Bruce Russell and Noel Meek return with their second harsh noise collaboration. Their first, 'Classical Music' (2018) was an all-electronics wrestling bout that simulated engine testing on a long-haul passenger jet. Their new album combines guitar, violin and electronics and was recorded in a wood workshop. You can hear the power tools, even though none were actually used. Extreme noise can sometimes be associated with offensive, racist or extreme-right views. The New Zealand duo have chosen to spotlight that problematic tendency by recording their new record in Christchurch, scene of that country's worst right-wing terror atrocity, and calling it 'Say No to Hate'. It is an affirmation of life and collaborative solidarity, one of the signature characteristics of the fully international scene from which it springs.
Mixed and mastered by Lasse Marhaug.
200 copies.
Originally released on cassette by Corpus Hermeticum (Hermes003), 1994. All sounds by Alastair Galbraith and Bruce Russell.
"New Zealand is on summer holidays all through the month of January. For some reason I had the house to myself, the wife and kids were elsewhere. Alastair Galbraith brought over some instruments and we plugged in a cassette recorder. We spent the sunny afternoon setting up combinations of instruments and seeing what happened.
We had recorded the Concord LP the year before and done two gigs at the Empire tavern that became The Philosophick Mercury. The idea of Dust was taking shape through experimental practice. Some of it worked better than other bits, but it all made sense as a collage of sound, pointing in the direction of freedom. Our collective practice was making leaps and bounds; and starting to get heard abroad. In Australia the young Jon Dale was listening:
'The Eightness Of Adam Qadmon was one of the first releases I heard from A Handful of Dust… I've always been drawn to this cassette for its utterly unique, acroamatic sensibility - it seems less interested in third-eye-rupturing … and more about a late night session, bleeding into early morning, under the influence of heady wisdom and headier substances… What we had here was very much the real deal, collective and solo eviscerations from the heart of sound itself. I love it, unconditionally.'
Jon got the time of day wrong, but not much else. Going back to this session recently, I became aware of the strange, ungainly and unrepeatable shapes our practice assumed during these first forays into total free improvisation. Re-mastered with help from Lasse Marhaug, at the request of some visionary Finns; here Adam Qadmon, the ur-Golem, comes again. Walking from the graveyard of the past, blinking in the autumn sun, and shaking twenty-five years of clay from his coat."
Bruce Russell, Lyttelton 2019
300 copies. Remastered by Lasse Marhaug.
Improvised soundtrack to a non-existent Western, recorded in the late ‘90s by James Kirk, Nathan Thompson and Tim Cornelius.
"Deep South kitchen-sink explorers have been circling the drain in counterclockwise fashion for at least half my life and yet I am still reduced to shameless gobsmackery in the presence of this sterling new collection of historic treasures. Committed live-to-tape in the comfy climes of a living room/recording studio/temple affectionately known as 'Canongate' (a kinda homespun CBGBs of Dunedin's out-sound universe) Sandoz here bristle with the million-ideas-per-minute glory that hovers over their finest blossoms. Unrivalled in their inventiveness and the seemingly infinite permutations of 'shouldn't work but does' instrumentation, 'Grey Orders...' creaks and rattles like ringing spurs on the empty bar floor of some unseen antipodean western. Whether this makes more sense envisioning the cactus-pronged wastes of Arizona or the deserted main streets deep in the blistering badlands of central Otago is best left to the ear of the beholder, but one things for goddamnsure... there's gold in these here hills and I'm gettin' me a mule and a pick-axe." - Campbell Kneale
James Kirk • Nathan Thompson • Tim Cornelius - Playing electric and acoustic guitars, drums, violin, autoharp, bass, reed and bamboo flutes, clarinet, vocals, ukulele, electric piano, analog synthesizer, tapes/field recordings, toys, percussion, whistling.
Recorded by James Kirk live to Sony TC-580 quarter-inch tape recorder at 8 Canongate, Dunedin, New Zealand 1997-1999. Mastered by Forbes Williams.
Edition of 250 copies.
17,00€Original price was: 17,00€.9,00€Current price is: 9,00€.