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Kevin DRUMM

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6 CD box

Kevin DRUMM
“The Mild Temper”

For more than thirty years, Kevin Drumm has developed a unique sonic language situated at the intersection of drone, electronics, improvisation and sound abstraction. Continuously evolving, his work has become one of the most distinctive voices in contemporary experimental music. Comprising more than six hours of music, The Mild Temper presents an extensive collection of pieces built from gradual transformations, micro-acoustic events and frequency-based structures characteristic of Drumm's practice. Across six discs, the music explores varying states of density, resonance and spatiality, reflecting a sustained interest in the physical properties of sound and their perception over extended durations. The title, The Mild Temper, suggests a quiet force rather than an overt gesture. Sonic materials often appear restrained, held in a delicate balance between stasis and motion. Small shifts gradually alter the acoustic landscape as layers of frequencies emerge, recede and recombine throughout the listening experience. Avoiding narrative and dramatic development, these works offer immersion in highly detailed sonic environments where every element contributes to the construction of a deeply absorbing listening space. Attention to texture, depth and duration forms the connective thread throughout the collection. With The Mild Temper, Kevin Drumm continues his exploration of sound as an autonomous phenomenon, presenting a body of work of remarkable coherence that reflects both the singularity and maturity of his artistic practice. Mastering by Jim O'Rourke Tracklisting : 1-1 01 Feb 1 1-2 Retina Check 1-3 Etc A 2-1 Eisegesis 2-2 Exegesis 2-3 New Old Card 3-1 The Blind Owl 3-2 Master Of Idealism 4-1 Achromic Pants 4-2 Odd Ways 5-1 Battles In The Snow I 5-2 Battles In The Snow II 6-1 Grey Screen 6-2 \&\\ : \ 6-3 \&\\ : \\
45,00€
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In stock

2 LP

Kevin DRUMM
“Sheer Hellish Miasma”

Widely regarded as one of the most uncompromising works in experimental noise, Kevin Drumm’s Sheer Hellish Miasma is once again available on vinyl. First released on CD in 2002 on the original Mego label, the album remains a landmark in extreme electronic sound and is an essential and ferocious document of Drumm at his most inventive. The history of Drumm’s Sheer Hellish Miasma is one of resilience to the twists of underground trends that have come and gone since its initial release. Using guitar, tape manipulation, microphones, pedals, analog synthesizers, and subtle computer processing, Sheer Hellish Miasma is an overwhelming experience: a sonic onslaught of storming feedback, fractured textures and an unrelenting energy. At once brutal and meticulously composed, the album offers a singular vision at the outermost edges of sound art. For seasoned noise veterans, Sheer Hellish Miasma offers a bracing soundscape filled with exquisitely abrasive textures and more than enough hidden detail to warrant repeated listening – a distinct voice in the increasingly same-sounding world of abstract electronic noise. For everyone else, Drumm’s journey through the noisy underworld is likely to inspire fear or, in an optimistic case, fearful admiration. Drumm’s Sheer Hellish Miasma is an abstract noise classic with this 2LP reissue being an artefact of eternal power. Kevin Drumm Guitar, Tapes, Mics, Pedals, Analog Synthesizer, Computer Assistance Greg Kelley trumpet on Inferno Dedicated to Malachi Ritscher Recorded in 2000-2001 Chicago Mastered at Piethopraxis, Köln, December 2006 Cut at Clunk, Berlin 2025 by Rashad Becker
34,00€
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In stock

2 CD

Kevin DRUMM
“Sheer Hellish Miasma II”

Kevin Drumm - electronics, tapes, microphone, computer assistance Greg Kelley - trumpet
26,00€
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Out of stock

10 CD box

Kevin DRUMM
“If Tomorrow Gets Here”

Kevin Drumm (b. 1970) is a Chicago-based composer of electronic music, and his works have been published by labels like iDEAL, Editions Mego, Erstwhile and lately he has been self publishing many of his recent works. This box set is compiling some of that, paired with some exclusive things aswell as new versions. It is moving from his harsher stuff to more ambient recordings. iDEAL is proud to release this massive 10xCD box set mastered by Lasse Marhaug.
100,00€
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In stock

LP

Kevin DRUMM
“OG23”

Ever unpredictable, Drumm this time takes the fellow time-traveller through what sounds like an electronic field recording, a journey through an electronic soundscape of luminescent textures that invites immersive listening.
30,00€
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In stock

LP

Kevin DRUMM
“Battering Rams”

From the viscerally punishing and nerve wrecking, to the wistfully sublime, Kevin Drumm ‘s work often yield a ferocious intensity through the timbres of minute details. Now, throughout this series of archival works dating from 2000 to 2022, his mastery is once again on full display. On »Battering Rams«, sinister forces interlope with sanguine glimmers of respite and contemplation, while recurring drones ceaselessly crescendo to near paralysing effect, only for the albums final moments to offer a lofty reprise of boundless oscillation, dispelling all the pent up tension into a sanguine state of bliss. Once again underpinning Drums’ genius of turning apparently trivial hums into elongated microtonal worlds that stay etched deeply in your conscious, often long after the works final resonances have already subsided.
22,50€
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2 LP + CD

Kevin DRUMM
“Inexplicable Hours”

Inexplicable Hours is the sequel of the successful six-CD boxset Elapsed Time, also released by Sonoris in 2017. The first LP documents a new direction in his music, with some of his last electroacoustic experimentations with audio generators, field recordings, and various electronic devices. The second one explores the same ambient/drone territories as the boxset, with tracks less static and more complex than it appears on the first listen. And as always with recent Kevin Drumm’s music there’s a sense of majesty, of mystery and a melancholic beauty that is uniquely his own.
Some words about the boxset are also appropriate for this record:
“Despite Drumm’s noisy reputation, his music can be overwhelmingly sensual even at its loudest, providing a form of minimalism replete with a delicate, melancholic motion. How wildly divergent emotions rise, hover, and fall using so little is a mystery that only Kevin Drumm can provide.” (Soundohm)
“The vast array of styles and works to be had here makes it an engaging challenge, one that can differ widely from disc to disc, but never lacks the cohesion and touch of a master craftsman and composer working at the top of his game.” (Brainwashed)
“These pieces, despiste their lenght, are like perfect miniatures, timeless puzzles that you try and unravel through close listening. And their sense of place, of home, of sanctuary, feels more important than ever right now.” (The Wire)
Mastering by Giuseppe Ielasi.
2 LPs packaged in a deluxe 6-panel/double gatefold sleeve, with CD version in cardboard cover included. Limited to 700 copies.
25,00€
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Out of stock

CD

Kevin DRUMM
“Inexplicable Hours”

Inexplicable Hours is the sequel of the successful six-CD boxset Elapsed Time, also released by Sonoris in 2017. The first LP documents a new direction in his music, with some of his last electroacoustic experimentations with audio generators, field recordings, and various electronic devices. The second one explores the same ambient/drone territories as the boxset, with tracks less static and more complex than it appears on the first listen. And as always with recent Kevin Drumm’s music there’s a sense of majesty, of mystery and a melancholic beauty that is uniquely his own.
Some words about the boxset are also appropriate for this record:
“Despite Drumm’s noisy reputation, his music can be overwhelmingly sensual even at its loudest, providing a form of minimalism replete with a delicate, melancholic motion. How wildly divergent emotions rise, hover, and fall using so little is a mystery that only Kevin Drumm can provide.” (Soundohm)
“The vast array of styles and works to be had here makes it an engaging challenge, one that can differ widely from disc to disc, but never lacks the cohesion and touch of a master craftsman and composer working at the top of his game.” (Brainwashed)
“These pieces, despiste their lenght, are like perfect miniatures, timeless puzzles that you try and unravel through close listening. And their sense of place, of home, of sanctuary, feels more important than ever right now.” (The Wire)
Mastering by Giuseppe Ielasi.
CD version. Limited to 300.
10,00€
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Out of stock

6 CD

Kevin DRUMM
“Elapsed Time”

Since his emergence in the experimental music scene, about 20 years ago now, Kevin Drumm has perpetually shaken up conventions of various sub-genres with his major albums, for example, shifting from the tabletop/prepared guitar with his first self-titled album, to noise with Sheer Hell Miasma, to ambient/drone with Imperial Distortion. He has been notably prolific recently, with numerous self-released cdr and digital releases. Elapsed Time is a collection of some of these recent works, dating from 2012 to 2016: desolate ambient drone (Middle Of Nothing, February), "cassette tape music" or raw musique concrete (Earrach, The Whole House), computer assisted live electronics and rough spectral music (Crooked Abode, Bolero Muter), with additional tracks from Tannenbaum and Shut-In. This boxset documents one of the key figures of today american avant-garde at his peak of creativity. Nicely remastered by Giuseppe Ielasi for an optimal listening experience (hifi system recommended).
40,00€
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Out of stock

LP

Kevin DRUMM
“Humid Weather”

16,00€
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In stock

CD

Kevin DRUMM
“Trouble”

Recorded Winter 2013-2014 at Frostbite, Chicago, IL. Mastered by Russell Haswell. “Trouble” is the brand new dispatch from the assorted output of Kevin Drumm and sits as one of the quietest in his entire catalogue. A single continuous 54 minute excursion into the netherworld of the audio spectrum, “Trouble” is neither ambient nor drone but a more complex investigation into the deep recesses of sound. One which discreetly works itself into the mind of a listener willing to invest in the path laid out in this extremely subtle, beautiful and
exceptional release.
12,50€
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In stock

LP

Kevin DRUMM
“The back room”

Vinyl edition. There was a mistake in the previous listing ! Pulse generator, reverb, big muff. One of the most interesting outsiders, icon of experimental electronic noise music first released this collection of intensive sounds on his own label, on CD-r limited to 60 copies. Now, three years after that premiere we’re glad to present you an LP.
17,00€
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Out of stock

LP

Kevin DRUMM
“Crowded”

Recorded, mixed, edited at Pathetic Bubble Studio 2009-2012. Source material for Repetitive Algae recorded in 2007. Spectral editing and time domain consultation on Repetitive Algae by Russell Haswell. “[…] The two side long pieces here seem to be two different sides of the same coin. ’Rediki’ is a piece of electronics, loud at times, swirling-beating-oscillating most of the times and piercing right through your ears, without mercy, but it’s also, at the same time, not y’r typical noise record. The deep end has a menacing/treating/oppressing sound that adds a lot of tension to the piece. Here is where the true power of the piece lies, and what sets the great composer aside from those who try their hands at noise. But alright it’s a noise indeed, and for me the really great/even better piece of music is on the other side, ’Reptitive Algae’, which seems to me all acoustic, and perhaps if not all, then at least for a greater part. Maybe it’s here where Drumm got the idea for the title of the record. One side is crowded with buzzing and ringing of tones and on the other it’s just crowded with sounds. Multi-layered with tons and tons (it seems) of acoustic sounds, rubbing against each other. Sound source: unknown. There is a bit of electronica in there, but don’t ask me how this works. Well, perhaps I could guess: lots of loops of different lengths playing at the same time, so that they hardly make the same connection very soon again. Music with a great deal of tension, like a horror movie soundtrack. The graveyard shakes and all the bodies rise like one man, rattling their cages. This record is reminder I should play some Kevin Drumm soon again.” (-) Frans de Waard, Vital Weekly.
15,00€
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In stock

LP

Kevin DRUMM
“Phantom jerk”

6 oscillators recorded July 2013 at Single Room Occupancy, Chicago IL. Vinyl issue of his 2013 CDr release, “Phantom Jerk”. In the tradition of “Imperial Distortion”. Black vinyl.
15,50€
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Out of stock

CD

Kevin DRUMM
“Purge”

Kevin Drumm’s 2007 cassette “Purge” on iDEAL went out of stock in less than a week. This is the CD version of that killer thing. Intense listening taking
you deep into the known unknown, or perhaps the unknown known. Drumm’s noise is extremely powerful and dynamic.; travelling frequencies, rich with
details, with very little hope, with guaranteed exhaustion after frequent listening. I always think about Black Metal when I am listening to Drumm’s works, 
they share the same cold and darkness. “Purge” is no exception. This is a dark composition with fucked feedback and comfortably stuck in the deepest
underworld. - Joachim Nordwall, Stockholm, March 2013. Released in a b/w digipack in a limited edition of 500 copies.
11,00€
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In stock

CD

Kevin DRUMM
“Impish tyrant”

“A CD repress of a cassette that was released on the Spite label in 2004. Guitar and electronics. Processed guitar riffs and screeching electronics.”
9,00€
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In stock

2 LP

Eliane RADIGUE
“Triptych”

The final collaboration between Eliane Radigue and Important Records is this double LP edition of Triptych. Radigue insisted that her music only be released on vinyl if the pieces would fit without being edited or cut. Triptych met those requirements leaving room for an etching on the 4th side. Back to music after three years of silence... On the suggestion of Robert Ashley, Douglas Dunn commissioned Triptych from Eliane Radigue for choreography. Only the first part of Triptych was staged at the premiere at the Dancehall/Theatre of Nancy on February 27 1978. Recorded in the composer's studio in Paris. After the 1974 premiere of Adnos in San Francisco, a group of French students introduced Eliane Radigue to Tibetan Buddhism. When she returned to Paris, she†began to explore this spirituality in depth, which slowed her musical production up until 1978. Triptych marks her return to composition, and draws its inspiration from "the spirit of the fundamental elements, water, air, fire, earth" Eliane Radigue likes to add that this has often been useful to her in her moments of research and transitions. This three-part composition, with its great humility and contemplative simplicity, heralded a new period of her work and was the first in a series of masterpieces inspired by Tibetan Buddhism: Adnos Trilogy (1980), Songs of Milarepa (1983) - with the voices of Lama Kunga Rinpoche and Robert Ashley , "Jetsun Mila"(1986), as well as the Trilogy of Death: Kyema (1988), Kailasha†(1991) and Koume†(1993).
45,00€
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In stock

LP

Andrew CHALK
“Mystical Obscurant”

Over the course of more than four decades, Andrew Chalk has created one of ambient and experimental music's most distinctive, influential, and enduring bodies of work. Though his recordings have taken many forms—from the raw, post-Industrial sounds of Ferial Confine in the 1980s to the fragile guitar meditations, blurred keyboard studies, and richly textured collages that populate the Faraway Press catalogue—they remain united by a singular sensibility: an uncommon attentiveness to atmosphere, nostalgia, and the power of restraint. Mystical Obscurant offers a rare opportunity to encounter the expansive character of that oeuvre in miniature. Rather than documenting a single period or methodology, it functions almost like a survey of Chalk's musical language—a collection of new music that illuminates the breadth of his practice while distilling the singular vision that unites it. “The Seed of Sorrow” and “Peacemaker” feel cut from the same cloth as the sacred guitar minimalism of The River That Flows Into the Sands, while “Against the Tide” would sit naturally alongside the smudged and distant keys of Blue Eyes of the March. Other pieces draw upon environmental sound and loop-based constructions, hallmarks of Chalk's more recent, vignette-like compositions. Though these recordings emerge from different moments in his long creative journey, each inhabits a recognizable world: one where melodies drift in diffuse, unhurried forms and sound gathers with painterly grace. What is most striking when these pieces are heard together is not their difference but their coherence. Across changing instruments, collaborators, and approaches, Chalk has consistently pursued a subjunctive music of suggestion rather than declaration, creating spaces where memory and imagination are allowed to unfold at their own pace.
25,50€
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In stock

LP

ELEH
“Floating Frequencies / Intuitive Synthesis I”

When ELEH's debut "Floating Frequencies/Intuitive Synthesis I" was originally released it was praised as a powerful piece of new electronic minimalism. Twenty years later the artist's legacy has grown while ELEH continues to hypnotize new listeners with time stopping music. Critics, fans and neurologists have praised the music of ELEH as aiding attention and focus while seeming to slow time. Eleh's slow change drones are a state of flow hypnotizing listeners into meditative focus. From the original packaging, "Pure Sound. Pure Volume. Pure Analog. Dedicated To La Monte Young" ELEH began in 1999 as an exploration of analog synthesis, emphasizing low frequency difference tones and other resonant acoustic phenomena. ELEH highlights the physical presence of sound as it has been inspired by the physical world. There is also something ‘cathedral-like’ and cosmos-inducing in the sound constructed by ELEH. This audiophile quality presentation of ELEH's debut album was mastered by Tom Eaton at Sounds And Substance and manufactured at Optimal in Germany for the lowest possible noise floor and the highest analog resolution. Packaged using a 5th color metallic shimmer ink on solid black board stock.
25,00€
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In stock

LP

Bob BELLERUE
“Chaos Is A Law”

Avec Chaos Is A Law, Bob Bellerue fait du chaos une force créatrice. Feedback, cordes de piano, métal, électronique et drones s’entrechoquent dans une matière sonore en perpétuelle transformation, entre rugosité, dissonance et étranges éclats mélodiques. Une musique physique et imprévisible, qui se construit, se fracture et renaît sans cesse. Ici, le bruit devient matière vivante, l’incontrôlable devient méthode, et le chaos, une forme de liberté.
27,50€
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In stock

CD

Russell HASWELL
“Let It Go”

It has been twenty-five years since the seismic events of 2001—when twin towers collapsed under terrorist attack and Coventry's sonic insurgent Russell Haswell launched his inaugural salvo on the original Mego label with Live Salvage 1997–2000. The intervening era has delivered unrelenting turbulence: protracted wars, institutional corruption, a global pandemic, the resurgence of fascist currents, rampant media distortion, and omnipresent surveillance. For Haswell, a lifelong admirer of 1970s and 1980s dystopian cinema, the verdict is unequivocal: "Science Fiction is now!" In the face of this darkening reality, LET IT GO arrives as both acknowledgment and antidote. This new full-length on Editions Mego extends an olive branch through defiant sonic diversity—an unpredictable mosaic that embraces everything from propulsive rhythms to radical abstraction and enveloping ambience. True to Haswell's core practice, the material draws from the same tactile, free-improvised electroacoustic framework that powers his live sets: immediate, powerful and unscripted. The album weaves reverent echoes of 1990s Detroit techno's hypnotic pulse and the abrasive, metallic edge of the Birmingham sound into fractured generative territories. Haswell returns to his computer-generated origins while integrating his recent modular-synthesis experiments. During a residency at the Bergen Centre for Electronic Arts (BEK) in Norway, he harnessed the latest GRM Tools suite to conjure the volatile, "rapidly fluctuating pitched sounds" that characterized Iannis Xenakis' late electronic works—resulting in pieces such as Fall 3 and Fall 2, where instability becomes a form of vitality. The tracks Exit Downwards and The Anxieties Of Our Time whilst reflecting the currents of the release also offer surprisingly melodic patterns over jagged rhythms. The wryly titled Thu 25 Dec 2025, (recorded in Glasgow after a solitary post-Christmas-lunch walk home) is a vast drone which evolves according to the random walk model—known more evocatively as the drunken walk—each sonic step veering unpredictably, mirroring the disoriented lens of contemporary existence. LET IT GO is liberation. Amid the cacophony of crumbling certainties, Haswell deploys a full arsenal of resistance: kinetic drive, disorienting rupture, quiet refuge, raw aggression, and tentative hope. In an age where dystopia has shifted from fiction to lived fact, this music asserts that possibility endures.
15,00€
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In stock

LP

Klara LEWIS
“Opening”

Klara Lewis’ distinctive talent for disfiguring sound into forms that remain recognisably song-like reaches a new peak here. Her new album Opening is a deceptive recording with veiled melodies and clandestine bangers. Lewis, creator of worlds, treats music as a mirror that reflects a perspective misaligned with the real image. Her music moves in unusual and often startling ways. Acoustic instruments such as ukulele and piano are subjected to processes of deconstruction and reconstruction, their original forms continually reshaped. The tracks within Opening offer an array of disorientating tactics; damaged field recordings are suddenly sliced into ominous rhythmical patterns whilst deceptively simple tactics provide foreboding dread. Often alien on entry, the progression of a piece can land in a surprising tenderness, or the other way around. The momentum grows as a physical state but also one which is questioning, desiring, encapsulating a feeling, to explore a further way of expression and ultimately connecting: A new closeness, a new perspective. Opening is an album in which the protagonist’s manipulation of sonic matter seems to extend beyond the music itself, resulting in a corresponding manipulation of the active listener. Sounds shift, dissolve, and re-emerge in altered forms, creating an experience that feels both intimate and disorienting. Lewis maintains a delicate balance between abstraction and emotional immediacy, drawing the listener into a world where familiar musical gestures are constantly reconfigured in surprising ways. The works on Opening are refracted through an exploratory and transformative lens, suggesting an artist continuing to redefine the possibilities of musical language as a space where the instantaneous and the eternal come together.
26,00€
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