An artist's book by Berlin-based sound artist Stefan Roigk, documenting acousmatic compositions, sound installations, musical graphics and text-sound compositions of the years 2005 to 2023 on 144 pages and 2 audio CDs.
Sound as a mark to place ephemeral splinters in the surroundings—Sound as a gesture to draw with invisible lines and pervasions (forms)—Sound as a color to paint environments with transparent atmospheres—Sound as a volume to determine or fill space in time.
A complex assemblage, composed of documentation photos, texts and drawings, becomes an interlocking whole in its dynamic flows and fields and animates the paper as a vibrantly structured visual composition. A piece of music for the eyes, in which the boundaries between documentation, draft and work become blurred in a surreal mesh of the concrete and fictional. Here, the reader generates their own individual temporal axis based on their speed of observation and focus on the optical elements, thus becoming a mixing board for a composition realized as a catalogue. Three text pieces give a deeper insight into Roigk's understanding of sound as material and the translation of sound events into other media.
As an equivalent to the visual approach of the catalogue and in order to adequately convey the sonic dimension of the artistic work, (sound) fragments of all the works covered in the catalogue were transferred into a dynamic collage-like arrangement with Roigk's typical aesthetics and are included with the catalogue as an independent listening experience in the form of two audio CDs.
The catalogue is published in the format 21 x 26 cm with gatefold softcover and includes 180 color illustrations on a total of 144 pages. Besides the catalogue itself, the publication contains 2 audio CDs with 33 tracks and a total playing time of 141 minutes, 2 A5 postcards and a bandcamp download code to enjoy the release also digitally.
Stefan Roigk (born 1974) is a sound artist based in Berlin. He studied fine art with a focus on sound art in Hannover under Professor Ulrich Eller. In his work, Roigk pursues the intermedial interweaving of sound collage, installation, musical graphics and text-sound composition. The resulting works approach sound as a field for artistic and aesthetic research, taking it as both their departure point and central medium. Roigk's artistic focus lies on the dynamic staging of context-related fragments of everyday existence, which he imbues, in the sense of visual music, with an extraordinarily developed, visually poetic formal language. In realizing these aims, Roigk uses compositional and deconstructivist techniques of collage and assemblage for the development of stage-like spatial compositions with an implicit underlying narrative sense, in which the diverse media blend together like the instruments of an orchestra. In his work, Roigk reflects on his own living and production conditions, while investigating the political potential of aurality and tracing the subjective construction of reality. Since 2010, he has worked regularly in co-operation with visual artist Daniela Fromberg on intermedial installations and compositions.
Ivan Palacky - dictaphones, MD, amplified knitting machine Dopleta 160. Filip Cenek aka VJ Vera Lukasova - real-time image manipulation in interaction with sound.
“Combining live audio "micro-improvisations" (refined by musician Ivan Palacky) with live video manipulations (by video and VJ-artist Filip Cenek aka VJ Vera Lukasova), Carpets Curtains express an engaging and nuanced interplay of audio and visual material. With live visuals being mostly based on self-made video sequences in which emphasis is placed on ambiguous "narration" whilst VJ software-mistakes are used to reach new amoebic image qualities, the result is a principle or method of remaining fixed to moving images while vacating the essential aspects for building concrete meaning. Such visual approaches find parallel in Palacky’s delicate musicalities, in which found objects and minimal electronics are fused to create elegantly small sound mixtures.
Ivan Palacky has (in the 80s and the beginning of the 90s) played with various groups and taken part in several music projects. He was a member of the guitar/doublebass/bassoon group "Slede, zive slede" (Herring, live herring) - and currently performs in a duo called "Tilko" (Singlet) and audiovisual project Koberce, zaclony (Carpets, Curtains). He "writes" a sound diary from all his journeys - collects excerpts of stories, weird sounds and various "acoustic mistakes". He likes to take part in one-shot improvisational groups or duos (with Cremaster, Ruth Barberán and Margarida Garcia, Will Guthrie, Andrea Neumann...) as well as playing solo performances. Since 2005 his main interest has been to "dig out" sounds from an amplified Dopleta 160 knitting machine from the 70s.
Filip Cenek (born 1976 in Jesenik, Czech Rep.) is educated projectionist, graduated from the Faculty of Fine Arts Brno, Video Studio (Keiko Sei), where he currently teaches. From 2004 he has been a postgraduate student at the FAMU Centre of Audiovisual Studies in Prague. He is the co-author (predominantly with Jiri Havlicek) of several short films and animations presented at various fine art exhibitions and experimental film festivals (Centre Pompidou, Paris. L’immagine leggera, Palermo. EMAF, Osnabruck. Wardrobe, Leeds. Parker`s Box, New York. MNAC, Bucurest. Among others). He is represented in the National Gallery Collection of Modern and Contemporary Art in Prague. He was awarded the Developmental Grant of Tranzit for his work in the field of visual media last year, which allowed him to realize "Carpets Curtains" DVD-Video disk, documenting his cooperation with musician Ivan Palacky.”
DVD Pal 4:3 Dolby digital 2.0 Region free.