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CD

Toshimaru NAKAMURA – Martin TAXT
“Listening to the Footsteps of Living Ones Who Are Still on the Ground”

This is a duo album by Toshimaru Nakamura, a mixer player based in Tokyo, and Martin Taxt, a tuba player living in Oslo. Instead of a conventional tuba, Taxt plays a custom-made “microtonal tuba” capable of producing microtones. In this album, Nakamura incorporates Taxt’s tuba sounds in his mixer through a microphone instead of playing his usual instrument, the no-input mixing board, which does not take in external sounds. The project started with the concept of Nakamura processing the tuba sounds in real time as they played. But in their actual performances, the opposite often occurred: Taxt’s tuba sound directed and obstructed Nakamura’s feedback. This completely unexpected outcome astonished both musicians and spurred them on to new forms of creation. The three tracks on this album were recorded in Japan in April 2016.
13,00€
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CD

Tetuzi AKIYAMA – Makoto OSHIRO – SUZUERI – Roger TURNER
“Live at Ftarri”

The 2 tracks on this CD document a concert held at Ftarri, Tokyo, on February 19, 2013, featuring the famed drummer Roger Turner, a leading figure on the British improvised music scene. The opening act, a trio performance (41 minutes 55 seconds) by Tetuzi Akiyama (guitar), Makoto Oshiro (self-made instruments) and Suzueri (piano, toy piano, objects, voice), was followed by a quartet performance (15 minutes 38 seconds) made up of these three musicians plus Turner (drums, percussion). Played at relatively low volume, the various murmuring, clattering sounds that emerge and transform with the passage of time fully demonstrate the special appeal of improvisational performance. Superb.
12,00€
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CD

Taku SUGIMOTO
“Quintets: Berlin, San Diego”

In recent years, guitarist Taku Sugimoto has been active as a composer, providing works to musicians inside and outside Japan, and also as an improvisational musician. He often works with composers and musicians in the sphere of the Wandelweiser school, and gives many performances overseas. Sugimoto is also a member of the Suidobashi Chamber Ensemble, which is made up of five Japanese musicians. This CD, Sugimoto’s first release since Septet (on Meenna) in 2015, is made up of two versions, both about 30 minutes long, of his 2017 composition “Quintet,” recorded in Berlin and San Diego (U.S.A.). It is performed by five musicians on flute, two clarinets, violin and cello. Track 1, the Berlin version, is a live performance that took place on August 6, 2017. Track 2, the San Diego version, was studio-recorded on March 15, 2017. Clarinetists Samuel Dunscombe, from Australia, and Michiko Ogawa performed on both tracks. Other performing musicians were Rebecca Lane (flute), Johnny Chang (violin), and Lucy Railton (cello) in Berlin; and Michael Matsuno (flute), Erik Carlson (violin), and Judith Hamann (cello) in San Diego. Sugimoto composed the work but did not participate in the performances. The frequently overlapping and interfering long tones and the short tones nonchalantly plucked on the strings continue throughout the performances. Simple structural beauty and a tranquil resonance pervade the performances. A masterpiece.
12,00€
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CD

Taku SUGIMOTO
“Septet”

Guitarist Taku Sugimoto continues his long-term musical activities, with a focus on composing, and also collaborates closely with some of the composers in the Wandelweiser Group. This release is one of the summits of his recent work. Septet is a work of just under 40 minutes, performed by seven musicians on clarinet, flute, viola, contrabass, cello, electric guitar and sine-tones. Throughout, numerous diffuse sound reverberations emerge and overlap, then fade away. The sound progression is simple and unhurried, but the work is permeated with tension from start to finish. A masterpiece. This is the live recording of the work's world premiere in Berlin in March 2015. The performers are Rebecca Lane (flute), Michael Thieke (clarinet), Johnny Chang (viola), Koen Nutters (contrabass), Derek Shirley (cello), Taku Sugimoto (electric guitar) and Bryan Eubanks (sine-tones). “This composition is conceived of as a sort of double concertino for clarinet, flute, and small ensemble. However, the two main instruments, clarinet and flute, make no melody: the one tone is shared and repeated by them. I want to have the other instruments (viola, cello, contrabass, guitar, and sine-tone generator) work as if they are drawing several spectrums with the sound of the clarinet or flute, so each of these instruments has a specific set of microtones to play. In order to make it easier to produce those microtones, the stringed instruments are tuned anomalously; only harmonics or open strings are played. The very low frequencies are produced only by the sine-tone generator, since these frequencies are too low to play with any musical instrument except piano.” T. S.
13,00€
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CD

Seijiro MURAYAMA – Eric LA CASA
“Paris: public spaces”

Seijiro Murayama is a drummer-percussionist-voice performer currently working in Japan again after living for a number of years in France. Éric La Casa is a French sound artist well known for site-specific field recordings with a strong improvisational element. The two have been working together on numerous projects for nearly a decade. For six months starting in January 2012, La Casa and Murayama took portable tape recorders out to parks, subway stations, streets and other public spaces in Paris and separately made individual recordings in the same place and time frame, then edited the recordings. The result is the 12 tracks on this CD. Murayama frequently produced his unique vocal sounds while recording. This odd and unexpected voice sneaks into the varied and lively sounds that fill the public spaces, creating curious accents.
13,00€
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CD

Seijiro MURAYAMA
“Downdate”

Seijiro Murayama, a percussionist/drummer currently based in Japan, lived in France for a number of years and has received acclaim in the west for his musicianship. He performs frequently both inside and outside Japan. This is Murayama’s first solo album since “Broken Iteration” was released on the Herbal International label four years ago, in 2013. It consists of two tracks of about 20 minutes and one of about 7 minutes (3 in total). Overlapping and combining with percussion and scraping sounds are electronic sounds, field recordings of sounds like birdsong and flowing water, and vocal sounds. Rich in creativity and fantasy, this is an album that could only have been made by Seijiro Murayama.
12,00€
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CD

Seijiro MURAYAMA – Jean-Luc GUIONNET
“Mishima, Day & Night”

Seijiro Murayama (percussion), who is currently based in Japan, lived in France for a number of years and since that time has performed frequently with the French alto sax player Jean-Luc Guionnet. “Mishima, Day & Night” is their third duo album after “Le Bruit du Toit” (Xing-Wu Records, 2007) and “Window Dressing” (Potlatch, 2011). These four tracks document their improvised music performances in Mishima City at Hongaku Temple (day) and Teke Bar (night) on the same day in July 2013. Murayama uses just one or two elements of the drum set (a cymbal and a snare drum on the first track, and only a snare drum on other tracks), Guionnet plays alto sax, and together they freely create a unique and inimitable sound. The three superb tracks from the performance at Hongaku Temple vividly demonstrate the special qualities of two artists at the forefront of the international improvised music scene and retain a consistent tension from start to finish. Track 4, a live concert held in the more relaxed atmosphere of Teke Bar, is a performance that develops through the perfect pairing of the two musicians, while fully displaying their respective characters.
12,00€
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CD

Ryoko AKAMA – Ko ISHIKAWA – Bruno DUPLANT
“2 Compositions”

Ryoko Akama is a sound artist/composer living in the UK. Her prolific activity in recent years, not only in the UK but throughout the world, has been remarkable. Over the past several years she has released a succession of recordings of her compositions and performances. Ko Ishikawa plays the sho, an instrument used in gagaku, traditional Japanese court music. While active in the world of gagaku, the incomparable Ishikawa has also established a firm foothold on the improvised music scene. Bruno Duplant is a French musician who has become widely known, particularly since 2010, for his unique approach to music. Akama and Duplant have been collaborating since 2013 and have released several CDs and CD-Rs. In the album 2 Compositions, the newest product of their collaboration--this time with Ishikawa--the three artists perform Akama’s compositions using scores consisting of text and graphics. Akama (electronics), Ishikawa (sho) and Duplant (contrabass and electronics) bring out all the beauty of Akama’s succinct and elegant compositions generously incorporating “space.”
13,50€
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CD

Rhodri DAVIES – John BUTCHER
“Routing Lynn”

This is the first duo album since 2010 by leading British improvisers Rhodri Davies (harp) and John Butcher (saxophone). In January 2014, together with respected musician and sound recordist Chris Watson, they visited Routing Lynn, an area of ancient rock carvings in Northumberland, northern England. In this natural setting, Davies and Butcher played music and Watson recorded. Two months later, at a festival in Gateshead, England, Davies and Butcher performed along with the 4-channel playback of the recording made by Watson in Routing Lynn. The performance is documented on this CD as a single 35-minute track. Powerful and exquisite instrumental sounds blend with the sounds of nature (water, warbling birds) from this area of ancient rock. Davies and Butcher’s performance combines with Watson’s recording to create a masterpiece!
14,00€
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CD

Masashi TAKASHIMA – Yuma TAKESHITA – Yuji ISHIHARA – Atsushi ARAKAWA – Fiona LEE
“Ftarri Jam”

It’s been five years since Ftarri, an online CD shop and record label specializing in improvised music, opened a physical store of the same name in Suidobashi, Tokyo. This is the second title in a four-CD series celebrating the store's fifth anniversary. The single 33-minute track is a group improvisation by all five musicians who appeared at Ftarri on May 5, 2017, performed at the end of the concert. Masashi Takashima (drums, electronics), who lives in the city of Koriyama in Fukushima Prefecture, is a talented composer as well as a drummer. He participated as a composer and player on the CD Astrocyte, which was released on the label Meenna in 2016. Atsushi Arakawa (electric guitar), who also lives in Koriyama, is a member of RedTemple, a rock trio which gained attention on the improvised music scene for its LP release in collaboration with Otomo Yoshihide. Yuma Takeshita (remodeled bass guitar) and Yuji Ishihara (drums) perform together frequently, mainly in Tokyo. For the past several years they have been performing as the duo project Tumo. Fiona Lee (self-made electronics, objects) is a Hong Kong-based sound artist who has recently been gaining widespread recognition. She has performed in Japan several times, including at the Asian Meeting Festival 2016, and this was her first appearance at Ftarri. The concert that day was probably the first and last by this rare combination of musicians. The many sounds produced by each of them overlapped and combined in an organic way in this lively and impressive performance. Limited edition of 200, consecutive numbering.
11,00€
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CD

Masahide TOKUNAGA
“Alto Saxophone 2”

Masahide Tokunaga, born in 1982, is an alto sax player & improviser active on the Tokyo scene. This CD is his second solo album, and his first since the 2009 release of “Alto Saxophone” on the Slub Music label five and a half years ago. Like that CD, these 7 tracks (recorded in January 2015) are made up entirely of subtly changing long tones played on the alto sax. This album is just as unique, but compared to the previous CD, which is made up entirely of soft playing, its sound is a great deal bigger, deeper and more powerful. Tokunaga continues his steady advancement as an incomparably original, extremely impressive sax player. A highly satisfying album.
12,00€
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CD

John BUTCHER – Rhodri DAVIES
“Carliol”

John Butcher: tenor or soprano saxophones - plus feedback, motors, embedded harp speaker. Rhodri Davies: pedal harp, lever harp with embedded speaker and electric harp, aeolian electric harp. John Butcher is one of the leading sax players on the free improvisation scene. Rhodri Davies transcends conventional ideas about the harp-an instrument rarely associated with improvised music--in his wide-ranging projects. The two British musicians have worked together in a variety of contexts since 1997 and gave their first duo concert in 2000. As a duo they toured the UK and the U.S. in 2002, and Japan in 2004. In their performances they draw upon extended and unique playing methods mastered over the course of their careers, leaving far behind the imagined limits of their respective instruments. Carliol contains 7 tracks studio-recorded between August 2007 and April 2009. With its multi-hued timbres and textures, sonic beauty, conceptual freedom, experimental spirit and sophisticated structure, this CD dazzles on many levels. While the 2001 album Vortices & Angels (on the UK label Emanem) includes duo tracks by these two artists as well by Butcher and Derek Bailey, Carliol is the first all Butcher & Davies duo album to be released since the start of their duo collaboration a decade ago.
13,00€
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In stock

CD

Hiroyuki URA – Kenichi KANAZAWA – Satoko INOUE – Léo DUPLEIX – Yuma TAKESHITA
“Land of the Hermits”

Improviser/composer Hiroyuki Ura, sculptor Kenichi Kanazawa, and classical pianist Satoko Inoue released two CDs on the Meenna label in 2017, and the three artists are united again in Hermits. The earlier CDs, Scores and Scores at Ftarri (both released in 2017), are made up of their live performances of a composition by Ura, which was based on a sculptural work by Kanazawa. The performance heard on Scores took place at The Museum of Modern Art, Gunma, in October 2016; the performance on Scores at Ftarri was held at Ftarri in January 2017. The single track on Hermits (29 min. 50 sec.) is a live performance of Ura’s composition “Duration, Dynamics and Pitch” that was held at Tokyo Art Museum in Chofu, Tokyo, on November 3, 2017. Ura played keyboard and percussion; Kanazawa, steel; and Inoue, toy piano. The performance also featured guest musicians Yuma Takeshita, who plays a remodeled bass guitar he calls an electro-bass; and Paris resident Léo Dupleix, who uses a computer and a vibrating tin can. The 26-page score of this work consists of extremely simple instructions made up of one, two, or all three of the elements of sound duration, dynamics, and pitch--for example, “Long,” “Soft,” “Low-pitched,” “Long, Soft,” “Short, Loud, High-pitched.” Each player makes one sound per page; and when those sounds are finished, they all turn the page and proceed to the next page. Though it's a composition, the simple score means there are a great many sections left up to the players' discretion. Successions of small sounds from the toy piano hop and leap, intense percussive sounds tear up the space, and then there is quiet. Throughout, sound clusters appear and continue, interspersed with short periods of silence. Exquisite sound-making by each player, along with an overall structural beauty and high level of tension, make for a truly superb performance.
12,00€
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Out of stock

CD

Akio SUZUKI – John BUTCHER
“Immediate Landscapes”

Sound artist Akio Suzuki crisscrosses the world with his self-made instruments. British tenor/soprano sax player John Butcher is a leading figure in improvised music. These two musicians have been carrying out duo performances since 2002. The six tracks on this CD are recordings of their duos in Scotland in 2006 and Tokyo in 2015. In June 2006, an event was held in which Suzuki and Butcher visited and performed in places around Scotland that have highly distinctive acoustic characteristics. Butcher's solo performances from this event were released in the CD Resonant Spaces (Confront, 2008). Recordings had also been made of the duo performances, and these are being released for the first time on this CD. The fascinating performances on these five tracks, each of which is 5-8 minutes long, made use of the special acoustic environments of five locations: the underground Wormit Reservoir in Fife; the Hamilton Mausoleum in Hamilton, well known as a manmade structure with long reverberation; the gigantic Smoo Cave in Durness; the large Tugnet Ice House in Spey Bay; and the Lyness Oil Tank in the Orkney Islands, which was used during World War Two. Suzuki and Butcher also performed together nine and a half years later, in November 2015, at Ftarri Festival2015, held at SuperDeluxe, Tokyo. In this 27-minute-long performance, they exchange myriad sounds in a flexible, spontaneous manner.
15,00€
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7 CD

COMPILATION
FTARRI COLLECTION

This 7-CD set contains 19 selected performances from the Ftarri Festival, held in April 2008 (Kyoto / Tokyo), and the Ftarri doubtmusic Festival, held in September 2010. The 7 CDs, together with a sequentially numbered Ftarri Collection card, come in a special handmade felt bag about 18 cm high and 17 cm wide. Each bag has a different design. Ftarri Collection 1 with Opera Southern Cross (Taku Sugimoto: composition, images. Katsuaki Iida: words, reading. Toshimaru Nakamura: no-input mixing board. Taku Unami: computer). John Butcher / Toshimaru Nakamura / Tetuzi Akiyama. Otomo Yoshihide / Toshimaru Nakamura / Ryu Hankil. Ftarri Collection 2 with Noid / Kai Fagaschinski / Axel Dörner / Taku Unami. Eddie Prévost / Sachiko M. Ftarri Collection 3 with gnu (Masahiko Okura: compositions, bass clarinet, alto saxophone. Shinichi Tsukamoto: keyboards. Yukiya Taneishi: electric bass. Tadashi Kumada: drums. Itoken: drums). Ami Yoshida. Tim Olive / Anthony Guerra / Makoto Oshiro. Ftarri Collection 4 with Los Glissandinos (Klaus Filip: lloopp + Kai Fagaschinski: clarinet). Bunsho Nishikawa / Tim Olive / Haco. Katsura Yamauchi / Ko Ishikawa / Tetsu Saitoh. Ftarri Collection 5 with Naoaki Miyamoto. Chie Mukai / Tetragrammaton. Ftarri Collection 6 with Chihei Hatakeyama / Kiyoshi Mizutani. Hello (Takahiro Kawaguchi: composition, bass guitar. Shinjiro Yamaguchi: guitar. Satoshi Kanda: bass guitar). Ftarri Collection 7 with Seiichi Yamamoto / Umeda Tetsuya, VOIMA (Yasufumi Suzuki: computer. Tetsuro Yasunaga: computer). Tetuzi Akiyama / Utah Kawasaki / Katsura Yamauchi. Numbered limited edition of 300
69,00€
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3 CD

MARGINAL CONSORT
“08.09.13”

Marginal Concert is the collective improvisation project made up of Kazuo Imai, Tomonao Koshikawa, Kei Shii, and Masami Tada. All of the members were students of Takehisa Kosugi at Bigakko art school in 1975. They started the project on the invitation of Imai in 1997. Each year Marginal Consort holds from one to several concerts in which they perform continuously, without interruption, for two to four hours. Various electronic and acoustic sounds blend and coexist, and myriad sound colors/textures and reverberations flow in a free and spacious way while making large-scale transformations over time. Superb. These 3 CDs document Marginal Consort's live performance at a gallery in London in September 2013.
27,00€
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2 LP

Eliane RADIGUE
“Triptych”

The final collaboration between Eliane Radigue and Important Records is this double LP edition of Triptych. Radigue insisted that her music only be released on vinyl if the pieces would fit without being edited or cut. Triptych met those requirements leaving room for an etching on the 4th side. Back to music after three years of silence... On the suggestion of Robert Ashley, Douglas Dunn commissioned Triptych from Eliane Radigue for choreography. Only the first part of Triptych was staged at the premiere at the Dancehall/Theatre of Nancy on February 27 1978. Recorded in the composer's studio in Paris. After the 1974 premiere of Adnos in San Francisco, a group of French students introduced Eliane Radigue to Tibetan Buddhism. When she returned to Paris, she†began to explore this spirituality in depth, which slowed her musical production up until 1978. Triptych marks her return to composition, and draws its inspiration from "the spirit of the fundamental elements, water, air, fire, earth" Eliane Radigue likes to add that this has often been useful to her in her moments of research and transitions. This three-part composition, with its great humility and contemplative simplicity, heralded a new period of her work and was the first in a series of masterpieces inspired by Tibetan Buddhism: Adnos Trilogy (1980), Songs of Milarepa (1983) - with the voices of Lama Kunga Rinpoche and Robert Ashley , "Jetsun Mila"(1986), as well as the Trilogy of Death: Kyema (1988), Kailasha†(1991) and Koume†(1993).
45,00€
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In stock

LP

Andrew CHALK
“Mystical Obscurant”

Over the course of more than four decades, Andrew Chalk has created one of ambient and experimental music's most distinctive, influential, and enduring bodies of work. Though his recordings have taken many forms—from the raw, post-Industrial sounds of Ferial Confine in the 1980s to the fragile guitar meditations, blurred keyboard studies, and richly textured collages that populate the Faraway Press catalogue—they remain united by a singular sensibility: an uncommon attentiveness to atmosphere, nostalgia, and the power of restraint. Mystical Obscurant offers a rare opportunity to encounter the expansive character of that oeuvre in miniature. Rather than documenting a single period or methodology, it functions almost like a survey of Chalk's musical language—a collection of new music that illuminates the breadth of his practice while distilling the singular vision that unites it. “The Seed of Sorrow” and “Peacemaker” feel cut from the same cloth as the sacred guitar minimalism of The River That Flows Into the Sands, while “Against the Tide” would sit naturally alongside the smudged and distant keys of Blue Eyes of the March. Other pieces draw upon environmental sound and loop-based constructions, hallmarks of Chalk's more recent, vignette-like compositions. Though these recordings emerge from different moments in his long creative journey, each inhabits a recognizable world: one where melodies drift in diffuse, unhurried forms and sound gathers with painterly grace. What is most striking when these pieces are heard together is not their difference but their coherence. Across changing instruments, collaborators, and approaches, Chalk has consistently pursued a subjunctive music of suggestion rather than declaration, creating spaces where memory and imagination are allowed to unfold at their own pace.
25,50€
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In stock

LP

ELEH
“Floating Frequencies / Intuitive Synthesis I”

When ELEH's debut "Floating Frequencies/Intuitive Synthesis I" was originally released it was praised as a powerful piece of new electronic minimalism. Twenty years later the artist's legacy has grown while ELEH continues to hypnotize new listeners with time stopping music. Critics, fans and neurologists have praised the music of ELEH as aiding attention and focus while seeming to slow time. Eleh's slow change drones are a state of flow hypnotizing listeners into meditative focus. From the original packaging, "Pure Sound. Pure Volume. Pure Analog. Dedicated To La Monte Young" ELEH began in 1999 as an exploration of analog synthesis, emphasizing low frequency difference tones and other resonant acoustic phenomena. ELEH highlights the physical presence of sound as it has been inspired by the physical world. There is also something ‘cathedral-like’ and cosmos-inducing in the sound constructed by ELEH. This audiophile quality presentation of ELEH's debut album was mastered by Tom Eaton at Sounds And Substance and manufactured at Optimal in Germany for the lowest possible noise floor and the highest analog resolution. Packaged using a 5th color metallic shimmer ink on solid black board stock.
25,00€
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LP

Bob BELLERUE
“Chaos Is A Law”

Avec Chaos Is A Law, Bob Bellerue fait du chaos une force créatrice. Feedback, cordes de piano, métal, électronique et drones s’entrechoquent dans une matière sonore en perpétuelle transformation, entre rugosité, dissonance et étranges éclats mélodiques. Une musique physique et imprévisible, qui se construit, se fracture et renaît sans cesse. Ici, le bruit devient matière vivante, l’incontrôlable devient méthode, et le chaos, une forme de liberté.
27,50€
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CD

Russell HASWELL
“Let It Go”

It has been twenty-five years since the seismic events of 2001—when twin towers collapsed under terrorist attack and Coventry's sonic insurgent Russell Haswell launched his inaugural salvo on the original Mego label with Live Salvage 1997–2000. The intervening era has delivered unrelenting turbulence: protracted wars, institutional corruption, a global pandemic, the resurgence of fascist currents, rampant media distortion, and omnipresent surveillance. For Haswell, a lifelong admirer of 1970s and 1980s dystopian cinema, the verdict is unequivocal: "Science Fiction is now!" In the face of this darkening reality, LET IT GO arrives as both acknowledgment and antidote. This new full-length on Editions Mego extends an olive branch through defiant sonic diversity—an unpredictable mosaic that embraces everything from propulsive rhythms to radical abstraction and enveloping ambience. True to Haswell's core practice, the material draws from the same tactile, free-improvised electroacoustic framework that powers his live sets: immediate, powerful and unscripted. The album weaves reverent echoes of 1990s Detroit techno's hypnotic pulse and the abrasive, metallic edge of the Birmingham sound into fractured generative territories. Haswell returns to his computer-generated origins while integrating his recent modular-synthesis experiments. During a residency at the Bergen Centre for Electronic Arts (BEK) in Norway, he harnessed the latest GRM Tools suite to conjure the volatile, "rapidly fluctuating pitched sounds" that characterized Iannis Xenakis' late electronic works—resulting in pieces such as Fall 3 and Fall 2, where instability becomes a form of vitality. The tracks Exit Downwards and The Anxieties Of Our Time whilst reflecting the currents of the release also offer surprisingly melodic patterns over jagged rhythms. The wryly titled Thu 25 Dec 2025, (recorded in Glasgow after a solitary post-Christmas-lunch walk home) is a vast drone which evolves according to the random walk model—known more evocatively as the drunken walk—each sonic step veering unpredictably, mirroring the disoriented lens of contemporary existence. LET IT GO is liberation. Amid the cacophony of crumbling certainties, Haswell deploys a full arsenal of resistance: kinetic drive, disorienting rupture, quiet refuge, raw aggression, and tentative hope. In an age where dystopia has shifted from fiction to lived fact, this music asserts that possibility endures.
15,00€
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In stock

LP

Klara LEWIS
“Opening”

Klara Lewis’ distinctive talent for disfiguring sound into forms that remain recognisably song-like reaches a new peak here. Her new album Opening is a deceptive recording with veiled melodies and clandestine bangers. Lewis, creator of worlds, treats music as a mirror that reflects a perspective misaligned with the real image. Her music moves in unusual and often startling ways. Acoustic instruments such as ukulele and piano are subjected to processes of deconstruction and reconstruction, their original forms continually reshaped. The tracks within Opening offer an array of disorientating tactics; damaged field recordings are suddenly sliced into ominous rhythmical patterns whilst deceptively simple tactics provide foreboding dread. Often alien on entry, the progression of a piece can land in a surprising tenderness, or the other way around. The momentum grows as a physical state but also one which is questioning, desiring, encapsulating a feeling, to explore a further way of expression and ultimately connecting: A new closeness, a new perspective. Opening is an album in which the protagonist’s manipulation of sonic matter seems to extend beyond the music itself, resulting in a corresponding manipulation of the active listener. Sounds shift, dissolve, and re-emerge in altered forms, creating an experience that feels both intimate and disorienting. Lewis maintains a delicate balance between abstraction and emotional immediacy, drawing the listener into a world where familiar musical gestures are constantly reconfigured in surprising ways. The works on Opening are refracted through an exploratory and transformative lens, suggesting an artist continuing to redefine the possibilities of musical language as a space where the instantaneous and the eternal come together.
26,00€
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