In stock
2 CD, book
Akio SUZUKI
“Only Just Once, Space in the sun”
Space in the Sun was one of Akio Suzuki’s major sound projects, a unique construction completed in 1988 and located on the merdian line, which took around 18 months to build. Its purpose was to allow Suzuki to spend one day, on the autumnal equinox, purifying his sense of hearing in nature. This release comprises a 44 page book containing plans and materials from the time alongside texts, and two CDs of environmental recordings created on site at Space in the Sun. To date only tiny fragments of the recordings made between those massive clay brick walls have been used in performances and no environmental recordings of the objective of the project, i.e. the space itself, have been released. The first disk consists of the first release of “person-less” field recordings made at the same spot that Akio sat at during the event (recorded in 1993, 60 minutes). The second disk consists of a performance that took place in the space. Space in the Sun’s earthen walls have since been demolished, so these recordings represent a return to life of their soft echo, an experience accessible nowhere else.
CD1: A record of the space (60:00)
An unedited one hour cut, taken from one of the three different recordings of Space in the Sun. Recorded by Yoshihiro Kawasaki.
CD2: Playing in the space: Throwing and Following (41:30)
A record of a performance by Suzuki at Space in the Sun using tree branches and small pebbles.
26,00€
Out of stock
2 CD, book
Stefan ROIGK
“de—COMPOSED”
An artist's book by Berlin-based sound artist Stefan Roigk, documenting acousmatic compositions, sound installations, musical graphics and text-sound compositions of the years 2005 to 2023 on 144 pages and 2 audio CDs.
Sound as a mark to place ephemeral splinters in the surroundings—Sound as a gesture to draw with invisible lines and pervasions (forms)—Sound as a color to paint environments with transparent atmospheres—Sound as a volume to determine or fill space in time.
A complex assemblage, composed of documentation photos, texts and drawings, becomes an interlocking whole in its dynamic flows and fields and animates the paper as a vibrantly structured visual composition. A piece of music for the eyes, in which the boundaries between documentation, draft and work become blurred in a surreal mesh of the concrete and fictional. Here, the reader generates their own individual temporal axis based on their speed of observation and focus on the optical elements, thus becoming a mixing board for a composition realized as a catalogue. Three text pieces give a deeper insight into Roigk's understanding of sound as material and the translation of sound events into other media.
As an equivalent to the visual approach of the catalogue and in order to adequately convey the sonic dimension of the artistic work, (sound) fragments of all the works covered in the catalogue were transferred into a dynamic collage-like arrangement with Roigk's typical aesthetics and are included with the catalogue as an independent listening experience in the form of two audio CDs.
The catalogue is published in the format 21 x 26 cm with gatefold softcover and includes 180 color illustrations on a total of 144 pages. Besides the catalogue itself, the publication contains 2 audio CDs with 33 tracks and a total playing time of 141 minutes, 2 A5 postcards and a bandcamp download code to enjoy the release also digitally.
Stefan Roigk (born 1974) is a sound artist based in Berlin. He studied fine art with a focus on sound art in Hannover under Professor Ulrich Eller. In his work, Roigk pursues the intermedial interweaving of sound collage, installation, musical graphics and text-sound composition. The resulting works approach sound as a field for artistic and aesthetic research, taking it as both their departure point and central medium. Roigk's artistic focus lies on the dynamic staging of context-related fragments of everyday existence, which he imbues, in the sense of visual music, with an extraordinarily developed, visually poetic formal language. In realizing these aims, Roigk uses compositional and deconstructivist techniques of collage and assemblage for the development of stage-like spatial compositions with an implicit underlying narrative sense, in which the diverse media blend together like the instruments of an orchestra. In his work, Roigk reflects on his own living and production conditions, while investigating the political potential of aurality and tracing the subjective construction of reality. Since 2010, he has worked regularly in co-operation with visual artist Daniela Fromberg on intermedial installations and compositions.
28,00€
Out of stock
2 CD, Book
NURSE WITH WOUND
“Homotopy to Marie”
Deluxe silver hardcover book with the 2CD version + 24 pages of artworks by Steven Stapleton.
20,00€
In stock
2 CD + book
COMPILATION
SLEPPET
’Natasha Barrett, Marc Behrens, Bjarne Kvinnsland, Steve Roden, Chris Watson and Jana Winderen. Six artists toured western Norway in april and may 2007, to experience and record its nature and rural culture. The itinerary included the small town of Sandane, the Jostedal glacier, Utvær - Norways westernmost island and the fjord city of Bergen. The works created out of the sonic input from this tour made out the components of Sleppet - a sound art exhibition curated by J¿rgen Larsson and presented by Grieg07, Lydgalleriet, Galleri 3.14 and Ultima. +3dB records is proud to present a series of works based on the materials from Sleppet. ’in my art I could not help but search for a way to express the wild music of the ocean’s roar, - but alas, in vain. I felt most deeply the impossibility of conveying that mighty chord in music. There was in that rushing and roaring something so infinite that it seemed presumptuous to dwell even for a moment on the idea of being able to reproduce it. Nonetheless I found some comfort in that it is the artist’s responsibility not to convey its material effect, but the reflection of the emotions it awakens; if this is done with genius then the impression can be equally divine despite the lack of the mass effect which is nature’s own.’ Edvard Grieg.’ label info
18,00€