Giovanni Di Domenico has now achieved a personal and unmistakable style within contemporary minimalism. His music always expresses a state of concentration, of recollection and contemplation toward a focal node. Repetition is experienced as alchemical state, as truth contained in the small nuances of change, in a crescendo that never reaches a climax. The atmosphere is intuition and is made up of a few compositional touches. To compose is to make synthesis, to unearth purity, simplicity and exactness. This new work for solo piano is almost an imaginary novel... the notes seem to tell of deserted streets, lonely walks in the night or runs down stairs. In this sense the musician is the writer of silence and the fleeting moment. And so, amid slow chords like Chopin or Satie, moods oscillate between brio and allegro, evoking the lightness of love, greater sadness and melancholy, as well as more restless and agitated ostinatos, the product of a more cathartic worldview.
After his participation in a masterpiece such as Popol Vuh's Hosianna Mantra, in the early 1980s Klaus Wiese produced a series of seminal works in the field of ambient-drone and healing music. The first of these, Baraka, was released on tape by Acquamarin in 1981, and already contained all the aspects of his future research into the mysticism of sound. Wiese shares the path with other German explorers such as Hamel, Fricke, Micus, or Deuter, but he focuses his attention on the most essential nature of sounds, on their acoustic purity, which is always infinite spiral, vortex of frequencies and cosmic bath. It takes only a few means (zither, tampoura, cmybals, singing bowls) to reach the absolute through vibration. Like the archaic mood of a great universal harmony, the sound suggests a complete state of otherworldly meditation, an enveloping cloud of peace in the eternity of the present. The musician is only the one who distributes and directs the thickenings of ethereal matter, microtonal agglomerates, cascades of celestial harmonics and emotional floods, petals and stems of devotion.
Special mirroring/olographic cover. Edition of 300 copies.
Originally released on tape by Sound Reporters in 1986. Het Jacoba Prieel is a very weird compendium of imaginary soundscapes, in which every coordinate seems lost and totally deviated. Fred Gales, in collaboration with Walter Maioli and Pit Piccinelli, presents his idea of a concrete organic music, a diary of signals and sound impressions inspired by the great tradition of primitive music, an extreme investigation of love on the primordial beauty of sound expression. Travelling into the properties of all matter of the sonic environment, the members of the legendary Sound Reporters generate, transform, mix, filter and modulate natural and electronic sounds in the magical analogical studio of the Utrecht Institute of Sonology. From a single movement of sound fragments are opened catalyst flows and circuits, flickering sequencers and oscillations of luminous channels. Futuristic tribalism, hypnotic fossil percussion, alien sounds, dreamlike trips in the jungle, echoes of rustling and rumbles otherworldly, rain waterfalls and shells in the pond, calls of animals and insects, heart beats and radar waves. Everything is just pure sound and surrounds us.
Originally released on tape by Sound Reporters in 1986. Ethnoelectronics is a further episode of pioneering fusion between ethnic and electronic music, involving dauntless explorers such as Walter Maioli, Nirodh Fortini, Fred Gales, Raffaele Serra, John Zandijk and the visionary sculptor Edward Luyken. As the soundtrack of an obscure science-fiction saga, the six parts of these recordings retain something profoundly osmotic and sidereal. In these hybridizations, it's the heart of personal spiritual cosmos and stratospheric portals to pulse, but always remains the devotion to wild nature and ethnographic differences. In this way, the sinusoidal movements of electronic synthesizers and radiophonic frequencies interact with the pounding sounds of the jungle, with frogs, sea waves, buzz insects, leaves and rain. From flutes, rattles, steel sound sculptures or rustling idiophones, mysterious samples appeared like weird interferences, with rhythms and ritual voices from Tibet, West Papua, Burundi, Tahiti or the shamanic Japan of the Ainu.
Originally released on tape by Sound Reporters in 1986. Ethnoelectronics is a further episode of pioneering fusion between ethnic and electronic music, involving dauntless explorers such as Walter Maioli, Nirodh Fortini, Fred Gales, Raffaele Serra, John Zandijk and the visionary sculptor Edward Luyken. As the soundtrack of an obscure science-fiction saga, the six parts of these recordings retain something profoundly osmotic and sidereal. In these hybridizations, it's the heart of personal spiritual cosmos and stratospheric portals to pulse, but always remains the devotion to wild nature and ethnographic differences. In this way, the sinusoidal movements of electronic synthesizers and radiophonic frequencies interact with the pounding sounds of the jungle, with frogs, sea waves, buzz insects, leaves and rain. From flutes, rattles, steel sound sculptures or rustling idiophones, mysterious samples appeared like weird interferences, with rhythms and ritual voices from Tibet, West Papua, Burundi, Tahiti or the shamanic Japan of the Ainu.
An amazing adventure of a musicological and botanical research on the psychoacoustic qualities of the green world. It's the investigation of an organic symbiosis, real and mysterious at the same time, between the pharmacological properties of the plant and the sound emitted by the same material essence. From the single natural element comes the vibration permeating the whole universe; an indissoluble binomial for which "everything that makes up existence contains the information of itself in all its parts". Here, the visionary Walter Maioli (Aktuala, Futuro Antico, Synaulia) collaborates with the music therapist and eclectic composer Agostino Nirodh Fortini, for more than thirty years specialist in the field of sound and video applied to body therapies and meditation. By exposing the archetype breath of the stem, slowing its speed and manipulating and filtering it electronically, the two explorers create a bath of harmonic games with purifying and regenerating powers; a deep and nebulous drone inhabited by insects, alien sounds similar to the vibrates of Fender Rhodes or tonal interludes with plays of stones in water, on the surface of an inner lake, learning to observe and dive into love and awareness.
An amazing adventure of a musicological and botanical research on the psychoacoustic qualities of the green world. It's the investigation of an organic symbiosis, real and mysterious at the same time, between the pharmacological properties of the plant and the sound emitted by the same material essence. From the single natural element comes the vibration permeating the whole universe; an indissoluble binomial for which "everything that makes up existence contains the information of itself in all its parts". Here, the visionary Walter Maioli (Aktuala, Futuro Antico, Synaulia) collaborates with the music therapist and eclectic composer Agostino Nirodh Fortini, for more than thirty years specialist in the field of sound and video applied to body therapies and meditation. By exposing the archetype breath of the stem, slowing its speed and manipulating and filtering it electronically, the two explorers create a bath of harmonic games with purifying and regenerating powers; a deep and nebulous drone inhabited by insects, alien sounds similar to the vibrates of Fender Rhodes or tonal interludes with plays of stones in water, on the surface of an inner lake, learning to observe and dive into love and awareness.
16,00€Original price was: 16,00€.9,00€Current price is: 9,00€.
Garrett List's work for Opus One, in 1972, was a remarkable creative effort, conceived like a celebration of a higher self-consciousness. The context is avant-garde minimalism, but the music is enriched by a deep spiritualism; it echoes the most meditative jazz of the age, taking also advantage from the mystic lesson of La Monte Young. Everything is solved in a free, moderate and brilliant language, pure and elegant. It's quintessential, in these rare moments of beauty, the instrumentation of the voices and the relative interpretation of the text. The sibilant female chant is lost in an intimate and ethereal recitation, wrapped by the drones of the horns and the dripping notes of the piano and vibraphone. It's the ideal atmosphere for an impalpable ecstatic way, the echo of a secret dialogue with the inner cosmos. List seems to condense perfectly all his emotional and transcendental sound universe, making Your Own Self, non only a seminal work, but also a radiant message of total harmony.
This milestone of the avant-garde music, published in 1974 by the historic Opus One, was a very significant political awareness. With Coming Together and Attica, Rzewski celebrates in music the famous revolt of the American prison in 1971. The texts of Sam Melville and Richard X. Clark make pulsating and alive the invocations of the prisoners; full of pathos, these fragments of life oscillate between a confessional tone and the hymn to freedom, in a touching emblem of compassion. The fixity of the sound images is incisive, unnerving and melancholic, embroidering a solid minimalist repetition. The different combination of the verses produce a psychosis or obsession of a cathartic experience, at the same time emotional, physical and mental.
Together with great guests such as Alvin Curran, Jon Gibson, Garrett List and Karl Beger, Rzewski seems to merge his radical vocation with the most meditative and suffered plots of the spiritual jazz; sealing all with Les Moutons Des Panurge, an amazing suite for percussion, a timeless masterpiece of polyrhythmic expertise.
Originally released on tape by Sound Reporters in 1986. Het Jacoba Prieel is a very weird compendium of imaginary soundscapes, in which every coordinate seems lost and totally deviated. Fred Gales, in collaboration with Walter Maioli and Pit Piccinelli, presents his idea of a concrete organic music, a diary of signals and sound impressions inspired by the great tradition of primitive music, an extreme investigation of love on the primordial beauty of sound expression. Travelling into the properties of all matter of the sonic environment, the members of the legendary Sound Reporters generate, transform, mix, filter and modulate natural and electronic sounds in the magical analogical studio of the Utrecht Institute of Sonology. From a single movement of sound fragments are opened catalyst flows and circuits, flickering sequencers and oscillations of luminous channels. Futuristic tribalism, hypnotic fossil percussion, alien sounds, dreamlike trips in the jungle, echoes of rustling and rumbles otherworldly, rain waterfalls and shells in the pond, calls of animals and insects, heart beats and radar waves. Everything is just pure sound and surrounds us.
30,00€Original price was: 30,00€.16,00€Current price is: 16,00€.
An outstanding raga-like drone LP with a distinctive cosmic vibe, Futuro Antico was a short living collaboration between the two italian Walter Maioli (Aktuala), Riccardo Sinigaglia and Gabin Dabiré (from Burkina Faso). The synthesis between ancient, ethnic and analog electronic music is just perfect, the minimalist repetition with slight changes gives associations of a slow growth; cyclic repetition gives the listener an opportunity to discover the sounds, to meditate, to go into the music, join the same journey trough ancient, primitive cultures and modern electronic soundscapes. Originally released in 1980, the sound is completly analog and warm, the reissue maintain the first tape artwork + info and photos.