Michael Gendreau is an artist and acoustic researcher, he uses architectural vibrations specific to each building as an imposing live sound source, digging inside the sound system and its limits the necessary power to use the building itself as some kind of loudspeaker moving over a wide spectrum of sound frequencies. As Michael says: « Each building speaks a unique language ».
Francisco Meirino’s work explores the tension between programmable material and the potential for its failure, he is primarily interested in the idea of recording what is not supposed to be: gear failures, the death of PA systems, magnetic fields, and electro-static noises and in how he can use them and hear them radically out of context. His music tries to push the physical limits of either the electronic material or when he composed music for acoustic ensembles, the musicians with pieces that require a strong presence and sonic tension.
Together, they tried their best to activate on the same sonic level, both the room and the audience within the room with a sense of danger, urgency, sonic distress, and architectural awareness.
Recorded live in Switzerland in July 2008 at Cave 12, Geneva and Oblo, Lausanne.
These live recordings were lost and forgotten in our archives, more than a decade later, they were found on a dusty external hard drive in Meirino’s home studio.
Michael Gendreau : field recorder, microphones, accelerometers, computer.
Francisco Meirino : field recorder, microphones, electro-magnetic sensors, computer.
this album is dedicated to death. not death the spectre that installs horror and fear in many (in the western world), nor death the enemy of the (western) for-profit medical system, but death as part of a cycle, like birth. death the only certainty in life. dying, like living, as something that can be done well - or not. death also something that can be a release, a relief, a liberation, the end of suffering, a freedom.
this album is inspired by my father's illness, deterioration and death, and my being his carer for the 15 last months of his life. recording this album started 6 months into that journey, from october 2020 on.
it was my father's wish to die at home, and my siblings and i granted him that wish. this album was sent off to press early june 2021, when my father found his peace.
‘An Annotated Phonography of Chance’ expands upon the soundtrack to an uncompleted 16mm film made in collaboration with English filmmaker Martha Jurksaitis and the Portuguese artist duo Von Calhau! The film ‘Nossos Ossos’ was shot largely on location in the Alentejo region of Portugal in 2013.
Mark Vernon is a Glasgow-based artist whose work exists on the fringes of sound art, music and broadcasting.
At the core of his practice lies a fascination with the intimacy of the radio voice, environmental sound, obsolete media and the re-appropriation of found recordings. He incorporates these diverse elements into radiophonic compositions for broadcast, fixed media and live performances.
His solo and collaborative music projects have been published through labels including Kye, Staalplaat, Ultra Eczema, Entr’acte, 3Leaves, Staubgold and Gagarin Records, as well as a series of small CDR and LP editions on his own Meagre Resource imprint.
First time vinyl pressing of Joe Colley’s Prix Ars Electronica award winning album. Mastered for vinyl by Giuseppe Ielasi and pressed across 2 LPs, packaged in gatefold jacket with expanded artwork.
"Failure, self-loathing and abject monstrosity continue unabated as the primary themes for Joe Colley's electro-shock minimalism. as with his previous, equally impressive Desperate Attempts At Beauty, he shifts through a seemingly endless supply of antiquated electric gear and forces these dilapidated machines to grind, crush, whirl and twist under conditions they were not originally designed for. On Psychic Stress Soundtracks, Colley astutely transcribes the machines' smouldering march to oblivion, granting them the emphatic capacity for pain and the recognition of existential despair. The ozone smell of melting circuity lingers above the nervous Geiger counter clicks and toxic hums of his electric dynamos. Colley is a gifted, if sometimes under-appreciated composer whose successes rely upon the manifestation of the paradox of building something extraordinary out of junk." - Jim Haynes (The Wire)
Three compositions written by Francisco Meirino for ensembles.
Utilizing pitch and timbre of traditional acoustic instruments Meirino’s unique compositional voice speaks out. Guiding the listener through tension and decompression, unease and malaise.
Performed with Ensemble Vortex and Ensemble Phoenix Basel.
Recorded 2016-2019.
Created 2012-2018, mastered by Giuseppe Ielasi
Gerritt Wittmer is a sound and performance artist based in Houston, Texas. His work often articulates abstract narratives through vocal expression, body performance, and intense theatrical lighting. He is half the black noise group Deathroes and the vocalist for the band Names.
From the ruins of hours of multi-channel recordings created during his residency at EMS Stockholm, Francisco Meirino has created a definitive statement of time and discovery.
Inspired by the Serge and Buchla modular synthesizers, he felt as if he were standing before ancient ruins, familiar yet unknown. After allowing these recordings to sit and decay over time, he discovered, when he finally came back to them, that all that was left were the pieces and ruins of sonic archives.
The end result is a masterpiece statement, an exercise in abandonment and discovery.
The ruins Francisco Meirino has unearthed reach deep into our psyche from seemingly the most unlikely source, machines, evoking a story of damage and resurrection.
Making Real, an exercise in creating reality. Created by Gerritt Wittmer in 2012-2013. Mastered by Giuseppe Ielasi. Featuring the artwork of painter Nicola Samori. Gerritt Wittmer is a sound and performance artist based in Oakland, California. His work often articulates abstract narratives through vocal expression, body performance, and intense theatrical lighting. He has performed and recorded as Gerritt, Ginnungagap (with Stephen O’Malley and Tim Wyskida), Deathroes (with Sixes), and has performed and-or collaborated on projects with Sunn O))), Sissy Spacek, John Wiese, and Paul Knowles. He also directs the publishing house Misanthropic Agenda.
Psych-out acid noise reak extravaganza! Star dust, inhalation and electric fire evidence in the wake of smoke and strobes! Material extracted from Gerritt on the west coast and meticulously deranged by John Wiese.