Reissue ! Under the motto: “Manipulate the world - take care of the world”, Fahlström set up a variety of meeting-places in which participants were invited to take part in an interdiciplinary game of purposeful discovery. He introduced elements of popular culture into his work early on and made substantial contributions to a critical assessment of the “medialisation” of art. In this, the most extensive book about Öyvind Fahlström to date, Teddy Hultberg charts the artist’s predominant lines of creative development and shows how his cross-genre endeavours were based on a few central ideas: character forms, signs, games and life materials.
The present study focuses on two innovative and extraordinary compositions for radio: “Birds in Sweden” (1963) and “The Holy Torsten Nilsson” (1966). These works can be heard on the two accompanying CD records and are also included here in written form. Some unique and hitherto unpublished visual and textual material, the result of several years of research by Teddy Hultberg, is also included in the book. All text material in the book is written both in English and in Swedish.
One-sided LP in white vinyl with 360 locked grooves by Fylkingen artists!
Irina Anufrieva, Jan Carleklev, David Linnros, Henrik Rylander, Fredrik Olofsson,
Dr. Robin McGinley, Jacek Smolicki, Christian Bock, Girilal Baars, Jan Carleklev,
Ida Lundén, Jocke Roséen, Daniel Borgegård Älgå, Daniel Rozenhall, Jan Liljekvist, Dinka Pignon, Iwo Myrin, Johan Boberg, Hanna Hartman, David Bremer, Gunnel Pettersson & Amit Sen, Ingrid Engarås in collaboration with Karl Ture Rydby, Joel Dittrich, Charlotte Engelkes, Bo Leth, Adrian Knigth, Johan Lindvall, Helene Hedsund, Daniel Wiklander.
During the years from 1968-70, Fylkingen Records released series of 7 LPs in collaboration with the Swedish Radio, all of which contained material that was presented during the yearly festivals for Text-Sound Composition that Fylkingen arranged during those three years. The yearly festivals continued from 1971-71. A series of records that documented these festivals was planned but, due to economic reasons at that time, they were never made. Fylkingen Records has now, over 40 years later, found the material that was presented at these festivals and continues the series with vol. 8-11 - one record for each year’s festival during the years 1971-74. Volume 9 (1972) with Christer Grewin, Bob Cobbing, Maud Reuterswärd & Bengt Nyquist, Öyvind Fahlström, Charles Amirkhanian.
During the years from 1968-70, Fylkingen Records released series of 7 LPs in collaboration with the Swedish Radio, all of which contained material that was presented during the yearly festivals for Text-Sound Composition that Fylkingen arranged during those three years. The yearly festivals continued from 1971-71. A series of records that documented these festivals was planned but, due to economic reasons at that time, they were never made. Fylkingen Records has now, over 40 years later, found the material that was presented at these festivals and continues the series with vol. 8-11 - one record for each year’s festival during the years 1971-74. Side A Bengt Emil Johnson - 1/1971: under publikens jubel Gust Gils - Making Out In Windy Stockholm Side B Herman Damen - Magic Bob Cobbing - Trilogy Three
Lary 7 is a New York downtown legend who has blessed the city’s experimental music scene with his creative presence since the early 80s. As a musician, he has worked and/or collaborated with artists and bands such as The Jickets, Swans, Jarboe, Jimi Tenor, Alexander Hacke of Einstürzende Neubauten, to name but a few, and he has a yet unfinished album together with Tom Verlaine to come. As a photographer, Lary 7 has worked with artists including Matthew Barney and The Andy Warhol Foundation. He has also hosted evenings in Manhattan for years, usually in basements, showcasing experimental film and strange performances.
Lary 7 does not use digital technology and is strictly devoted to analogue equipment and old instruments, often using objects found in the streets of New York, at flea markets or in junk yards.
“The End of an Era” was recorded live at Fylkingen in 2006. The front cover photo shows a cassette trapped inside NYC sidewalk concrete. Lary 7 says it has been there for years. It is slowly disappearing; a beautiful image of old technology slowly fading away - and an illustrating image of the title of this record.
This split LP is one of several collaborative projects between Zbigniew Karkowski and Lars Åkerlund, which took place during the years 2012–2013. The collaboration between Karkowski and Åkerlund goes back to the 1980s, with projects like P.I.T.T. and the Dreamers and Onge-4-X. They continued during the 90s with an opera setting of Dostoyevsky’s The Idiot and a trio with Dror Feiler, among other things. Collaborations during recent years include the CD Horology, which Karkowski and Åkerlund made together with Jean-Louis Huhta. The three of them also made a couple of live performances during 2012 and 2013 in the re-unioned 80s group Mental Hackers. It was after their acclaimed concert with Mental Hackers at Fylkingen in May 2012 that the idea of this LP was born, whereafter Karkowski and Åkerlund each began working on one piece for it. The record proved to become Karkowski’s last one – at least the last that he, himself, took part in the planning of.
Zbigniew Karkowski died on December 12th 2013, after having been diagnosed with cancer only two months earlier.
1983. This is Fylkingen’s contribution to the celebration of John Cage´s 70th birthday. The album presents works - all commissioned by Fylkingen on this special occasion - by composers from the 1960´s generation and shows their relations to an important percursor. Lars-Gunnar Bodin "For Jon III", Leo Nilsson "Early Ear", Folke Rabe "To the Barbender", Sten Hanson "The Flight of the Bumble Bee", Arne Mellnäs "31 Variations on CAGE".
In October 1982 a festival for electronic music was arranged cooperatively by The Swedish Radio Company, Electronic Music Studio (EMS) and the Culture House in Stockholm for the fourth consecutive year. The festival, which was held in the concert hall of the Culture House included works for tape alone, instruments and tape, live electronics and text-sound composition. As previous years, both recent and older works of Swedish and international composers were presented at the three well- attended concerts. Stanley Haynes “Prisms for piano and tape”, Anders Hillborg “Rite of Passage”, Ingvar Karkoff “The Dogs”, Ilmar Laaban “Chien d’absolu”, Charles Amirkhanian “Hypothetical moments”.
1982. Tamas Ungvary is a conductor and computer music composer. Since 1972, Ungvary’s many compositions have been performed at the majority of the European and American festivals. Ungvary has held numerous workshops and seminars both in Europe and in the United States. "Melos No. 3", "Interactions No. 2", "Traum des Einsamen", "Ite, missa est". Torsten Nilsson, organ. Rimma Gotzkozik, violin.
1978. Sven-Erik Bäck was in his versitality unique among Swedish composers. Since his debut in the 1940´s, he was regarded as a radical avantgardist and since Bäck was also a performer, the musical result became most interesting. Since his first electronic work - In Principio (1970) Bäck produced many electronic as well as instrumental and vocal compositions. He also combined music with other media such as dance and visual art. "Through the Earth through the Sea". "Walls". "Hommage aux grands faux-penseurs...". "Organ Butterfly".
1986. Rolf Enström can look back on a fifteen year period as a composer. His list of works includes a number of very carefully crafted compositions of high artistic quality. Several of his works have become "classics"; one thinks especially of "Directions" (1979) and "Final Curses" (1981). Rolf Enström is a composer who unceasingly seeks new artistic paths and new means of expression and this is something which has led him to combine music with other art forms, primarily the visual arts and literature. On this record, we meet Enström as a composer of pure electroacoustic music. The three works Dagbrott, Sekvens i blått and TNT span a period of eight years.
Produced in 1977. Lars-Gunnar Bodin, Swedish composer and graphic artist, was one of those who during the first half of the 60’s tried to integrate elements of different fields of art in his works: instrumental music, tapes, texts, actions, projections etc. In Clouds (1972-76) he developed an advanced form of musical drama involving electronic music in 8 channels, singers, dancers and slide and film projections on five screens. The music on this record is a shortened version of Clouds, especially created for this medium. Ilona Maros, soprano. Margaretha Ljunggren, mezzosoprano. Anne-Marie Mühle, alto.
With Karl-Birger Blomdahl: Mimamusik (1959). Bengt Hambraeus: Doppelrohr 2 (1955). Rune Lindblad: Formation (1958-59), Optica 2 (1960). Arne Mellnäs: Nite Music (1964). Sten Hanson: Fruits de mer (1962). Åke Karlung: Antihappening (1962). Leo Nilsson: Skorpionen (1964). Ralph Lundsten: Atomskymning (1964). Bengt Emil Johnson: Enmans Gubbdrunkning (1964). Lars-Gunnar Bodin: Den heter ingenting, den heter nog “Seans 2” (1965). The cd includes a 16 page booklet with texts by Sten Hanson.
“Sten Hanson passed away on November 1st 2013. During the last year we discussed with him to make a record with four of his unreleased works from the last then years period. Sten had the title for this record: My Last Works.” Daniel Rozenhall & Leif Elggren, August 2014. The CD includes a 40 page booklet with essays by Magnus Haglund and Gerrit Jan de Rook.
Back in stock. “Fylkingen Records in collaboration with the Swedish Radio released a series of LP records with text-sound compositions between the years of 1968-77. All of these were documentations of the international festival Text-Sound Compositions. A Stockholm Festival, which Fylkingen presented in Stockholm several times during these years. Most of the LPs were only pressed in batches of about 400-500 records, and most of the LPs sold out during the festivals. A re-release had long been planned, and this 5 CD box marks the complete re-release of the complete recordings. Apart from the 5 CDs with in all ca 6 hours of material, the CD box contains a 60 page booklet with essays by Teddy Hultberg and Sten Hanson, as well as historical photographs taken by Lütfi Özkök during the festivals. The term text-sound composition was coined in 1967 in Sweden by the composers/writers Lars-Gunnar Bodin and Bengt Emil Johnsson, and was meant to serve to name a genre that was a vital art form in the no man’s land between sound, poetry, and music. Text-sound compositions had influences from previous modernistic waves such as futurism, dadaism, lettrism, etc., but perhaps the most important influence was the Swedish poet and visual artist Öyvind Fahlström, who had just over a decade earlier coined the term "concrete poetry". The term concrete poetry related to Pierre Schaeffer’s concrete music, and it is somewhere between concrete poetry and concrete music that text-sound compositions appear. The birth of the electronic music studio and concrete music’s idea that every sound can be freed from its original context and given a new meaning when it is reworked and put together with other sounds in the electronic music studio became the catharsis for text-sound composition. In the electronic music studio, voice and language sounds can be broken down, unleashed, and then fused together to become a poetry that had never been heard before. Certain text-sound composers would come to work only with pure lingual sounds, but most eventually came to integrate lingual sounds with other sounds, both concrete and electronic. The CD box contains works by the following text-sound composers and sound poets: Charles Amirkhanian, Lars-Gunnar Bodin, Svante Bodin, Henri Chopin, Bob Cobbing, François Dufrêne, Gust Gils, Jarl och Sonja Hammarberg-Åkesson, Sten Hanson, Bernard Heidsieck, C. Christer Hennix, Åke Hodell, Bengt Emil Johnsson, Sandro Key-Åberg, Bengt af Klintberg, Ilmar Laaban, Annea Lockwood & Harvey Matusow, Arrigo Lora-Totino, Ghérasim Luca, Arne Mellnäs, Franz Mon, Ladislav Novák, Dieter Roth & Emmett Williams, Erik Thygesen, Paul de Vree.”
Krock, an electric guitar quartet with Pascal Jardry, John Viklund, Mikael Gillefalk and Danjel Röhr. They play compositions from Per Magnusson, Ida Lundén, Malin Bång, Tony Blomdahl, Christofer Elgh.