An album "re-imagining" some of the dadaist, futurist, and surrealist clubs of the 20th century, from Moscow 1918 over Tehran 1966 to Münster 1997; a wonderfully surprising and experimental work by the British post-industrial and ambient performance trio.
CONTRASTATE have created an amazing new work that is inspired by some historical, but also newer places (cafes, clubs, cabarets - including fantasised venues that could / should have existed), relating to the glorious times of the 'true' avantgarde.
"The arc that links them all is the experimentation, the exchange of ideas, and the platform to perform free from the “social norms” of the time." [Stephen Meixner of Contrastate]
The dreamy first half of the album establishes a very sombre and melancholic mood, but when the central pieces "London 1912" and "Zurich 1916" enter it leads to more collagenous and experimental areas, using guitar and bass harmonics, pulsing analogue electronics, spoken words, and all kinds of samples and weird processed sounds. The versatility especially of the second half allows for a fully immersive listening experience, with a vast array of details and twists.
"Imagination is subversive, because it puts the possible against the real. That's why you should always use your wildest imagination. Imagination is the biggest gift humanity has received. Imagination makes people human, not work..." [Jan Švankmajer, "Decalogue", Touch Movements, 2017].
CONTRASTATE, formed in 1987, are a trio from London that have operated on the edge of experimental ambient, dark post-industrial, and performative art areas, often using spoken word lyrics with a strong political, anti-imperialistic approach/agitation. Their early 7" for Drone Records "English Embers" (DR-05) became one of the highlights in the series.
The Swedish ambient experimental and electro-acoustic "multidimensional drone"project with the sixth release in our new CD series, applying the concept of TOPOGRAPHY to sounds and time, which can be interpretated "geographically" like a landscape in a similar way.. - "an expedition through expansive sonic landscapes that stretch beyond our daily awareness...an open invitation to transcend the visual confines of physical space, encouraging a deep dive into the unexplored realms.."
*** 2022 release ***
Joe Colley is a master of using mechanical object sounds and electronic static, but also strange lo-fi found sources and field recordings, creating alienating, surrealistic effects, similar to the likes of Small Cruel Party, Jim Haynes, Das Synthetische Mischgewebe, or even the more experimental side of Zoviet France.
His newer compositions are filled with electro-magnetic hummings, strange hissing and the pourings of metallic objects as a basis, but you never find the use real instruments, synths, or masses of effect procession. Thus a very own scent of mystery appears, as all of these radiations are not really from this planet, without any "cosmic" connotations.
For the creator, these sounds are connected with unreal emotions of "Being Lost", a mistrust in what may be called reality, and a general feeling of alienation. You can only wonder how this can result in such beautiful droning expanses. Through these strange 30 minutes of drones, the mind is thrown inside an unrecognizable and confusing realm of broken electricity and something like audible-made atmospheric pressure.
"His swarming masses, throttled rumbling, and smoldering tension are all encircling and folding in on themselves. Rhizomes of sound that speak poison. Drink up, if it doesn't kill you, it will only make you stronger" (Jim Haynes). Ltd x 300 copies with artwork by MEEUW, featuring special silver print on reverse board sleeve.
*** 2022 release ***
For the first time both long active artists from the experimental / post industrial / field recording scene have collaborated, creating a mesmerizing one-tracker (56+ min.) with many breathtaking moments and passages from the very beginning... an incredible intense new sonic reality arises, full of surrealistic (almost psychoactive) drones capturing your whole body, taking you on a journey to the microworlds of the "more than human" lifeforms... a "Phloem" is the part of plants that transports organic compounds = photosynthates.
Chicago's post ambient industrial legend is back with a work that combines electronic sounds and field recordings: microscopic audio events, loops, heavily processed material of all kinds form seven multi-layered collages that seem to be full of electro-magnetic static, morphing and transforming like a hallucinogenic object in every second and in all possible directions... in all it's subtleness this is far away from the shock treatment noises of the early IOS times.
'New Rules, Same Game, Less Instruction' is the first release of new IOS compositions since 'Surrender' in 2015.
Featuring extensive synthesizer source material as well as other now familiar electro-acoustic techniques it is conceived as a follow up to the 1995 3” CD release of 'Rules Of The Game', alluding to the social, political, and psychological games humans engage in for validation, survival, or dominance. New Rules, same game, less instruction, harsher penalty.
Illusion Of Safety now more than ever.
Mastering: Thomas Dimuzio / Artwork: Dan Burke
For the 20th anniversary of the band, TROUM invited friends and admired artists from their own history to cover, re-interpretate, re-process, collage, morph or just being inspired (by) any TROUM basic material; after one year of collecting masterial the result is a unique compilation of 19 tracks with a wide range of creative approaches - much more than your standard "remix" collection. All material was exclusively recorded for this compilation ! With tracks from Contrastate, Inade, Vance Orchestra, Tarkatak, raison d'etre, Nadja, Martyn Bates, Multer, QST, Ure Thrall, Bad Sector, Cisfinitum, etc
11,50€Original price was: 11,50€.6,00€Current price is: 6,00€.
Thomas Dimuzio’s Amid Zero Echo marks the new release from this US underground legend from San Francisco, whose massive hypnotic soundscapes already released in the 90’s were much ahead of the time!
Four new transcendental drone masterworks abstracted from electric guitar bristle with life through the dense, rich and detailed sonic expanse of Dimuzio's glorious sound world. Vibrating wires of the electric guitar inform a digital musique concrete modus operandi replete with unheard studio techniques which form a music with a strong organic core. These four drones open wide rooms for phantastic aural imaginations: like flying over endless grounds of unknown origin, sensing a heavy suction of extreme gravity, moving towards a black hole center... or driving into a totally dark mining tunnel with all the metallic ore and dust around… These are drones that LIVE from the inside! Striking gatefold artwork by Mars Wellink showcases two clear vinyl 10”s in an equally compelling and beautifully designed package. Limited in edition to 500 copies.
Thomas Dimuzio is a musician, composer, sound designer, mastering engineer, label proprietor, and music technologist residing in San Francisco, California. Inspired as much by John Cage as Led Zeppelin, Dimuzio’s music forms a sonic excursion that transports the listener into other worldly aural realms. “His work has a narrative, filmic tug that will draw you into its dark corners, ears alert… brilliant and rarely less than entertaining.” [Peter Marsh, BBC]
Long regarded as a musical pioneer for his innovative use of live sampling and looping techniques, Dimuzio has earned a deserved reputation worldwide as an avant-garde sound artist in touch with the aesthetic pulse of time and technology. A true sonic alchemist who can seemingly create music events out of almost anything, Dimuzio’s listed sound sources on his various releases include everything from “modified 10 speed bicycle” and “resonating water pipe” to short-wave radios, loops, feedback, samplers, synthesizers and even normal instruments such as guitar, clarinet and trumpet. Dimuzio’s eclecticism bespeaks a career equally informed by a profound dedication to his craft and collaborations with friends, artists and technologists alike.
Dimuzio's recordings have been released internationally by ReR Megacorp, Asphodel, RRRecords, No Fun Productions, Sonoris, Record Label Records, Odd Size, Seeland, and other independent labels. Among his collaborators are Chris Cutler, Dan Burke, Joseph Hammer, Anla Courtis, Nick Didkovsky, Due Process, Voice of Eye, Fred Frith, David Lee Myers, 5uu’s, Matmos, Wobbly and Negativland.
22,00€Original price was: 22,00€.12,00€Current price is: 12,00€.
The series shows the various sides of todays experimental drone-music, especially focusing on newcomers and less well known acts from the world wide scene.
“In an era when so much content is driven by personality, we offer instead the challenge, or the respite, of interacting with sound on its own terms.” [CLADE,]
This LP-series from Drone Records is dedicated to the Drones of the World, and the Drones of our Minds. A kind of continuation of the Drone 7”-series, with artwork based on huge paintings by British artist Pete Greening. Drone Music is seen as more than a mere ‘music style’, it expresses an approach to perceive and understand the world. Drone-Mind and Mind-Drone build a circle of diverse inter-relations. The Drone as a metaphor for everything that vibrates, that releases energy - from atoms and elementary particles to the hum of the earth and the universe. The Drone as an entity that connects everthing that exists within our own “mind-space”, perception and self.
Gydja (New Zealand). Enchanting female drone esoterica by an artist who is also known through her stunning artworks for Cold Spring and other labels. Through magnetic winds and metallic clouds the long track “Gjallarbru” creates a wonderful secretful and sensitive atmosphere; very lonely and frosty, like a cold and clear consciousness released on a high mountain, on top of the world...
Clade (Scotland / USA). Named after a notion taken from biology science (=Monophylum), this duo is based in Scotland and USA, alluring with very focused minimal drones on so far four releases. The two tracks presented here stand out with their use of somehow refractional, fibrous sounds, placed on monotonus drones with a very sedative and insistent effect...
Monocube (Ukraine). This “ethereal drone” discovery from Ukraine moves musically through endless spaces, creating choral-like aural clouds and strange melodies => self-supporting drones with an incredible width, when even the smallest particles of concrete microsound encountering are exciting, entering into a heavenly “song of the sirens” choir..
Yrsel (France). Another bi-national project is this French-Swedish collaboration of Julien Louvet (2:13 PM, etc.) and C-J Larsgarden (Ondo),who released three albums so far. Their track “Krstnhmnbrtncrt” consists of very heavy, swallowing drones with atonal elements coming to the surface, diffus and poisonous but also lulling you into a deep (dead) sleep., slowly drowning in dense humming waves of cryptic drones...
Solid silver coloured vinyl, graphic design by Abby Helasdottir, using two paintings by British painter Pete Greening; limited ed. of 400 copies.