“An immersion into Classics. That kind of Classics which holds in his pantheon Pierre Henry and Pierre Schaeffer, even though I should maybe refer to Michel Chion, given the powerful dramatic intensity displayed by these two compositions.
Mario De Vega has once again proved himself a master at mixing in his works all of the elements that make me love electro-acoustic music so much. The unpredictability of the sound sources, some sort of spectral musicality, and the sudden moves; those compositional jumps that drag you from one space to another, from a world which you’ve just settled into, to another one, totally unknown, sometimes frightening, sometimes simply disorientating.
There are also many moments of delicacy in these 27 minutes, and I find the punk aura that lingers over every turning point so fascinating, reminding of the early works of Valerio Tricoli, so volcanic and unpredictable, and yet so controlled.
Mario De Vega’s sure is a very personal work that displays enormous respect for the History and the classic narrations of experimental and concrete music, without losing anchor with the present.” (Claudio Rocchetti)
This latest addition to the Tochnit Aleph catalogue is premised in a haptic interrogation of each of the label’s previous editions (TA001-147). Berlin-based, and Mexico City-born, multi-disciplinary artist Mario de Vega occupied the gallery space of Rumpsti Pumsti (Musik) for three consecutive days in October 2016 with a hitherto complete Tochnit Aleph catalogue, sanding machines, hammer, and recording equipment. Conflating acts of 'playing' with destruction, de Vega took to the recorded works and assorted medias with his spartan toolset, producing a discordant document of his repurposing of the complete archive. Reducing the material to a collection of detritus for exhibition, the sound object is presented as both a conceptual remainder of the site-specific process, and an agitated extension to the label.
Edition of 300 copies.