1995. “Samples, but very very interesting recompositions. Not media debris, scrap-irony, pick ’n’ mix, but solid, thorough compositions that have great tension and fascination in their structural unfolding. Great sensitivity to the minutiae of sound. First piece is a classic.”
1999. Compositions by John Wall using sounds from John Edwards, double bass; Mark Sanders, percussion; Andrew Sparling, clarinet; Mark Wastell, cello; Axel Dörner, trumpet.