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DOUBT (JP)

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KANON
“The beauty is the thing”

“Kanon : Aki Takase (piano, inside piano). Kazuhisa Uchihashi (guitar, effects and daxophone). Axel Dörner (trumpet). This trio’s musical inspirations give birth to an amazing, extraordinary, mind-boggling mandara of sound. It’s an extreme sound that could only be achieved by people engaged in the ultimate sonic and musical explorations. Surrender yourself to the joyful sounds coming out of the left and right speakers, and you’re sure to be taken on a natural high. It took confidence and pride for these three to come together as regular members and name their group Kanon. Once you hear their sound, you’ll see the light -guaranteed !”
18,00€ Original price was: 18,00€.10,00€Current price is: 10,00€.
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CD

Otomo YOSHIHIDE’S NEW JAZZ ORCHESTRA
“Onjo”

Otomo New Jazz Orchestra with Otomo Yoshihide, Axel Dörner, Aoki Taisei, Tsugami Kenta, Okura Masahiko, Alfred Harth, Mats Gustafsson, Ishikawa Ko, Sachiko M, Unami Taku, Takara Kumiko, Cor Fuhler, Mizutani Hiroaki, Yoshigaki Yasuhiro, Nananan Kiriko, Otsu Makoto, Kahimi Karie, Hamada Mariko. Recorded by Kondo Yoshiaki on 24th January 2005. 1. eureka (Jim O’rourke) 2. theme from canary (Otomo Yoshihide) 3. broken shadows (Ornette Coleman) 4. lost in the rain (Otomo / Kahimi Karie) 5. orange was the color of her dress, then blue silk (Charles Mingus) ? tails out (Otomo) 6. mayonaka no shizuka na kuroi kawa no ue ni ukabiagaru shiroi yuri no hana (Otomo / Karie) 7. a-shi-ta (Otomo / Hamada Mariko)
15,00€
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CD

SIM + OTOMO
“Monte alto estate”

“This is the collaborative masterpiece of the 3-piece unit, sim (Oshima Teruyuki on guitar and composition, Ootani Yoshio on computer, electronics, etc, and Uemura Masahiro on drums) and Otomo Yoshihide (turntables, self-made synthesizer). The noise of Otomo sharply incises the unique sound of sim, where Uemura’s controlled roaring drumming sets an main axis on Oshima’s precise rhythmical composition, Oshima’s the chord cuttings beats minimally and the electronics of Ootani give extreme voltage. Both of their mastering of some tunes procedure of which once made back into analogue and the exquisite jacket cover seem to simbolize this distinct sound.”
15,00€
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CD

Roger TURNER – SATO Masahiko – YOSHIHIDE Otomo
“live at Hall Egg Farm”

English living legend percussionist, Roger Turner plays in Tokyo lin 2015 and this is one of the live performance in Fukaya city, Saitama prefecture. Roger percussion solo, Otomo electric guitar added and Japanese free jazz patriarch, Sato added, then becomes intense and has musical speed. You could not lose interest in this music notwithstanding 1 tunes, 66 minutes.
15,00€
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CD

Jim SAUTER – Kid MILLIONS
“Boanerges”

Duo of Jim Sauter from Borbetomagus and Kid Millions from the Boadoms and Oneida ! The sound of saxophone turning into an extreme noise and brutal raging percussion! Such is the latest “NOISE JAZZ” from NYC!  (JOJO Hiroshige / Hijokaidan). Jim’s sax playing is impulsively domineering in Borbetomagus, which is based on a usually percussion-less trio formation of two saxophones and one guitar; and I was really curious to hear what would happen when it encountered a drummer who is often described in terms of "stamina." Truly, the answer is in this album. --T. Mikawa ( Incapacitants, Hijokaidan ) from linernote “...something struck me immediately, the slight slap-back delay on the sax, the SAX! Yes, of course it’s Jim Sauter,  and a long long time since I had heard him with drums, but also, with a new rhythmical sense to his use of effects, not just altering the timbre, and the threshold, of his horn, but also changing the space it was in, the relation to a new space that Kid Millions drums propelled him into head forward”. -Jim O’Rourke, from linernote. obi text : Jojo Hiroshige (Hijokaidan), linernotes : T.Mikawa (Incapacitants, Hijokaidan), Jim O’Rouke in English and Japanese, digipack with 16 page booklet.
14,00€
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2 CD

Keiki MIDORIKAWA
“Complete Grüne Revolution”

“Keiki Midorikaw (cello, bass), Masahiko Togashi (percussion, drums), Masayuki Takayanagi (guitar) et Masahiko Sato (piano). Recorded on January 16, 1976 at Nichi-futsu kaikan, Tokyo. The original LP of this work has duo with Takayanagi on A side and duo with Sato on B side. But in the concert, Midorikawa played duo with Togashi about 40 minutes, afterward he played duo with Takayanagi and with Sato both about 20 minutes actually. It didn’t include Togashi duo on the original LP. This time doubtmusic found a tape of Midorikawa - Togashi duo, 2CD set convey all performance that day as a complete version. The tapes which are used on those CDs are different from the original master tape, and we re-mastered them, so the quality is higher than the original LP. Midorikawa’s free improvisation that playing duo with each Togashi, Takayanagi, Sato is inventive and in consequence, each music is very beautiful. Those music are prime free-jazz that quietness and intensity seem like spindrift.”
20,00€
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New arrivals :

6 CD box

Kevin DRUMM
“The Mild Temper” [preorder]

Preorder, estimated shipping early july 26. For more than thirty years, Kevin Drumm has developed a unique sonic language situated at the intersection of drone, electronics, improvisation and sound abstraction. Continuously evolving, his work has become one of the most distinctive voices in contemporary experimental music. Comprising more than six hours of music, The Mild Temper presents an extensive collection of pieces built from gradual transformations, micro-acoustic events and frequency-based structures characteristic of Drumm's practice. Across six discs, the music explores varying states of density, resonance and spatiality, reflecting a sustained interest in the physical properties of sound and their perception over extended durations. The title, The Mild Temper, suggests a quiet force rather than an overt gesture. Sonic materials often appear restrained, held in a delicate balance between stasis and motion. Small shifts gradually alter the acoustic landscape as layers of frequencies emerge, recede and recombine throughout the listening experience. Avoiding narrative and dramatic development, these works offer immersion in highly detailed sonic environments where every element contributes to the construction of a deeply absorbing listening space. Attention to texture, depth and duration forms the connective thread throughout the collection. With The Mild Temper, Kevin Drumm continues his exploration of sound as an autonomous phenomenon, presenting a body of work of remarkable coherence that reflects both the singularity and maturity of his artistic practice. Mastering by Jim O'Rourke Tracklisting : 1-1 01 Feb 1 1-2 Retina Check 1-3 Etc A 2-1 Eisegesis 2-2 Exegesis 2-3 New Old Card 3-1 The Blind Owl 3-2 Master Of Idealism 4-1 Achromic Pants 4-2 Odd Ways 5-1 Battles In The Snow I 5-2 Battles In The Snow II 6-1 Grey Screen 6-2 \&\\ : \ 6-3 \&\\ : \\
45,00€
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2 LP

COMPILATION
“Xkatedral Anthology Series III (An Anthology Of Slowly Evolving Timbral Music)”

XKatedral Anthology Series III is the third installment in a series of archival releases dedicated to presenting music by composers working within the realm of slowly evolving harmonic and timbral music. The pieces presented here focus on the use of synthetic and acoustic sound as well as algorithmic composition as tools for precise work within the realm of spectral exploration. This double-vinyl set is issued in celebration of the label’s decennalia and contains works from 2014 - 2025. It is released in conjunction with reissues of XKatedral Anthology Series I-II. My Falling Sinks by Kali Malone is a sparse descending melody for justly tuned organ, cello and acoustic guitar featuring Lucy Railton and Stephen O’Malley. The piece is a compositional sketch in septimal just intonation made on an experimental tuning organ at La Temple de La Tour-de-Peilz while in residency at La Becque in 2021. Empyrean Flare by Maria W Horn was composed in 2022 for The Dawn Chorus by choreographer Stina Nyberg. This piece uses the Tintinnabuli technique created by Arvo Pärt to animate four supersaw oscillators in slow diatonic arpeggiation, circling around a minor tonic triad, and destabilizing the harmonic framework by means of glissandi and amplifying the sum of its parts by means of analog tape saturation. Tessellation by David Granström was composed using generative synthesis methods in the summer of 2017. The musical periodicity and harmonic movement heard within the piece emerges as a result of fixed synthesized tape loops - exploring a space that opens up between antithetical worlds. To Whoever Shall Inherit the Earth is the first piece of solo music made by Jessica Ekomane and it came together, according to the composer, almost by accident. The work was recorded late one night a decade ago and captures a fleeting, fragile, and unrepeatable moment preserved exactly as it happened. Smoking Mother by Stephen O’Malley was created for Gisèle Vienne's Der Teich / L'Etang by Robert Walser. It was composed during a residency at the SMEM synthesis archive in Fribourg in 2018 and produced at EMS in August 2020. The piece draws from the works of Zia Mohuiddin Dagar, Krzysztof Penderecki and Popol Vuh while exploring the roots of minimalism. Att böja själarna by Mats Erlandsson was composed in 2018 and was included in On Eternity, a collection of four texts and four ten minute cassette loops released in the form of a limited edition box set in 2021 by Irrlicht Förlag. This work features performances by Gaianeh Pilossian and Sara Fors, on violin and voice respectively. This will be my last piece for organ was composed by Theodor Kentros in 2025 and uses groups of clustered oscillators through resonant feedback to synthesize the fluctuating frequencies heard wandering through physical space when detuning an organ. Fault Lines was composed by Daniel M Karlsson using generative methods with a deterministic and finite output solidified for this release. This piece features vocal performances by Sara Fors, Ansis Bētiņš and Artūrs Čukurs. 1. Kali Malone - My Falling Sinks 03:50 2. Maria W Horn - Empyrean Flare 15:00 3. David Granström - Tessellation 09:41 4. Jessica Ekomane - To Whoever Shall Inherit The Earth 08:04 5. Stephen O'Malley - Smoking Mother 08:16 6. Mats Erlandsson - Att Böja Själarna 10:12 7. Theodor Kentros - This Will Be My Last Piece For Organ 04:30 8. Daniel M Karlsson - Fault Lines 15:12
36,00€
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Out of stock

2 LP

COMPILATION
“XKatedral Anthology Series II (An Anthology Of Slowly Evolving Timbral Music)”

XKatedral Anthology II is the second installment in a series of archival releases dedicated to presenting music by composers affiliated with XKatedral working within the realm of slowly evolving harmonic and timbral music. This double-vinyl set contains an array of pieces written from 2018 to 2020 by composers Kali Malone, Jessica Ekomane, Mats Erlandsson, Theodor Kentros, Wilma Hultén and Maria W Horn. This collection of pieces focuses on the use of synthetic sound and algorithmic composition languages as tools for precise work within the realm of spectral exploration. In addition to this, the electronic instrumentation in many of the pieces is augmented by acoustic instruments. 1. Kali Malone - Music for Low Quartet 08:34 2. Jessica Ekomane - First Light 07:44 3. Mats Erlandsson - Hands Melt In The Sun 18:15 4. Theodor Kentros - Rough Draft v.7 06:09 5. Wilma Hultén - Inertia 14:03 6. Maria W Horn - Dies Irae (live) 22:04
36,00€
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In stock

2 LP

COMPILATION
“XKatedral Anthology Series I (An Anthology Of Slowly Evolving Timbral Music)”

XKatedral Anthology I is the first in a series of archival releases dedicated to presenting music by XKatedral affiliated composers working within the realm of slowly evolving harmonic and timbral music. This double-vinyl set contains an array of pieces dating from 2010 - 2020. Four of the works included here were originally released on cassette early on in the label's history, while the two remaining pieces are presented by the label for the first time. 1. Kristoffer Svensson - Ir Himinn, Groœn 04:09 2. Marta Forsberg - Disquiet (Heart) 17:40 3. Isak Edberg - Lamé 17:26 4. Edberg/Erlandsson/Lisinski - Dissolving Ceremony 07:05 5. Caterina Barbieri & Kali Malone - Glory 15:51 6. Daniel M Karlsson - Shipwrecks 20:00
36,00€
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LP

François BAYLE
“Jeita ou murmure des eaux”

A major work in François Bayle’s repertoire, Jeîta ou murmure des eaux provides a journey and an immersion into a world of unleashed energies, with the Jeîta cave serving both as a backdrop and a particle accelerator. Here, the cave indeed stands for the concrete source of the composer’s inspiration as much as the mind space where metamorphoses occur. By combining such figurative spaces and immaterial sound projections, François Bayle evokes another subject, an inhabitant of the multiple and symbolic cave: the listening subject, who always reveals himself, implicitly, at the heart of François Bayle’s musical concerns and the path he has always defended: the acousmatic approach.
28,00€
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LP

Crys COLE & Oren AMBARCHI / Giuseppe IELASI
“Sparkling or Silent / unfamiliar music (paris)”

Sparkling or Silent, by the duo composed of crys cole and Oren Ambarchi, is a moment apart in their respective artistic approaches, taking a step aside and marking a point of fixation around an electroacoustic method which, while always latent in both of their works, here asserts itself as a central compositional modality. However, the electroacoustic approach is not called upon here for its formal reasons, or even less as an aesthetic line to follow. On the contrary, it is seen as a writing tool, open to all possible sonic possibilities, a tool that allows the artist to draw, within the sound itself, an intertwined space where reminiscences, impressions and sensations weave a narrative on the edge of the imagination and the moments experienced together, a narrative in which a complex and sensitive layer of sound is embedded, blurring the boundaries between artistic project, intimate journey and shared dreams. — Derived from a live performance, unfamiliar music (paris) reveals the essence of the obsessions and sonic universe of Giuseppe Ielasi, a musician whose discretion is matched only by his talent and boundless dedication to musical creation over almost 30 years. unfamiliar music (paris) is a remarkable manifestation of Ielasi’s approach, an approach in which delicacy, sometimes nostalgia, and emotions know how, with discretion, to infuse a sound universe built around polyphony and reminiscence, around textures and motifs that intertwine, combine and drive each other with grace and inspiration. François J. Bonnet
24,00€
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