easily become immersed in his web of carefully sculpted sound hip-gnosis.” – Tiny Mix Tapes
“…proof of Menche’s uncanny talent for mutating common sounds into tracks that are dizzyingly unworldly. A tour of his universe is unlike any other and well worth the time and attention invested in attentive listening.” – brainwashed.com
Daniel Menche semble de plus en plus intégrer des instruments acoustiques dans sa musique et se diriger – volontairement ou pas – vers des créneaux proches d’une contemporanéité issue d’un Iannis Xenakis ou d’un Phill Niblock. Quatre faces qui abordent une accumulation à chaque fois différente mais marquée par une force et une sérennité renversante. Du grand art – sur les traces du loup – et présenté dans une très belle pochette avec fourreau, et deux vinyls transparents.
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