Dieter Kaufmann born in 1941 in Vienna did study electroacoustic composition with François Bayle and Pierre Schaeffer. His piece “Symphonie acousmatique” (1969-2007) is like a travelling in 40 years of musical works. “Lui comme elle” (2009) is an acousmatic monodrama based upo fragments from Elfriede Jelinek’s play “Him not himself” with the voice from Gunda König and trombonist Renate Slepicka. CD + notes in french, English and German.
Born in Lyon in 1953, studied composition at the Paris Conservatory with Claude Ballif, Michel Philippot, Ivo Malec, Guy Reibel and Pierre Schaeffer. He has composed numerous instrumental and electroacoustical works. He was a member of INA-GRM until 2000. Composer, professor, producer of concerts and events, he has founded several instrumental ensembles : TM+, Les Temps Modernes, and in 2004, the ensemble Syntax in Perpignan. He is the principal instigator of the festival Futura and artistic director of Motus. He has taught instrumental and acousmatic composition for more than 25 years at the Lyon’s and Perpignan’s conservatories in France. “Bocalises (grande suite)” (1978), “Le Lis vert” (1983).
“Leçon rigole” (1996) ; “Dimanche matin” (1995) ; “Où est maintenant la forêt ? ”(1992-93). Three pieces of electroacoustic works with french childrens at school.
Christine Groult studied at the GRM, at the Experimental Conservatory of Pantin, directed by Michel Decoust, at the Sorbonne in the department of musicology. From 1976 to 1986, she was an assistant in the department of pedagogy at IRCAM under the direction of Pierre Boulez. From 1985 to 1990 she was responsible for the electroacoustical studio of the National Music School in Chalon-sur-Saône. In 1989, she passed her CA (Certificat d’Aptitude) in electroacoustical music. Since 1990 she teaches electroacoustical composition at the National Music School of Pantin. In 2002 she founded the association Music in situ, the mission of which is the proposition of scenographies. “Les frontières de l’autre” (2001), “Étincelles” (2005), “L’Heure alors s’incline…” (1991), “Canal instantané” (2004), “Le Temps du ciel : entropie” (2000), “Passagers imminents” (1993).