The 8th issue of Lasse Marhaug's fanzine Personal Best.
Features in-depth interviews with:
Rachel Shearer
Peter Rehberg
GX Jupitter-Larsen
Benjamin Nelson
Peter Brötzmann
Jana Winderen
Otomo Yoshihide
Ghédalia Tazartès
Richly illustrated throughout.
100 pages, CMYK offset print on uncoated paper, glued spine.
Published August 2017. Format: 210 x 285 mm. 100 pages. Colour. Interviews with Tony Conrad (USA), Akira Sakata (Japan), Sarah Davachi (Canada), Omit (New Zealand), Stine Janvin Motland (Norway), Human Inferno (Norway), Stephen O'Malley (USA).
Topics covered include: frogs, location recordings, fake synthetic music, stepping off stage, confusion, playing naked, nihilistic anal punk, to be the drunk Klaus Schultze, less is less, being self-contained, grouping of sounds, sound maps, playing 18 gigs in 30 years, marine biology, moving the fingers very fast, the Shinjuku 60s art scene, doing interrail tours in the 1970s, knowing communists, lack of protest, secretly buying Pink Floyd records, karaoke with CC Hennix, incoherent notes, the history of clocks, extreme metal graphic design, the meaning of the goat, picture disc jokes, 3D waves, demo tape nostalgia gone deluxe, keys and symbol's relative power, the social aspect of record covers, Pythagoras, Ali Akbar Khan, how Cage was right, how Stockhausen stole ideas, recording the best album ever made, and much more.
Published January 2016. Format: 210 x 285 mm. 100 pages. Colour.
Interviews with Skaset (Norway), Lucas Abela (Australia), Marcia Bassett (USA), Crys Cole (Canada), Joe McPhee (USA), Sodadosa (Indonesia), PBK (USA).
Topics covered includes: meeting Sun Ra, starting to play the sax at 28, Forbidden Planet, The Nihilist Spasm Band, PO, poerty, Chicago, UFO sightings, science fiction, politics, stagnation, the scary middle class, hatred of reverb, changing guitar strings in 23 seconds, that Manowar were never hip, 33 or 45 or in the middle, returning to rock, how play glass on your face, playing drums on a trampoline, playing power tools on turntables, Loop Station hatred, scares and scars, cutting your throat on purpose, noise scene guilt, INXS as the gateway, art scene carbon print, painting skulls, playing loud, eating lobsters, noise bombing in Indonesia, salt, broken radios, disco tracks that goes nowhere, Albert Ayler’s wonkyness, loosing faith in expressionism, lack of dynamic and textural shifts, shock aesthetics, preserving artist archives, and much more.