“Kåre Kolberg (b.1936) is one of Norway’s foremost contemporary composers and is regarded as one of the pioneers of early electronic music and multi-disciplinarity art in Scandinavia. He has composed music for film, theatre and chamber orchestras to jazz acts such as Svein Finnerud Trio and Jan Garbarek.
Kolberg’s Omgivelser (Surroundings) was a commissioned piece made for the Norwegian Broadcasting Corporation (NRK) in 1970. It was made as a soundtrack for a short TV-film of the same name that was made by director Jan Horne. The idea was to melt abstract film impressions that showcased different sides of the environmental debate of the 1970s, together with experimental electronic music in order to create a singular expression. Kolberg travelled to the famous Studio Eksperymentalne in Warsaw, run by Jósef Patowski, to record the music. Together with sound engineer Bohdan Mazurek Kolberg crafted the piece using the studio’s vast sound archives and two pre-recorded tapes that he had brought from Norway. One tape consisted of different sound recordings Kolberg had made with experimental jazz singer Karin Krog and the other contained different field recordings by Kolberg, including a Norwegian nursery rhymes sung by Kolberg’s eldest son. In the studio they processed this material with ring modulators and filters, and added different modified instruments created by an engineer at the studio. The piece was recorded using what were at the time the Rolls Royce of tape machines: two Telefunken Magnetophon M10s. The piece was originally broadcast to Norwegian homes in 1970. Since the standard TV-volume levels are set so low, the dynamic range of Kolberg’s music was not optimal. Kolberg kept the original master tape and over the years Omgivelser was presented several times at different electronic music concerts. Portando, (meaning to transport or carry in Italian) was a commissioned piece for the Henie Onstad Art Centre in 1987. The centre’s music coordinator at that time, Åse Hedstrøm asked Kolberg to write the piece especially for the art centre. Kolberg worked together with the studio founder and sound-engineer Mats Claesson using Norway’s first micro-processors and Mac based Studio Technology. The piece is written for electronic tapes and two live percussionists, which were played by Bjørn Rabben and Einar Fjævoll. The CD release of Omgivelser & Portando is an important addition to the history of Norwegian electronic music, and should be of great interest to fans of Arne Nordheim and Kåre Kolberg.”
“Stian Skagen (b.1980) aka [concept.virus] is one of the leading Scandinavian sound artists and has toured and recorded with acts such as Årabrot, Ryfylke and Nernes/Skagen, his work has been exhibited and performed several places around the world. The music presented on this release was made for the sound installation The Inward Rising by Skagen and fellow artist Monica Winther. The installation was presented at the Henie Onstad Art Centre from the 20th of November until 14th of December 2008. The Inward Rising is according to Skagen the result from a one-year research in paint pigments reflective and absorbing light qualities. LED light was programmed to change the colors reflecting from the painting. Various patterns and color combinations build up a large painting that in constant change as the lights are changing. The object was the source for a sound and video composition. The music on this record is standing in a minimalistic electro-accoustic tradition, inspired by composers such as Morton Subotnick, Karlheinz Stockhausen and Iannis Xenakis. The sound is digital and abstract, but contains clearly recognizable objects and structures which interacts with one another and makes up an organic whole. The critic Bjørn Hatterud wrote in a review on the piece in kunstkritikk.no that Skagen and Winther …“has created some of the most powerful I’ve experienced in an art museum ever… The sound is murky and dark. I hear trees falling, the roar of waterfalls, creepy creatures, or the roaring emptiness of space…” Prisma Records is proud to present this powerful, dynamic and extreme, yet delicately intricate composition for the first time.”