On the frigid moonless night of December 6th, 1978, a 26 year-old night watchman named Pier Zanfretta was on a routine patrol in the village of Torriglia, where he stumbled into a horrifying encounter with aliens from Taetonia. In order to get more clarity about what happened that night Pier Zanfretta agreed to undergo hypnosis, to let his subconscious speak about his abduction by these aliens.
As his discours under hypnosis sounded uncannily musical and mesmerizing, even without understanding the words, it became the basis of this Ipnopedion album.
For the recording of the title track ‘Ipnopedion’ (side 1) Zanfretta’s speech was played back on headphones, then phonetically reproduced by FC and TVL, lying down in darkness as being hypnotised. Apart from this transposed text only piano and a few hypnosis inducing atmospherics and spatialisations were added.
The ‘Taetonia’ track (side 2) opens with a naieve and enticing piano play slowly being beamed into a vacuum void towards Taetonia. As Zanfretta’s words were vague it remained unclear what happened in Taetonia but things certainly had changed…
Ipnopedion became a ritual invitation to withdraw from the concrete world, returning to it as uncanonical aliens from Taetonia.
Edition of 300 copies on transparent vinyl, with printed insert.
Edition of 300 copies. Played, recorded and mixed at Kulta Saha, April-September 2017. In 9 sequences ‘Fortune de Mer’ describes the power and beauty of dramatic fate, the irreversible. Like a clause of force majeure, an unforeseen one way trip to the desperate bottom. After losing the long battle nothing is left, only acceptance and resignation.
2009. “The work that involves Timo van Luijk is always presented in the best possible way. No pennies are saved to make sure the listener has something great (literally in the shape of a LP) in his hands. No cheap, easy CD, but a small piece of art. Not that these art pieces provide you with much information. ’Voile Au Vent’ for instance just states the names of Van Luijk and Frederik Croene, when and where it was recorded and the name of the label, but nothing much else. Of Van Luijk we know he plays trumpet, electronics, toys and such like, and Croene, we learn somewhere else, is a piano player. Over the years Van Luijk has moved in his solo and collaborative work towards more traditional forms of improvised music. While he is responsible for the electronic part of it, always loose and free, waving just above the ground, the other player, a pianist in this case, places both of them on the ground with his playing. Although I must say that it seems to me here that Croene is also using electronics in his music. Four pieces are played here of which one”... Pour Que Le Vent...” has a regular rhythm of some kind, and is the most worked out, i.e. composed piece of music, it seems. But all four pieces are equally great I think. A remarkable outsider record, of someone who doesn’t care about trends and such like”. (Frans de Waard/Vital Weekly). Edition of 400 copies.” label info