Three pieces of musique concrete. Unnerving and at times eerie soundscapes, a soundtrack of disquiet.
“Esseiva is a composer of musique concrete sound collages. Into the melting pot goes a fine blend of electronics, field recordings, recordings from around the house and a bit of instruments, of which I recognized the piano mostly. These sounds are probably processed in some way or another and layered together in a very fine way. Mostly these sounds are stretched out quite a bit and superimposed on each other; maybe Esseiva uses a bit of time stretching, maybe loops, I am not sure of either (or both) and acoustic elements are looped on top; sometimes they are cut out abruptly and something else happens. In ‘Amplitudes Des Serpents’ this is done with some delicate and excellent quality. It is a very mysterious world that he pictures in this piece of shimmering sustaining sounds versus acoustic loops. That is a great piece, but so are the other two. Here we have mild noise passages, slightly distorted organ sounds and looped field recordings. This is an excellent release”. (FdW in Vital)