Limited pressing, white label featuring two unreleased tracks.
‘B23 Steelhouse’ is a rework of ‘Steelhouse Chaconne’, itself an unreleased Lee Gamble dub from 2013. On the flip is ‘Motor System’, a track taken from last year’s Koch album and extended. Both tracks have been remastered and sound much louder and dynamic than the album cuts - primed for the DJs.
16,00€Original price was: 16,00€.5,00€Current price is: 5,00€.
Russell Haswell strikes bone on this 2-track, 20 minute follow-up to the napalm massage of ‘Conceptual nO!se’ for Poland’s Bocian label, and his fearsome split with Pain Jerk for Editions Mego. It also marks his return to the catalytic Diagonal imprint after the deviant blatz of his ‘37 Minute Workout’ LP in early 2014, which was hailed at No.11 in The Quietus albums of the year so far.
‘Double A’ renders Russell at his slyest and most honest, presenting spasmodic, un-edited improvisations belying influence from the pivotal epoch of diamond-cut ‘80s freestyle, industrial and Detroit techno. Depending on your perspective, they’re either splintered, tetchy DJ tools or skeletal nO!se inversions. Either way, they bristle and spark with a compulsive nervous energy and disciplined impulse control that’s Haswell to the core: challenging, uncompromising and bloody crucial.
On the A-side, ‘Foxy’ sparks manic hi-hat chatter and bruxist squall masticated with unpredictable intensity, angled and affective like a box of knock-off fireworks hoyed at the ‘floor. Stand back and watch ‘em scatter.
On the flip, the mercurial sleight-of-hand at play in ‘One Take Dub No Edit’ gestures the hard-ass chops of 12” bonus beats and the show-off breakdown edits of Carlos Berrio or The Latin Rascals. A non-stop, one-shot flashback to a vital time when futurist Latin freestyle and industrial funk were the dancer’s choice.
13,50€Original price was: 13,50€.7,00€Current price is: 7,00€.
Reissue of an ultra-limited cdr that popped out quietly on absurd in 2007, this record finds Tetuzi Akiyama and Michel Henritzi joining strengths for a singular set of guitar music recorded at the Alchemy Music Store in Osaka.
Captured during the heyday of stylised and pensive improvisation, the music here breaks protocol by avoiding some of the more polite mannerisms of the genre. What starts as a coarse yet beautiful duet of sparse melodic fragments, soon brings into fold the systematic undoing of the bodies of the two guitars themselves. Putting drills, hammers, nails, screws and saws into good use, and with maximum amplification, the two artists manage to bridge the distance between the freely atonal sketches of post-Derek Bailey guitar music and the Fluxus tradition of more overtly disruptive actions. In the process, they craft a singular work that, through raw tactile means, channels some of the violence and expressiveness that runs deep throughout the long tradition of guitar music.
Edition of 192 hand-stamped numbered copies.
Recorded and mixed in Cleveland, Ohio and Cashiers, North Carolina 2013-2014. Mastered by Giuseppe Tillieci aka Neel at Enisslab Rome. Album photos by alecia toggle. Layout and label design by Jen Gómez. John Elliott and Andrew Veres have been refining their creative powers as Outer Space since 2010 with “Akashic Record” (Spectrum Spools) and “II” (Blast First Petite). The pair now release their first new material since 2012, Elliott’s first since Emeralds ceased and the first as a duo. Editions Mego are well chuffed to release 'Phantom Center’, a stunning 2 track EP to kick the spring season off. “Arrival and Assessment” confidently sets the tone with multi levels of bass lines weaving around complex rhythms and those vast atmospheres we come to expect from this project.
Flip it over and we encounter the earth shattering “Crixa / 5925”, the perfect soundtrack to staring into an endless void with bottomless sub-bass and Raicevic-informed synthesizer disarray.
12,00€Original price was: 12,00€.7,00€Current price is: 7,00€.
“Mastered & cut by Rashad Becker at D+M, Berlin, June 2011. Pre-master by Falm. New gear from the PQ corner! 12” with 1 new Quehenberger original (Uffuff) and a trio of near remixes from his lastest album Hazard (released as Laton 047 in 2009). Patrick Pulsinger tackles New Beat, in his unique future funk sound. A welcome return of Elin (who hasn’t been on a Mego record since 1995, check Mego 003). He slurps out a version of Hey Gert, making it into an slamming slowed down twister of a track.This leaves the pumping exccess of Altroys (Minimal Sould) Keep Talking remix.”
14,00€Original price was: 14,00€.6,00€Current price is: 6,00€.
Clay Rendering is a new band born of Aries couple Mike (Wolf Eyes, Hair Police, Failing Lights) and Tara Connelly (the Haunting and The Pool at Metz). The two began work on the project in the fall of 2012, dedicated to resurrection, (much like their sun signs) with a focus on arcane structures. Droning and melancholic guitars are propelled by the skeletal remains of industrial music. Low light vocals weave in and out of the stark atmosphere. Electronics mix with acoustics, vocals and guitar to create songs inspired by last days. Mastered by Russell Haswell. Edition of 500.
“About the record : Live-recordings of Harddisko: 16 computer harddrives on power. Superreal computer music. Upon powering, each harddrive moves with its own speed and pattern, as directed by the firmware and mechanical constitution. Electromagnetic emissions picked up as acoustic signal reveal the specific tone of a drive. In various formations, the harddrives perform according to their past usage and current state.
About the artist : Valentina Vuksic (CH - 1974) is a computer artist and programmer living and working in Zürich. She explores an individual articulation of hard- and software mediation. The processes in such intermediate space imply actors rendered audible.
Vynil 12” - Maxi 45rpm - Limited Edition 512 copies. Each record is hand packed with an antistatic bag, sealed by a sticker and numbered.” label info
Working at once on site-specific field recordings, using the microphone as an instrument, and in-studio composition, it took several months of labour for the artist to reach the essential: a thirty-minute piece depicting a typical worker's day, from beginning to end.
Enter and Shelter both reflect the artist's chosen standpoint: in recording the factory's sounds, he gives voice to the voiceless, without having them speak.
The resulting physical displacement conveys political meaning, with the immersion weaving the work into a historicity.
limited to 150 copies.
all sounds recorded in a tyre factory by d_T
mastered and cut by rashad becker