“All the pieces on this album are mixed-music where the soloist has a complex dynamic with its antagonist, the loudspeaker: a dialogue all made of power games. This uneven relationship is reminiscent of the fragility of sandcastles and other human constructions with their daily facing of the patience of the elements. Are these ephemeral joys many revenges over the ineluctable?” “La rupture inéluctable” (2010-11) with Heather Roche, bass clarinet. “Le tombeau des fondeurs” (2008) with Sarah Nicolls, Baschet-Malbos piano. “Mono no aware” (2013) with Jean-François Laporte, Babel table. “Still, Again” (2012-13) with Peyee Chen, soprano. “Un clou, son marteau, et le béton” (2008-09) with Sarah Nicolls, piano.