The music on this long-awaited solo vinyl album by legendary tape artist Jérôme Noetinger was recorded live in the studio with no overdubs. Signals were sent through tube broadcast monitors and picked up with room microphones. Produced by Tobias Levin. Cover by Meeuw.
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Long-time touchstone of international experimental music presents his monolithic (and first) solo vinyl Sur quelques mondes étranges on Felix Kubin’s Gagarin Records. Jérôme Noetinger is known to most for the audio-visual trio Cellule d’Intervention Metamkine, alongside his countless recorded & live collaborations, compositions for radio & stage, and breathtaking multi-channel diffusions in the acousmatic tradition.
Discovering the ReVox B77 tape machine as his tool for live electro-acoustic music in 1987, Noetinger has doggedly investigated his instrument over 35 years, establishing him as a vital contemporary composer/performer of the medium. His work is radical and interrogatory, using a pan-historical array of analogue devices to construct soundworlds which sidestep digital monochrome, landing in a galaxy of simmering malfunction, dynamic physicality & rhythmic debris. Programming Le 102 in Grenoble for over a decade, as well as directing Metamkine distribution for over three, his encyclopaedic knowledge of manifold sonic traditions is on display here; unified by a staunch discipline, impressive dedication and flat rejection of empty trends.
The results synthesise his tireless timbral research into 11 striking sonic investigations which combine modern studio possibilities with years of performance experience worldwide. An ominous malaise hovers over proceedings; yet it never feels nihilistic, presenting solutions which electrify the listener with ecstatic discovery. The perceptual orchestration therein - from throwing our ears right against the body of the tape machine to flinging them into cavernous space alive with the aurally strange - is both delirious & calming. Noetinger is all too aware things are bad, but his drive for discovery and joyous belief in music somehow coruscates brilliantly through contemporary gloom.
Meticulously recorded & produced with Tobias Levin in Hamburg, Sur quelques mondes étranges presents a detailed & rich vocabulary both real & unreal: gesture & repetition, structure & collapse, familiar & uncanny all dance with each in the most pumping discothèque concrète in this universe. This is a powerful and exacting statement from an elegant composer & extraordinary musician who has humbly dedicated his life to his practice.
– Anthony Pateras
Mark Vernon’s solo noir album on Gagarin Records comes in an edition of 300 copies.
Cover art by Dennis “Ultra” Tyfus. Design by Meeuw. Caution: this record can cause dreamless nights.
Followers of the artist Mark Vernon will note a subdued and pensive mood on this new record. Muted and sepulchral, these tracks are in a minor key, a key which opens the door to a damp cellar of the imagination. Too-many legged spiders crawl over dusty violins. Time lurches, loops and echoes like excursions on slow motion railways in reverse. Concrète noir sombre séances for non-believers. Tauntological voices from the past provoke us. Half guessed ghosts, magnetic phantoms from funereal-to-reel tape recordings. The sibilant persistence of the deceased evokes the exhausted dread of waiting for a medical test result. Enigmatic messages thrown to the werewolves with nothing but cheap medication and some breathing exercises for support.
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Mark Vernon is a Glasgow based sound artist who works with found tapes and acousmatic presence. His oeuvre explores themes of magnetic memory, audio archaeology, voyeurism and nostalgia.
A rich collection of domestic tape recordings; audio letters, dictated notes, answer-phone messages and other lost voices often find their way into his unorthodox soundworlds. These diverse elements are distilled into radiophonic compositions for broadcast, multi-channel diffusion, fixed media and live performances.
Together with his colleague Barry Burns he runs the renowned radio art festival Radiophrenia. Under the moniker Vernon & Burns the plunderfrolic duo's beguiling mix of Music Hall Revue and Musique Unconcrète has materialized in two critically acclaimed Gagarin albums, "The tune the old cow died of" and "The light at the end of the dial".
His and Hers and the Sun from Mark Vernon on Vimeo.