Evan Parker's monolithic 1978 solo record Monoceros was originally released on Incus in 1978, and distinguishes itself in several respects: first, because it was recorded by the direct-cut process, whereby the sound pathway went directly from the microphone to a vinyl master. By virtue of eliminating the tape intermediate, the hope was to reduce noise and limit the need for processing and filters. The important functional consequence of this technology was that the musician (and the technicians) had to get it right the first time. In the context of free improvisation, direct-cut served as self-imposed discipline for purists only. In the present day, this process is mostly obsolete.
On Monoceros, Parker explores a wide range of soprano saxophone work, though most of it is hardly recognizable as such: squeaking, squawking, and birdlike noises persist throughout. The first piece on the record spans a long 21 minutes of essentially uninterrupted solo saxophone, facilitated by Parker's exceptional technical command of the instrument: circular breathing, triple-tonguing, false fingering, etc. The guiding principle of this music, as realized by Parker, was to use technical prowess to remove the barriers between the sounds in his head and the sounds coming from his horn. Generations of saxophone players who followed in Parker's footsteps owe a huge debt to his innovations on the instrument. Indeed, none of Monoceros is easy listening: Parker seems driven to play as freely and outspokenly as possible.
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In the pantheon of saxophone colossi, there is a special place reserved for Evan Parker. Taking late Coltrane as his jumping off point, Parker has expanded the language of the saxophone as much as anyone over the past three decades. A central figure in the European Free Improv scene alonside Derek Bailey, Peter Brotzmann, John Stevens, Alexander von Schlippenbach and many others, Parker has been a significant force for creative music in an astonishing array of settings.
"Eight years after Topography Of The Lungs, and two years after his Saxophone Solos, Monoceros was the most muscular statement of Evan Parker's solo saxophone muse. Superbly recorded, it seemed to place the listener within the chaotic air flows of the saxophone’s own tubing. Philip Clark said: “Parker’s dialogue with the saxophone throws up so much that is unexpected, and indeed unknowable, that the problem he faces is how to keep pace with his own invention.” TheWire Best Albums of 2015
2021 repress.
"One of Treader's most requested recordings sees the great UK free saxophonist Evan Parker on soprano and tenor saxophones, duetting with European birdsong. A fitting tribute to his friend, the celebrated soprano saxophone player Steve Lacy, who died in the year of its initial release."
One of Treader’s most requested recordings sees the great UK free saxophonist Evan Parker on soprano and tenor saxophones, duetting with European birdsong. A fitting tribute to his friend, the celebrated soprano saxophone player Steve Lacy, who died in the year of its initial release. A titan of British free jazz, Evan Parker needs no introduction. His output, both as a bandleader and collaborator, are the stuff of legend. Within the history of the European improvised music, he’s everywhere - having intertwined his singular approach with Peter Brötzmann, Manfred Schoof, Tony Oxley, Derek Bailey, Han Bennink, Alexander von Schlippenbach, Keith Rowe, Barry Guy, and countless others at a ferocious pace. Despite his renown for work within ensembles, Parker often becomes the most striking version of himself when he steps out onto his own, offering an unparalleled approach to the solo saxophone. Evan Parker With Birds is one of the more memorable versions of this. Recorded as a tribute to his friends and longtime collaborator, Steve Lacy, who had died shortly before its recordings, Evan Parker With Birds isn’t technically a solo work.
It features the veteran player consumed by, responding to, and playing against, a sonic landscape of field recordings by Ashley Wales, birdsong recorded by Geoff Sample, Charles & Heather Myers, Jean C. Roche, Myles North & Eric Simms, with further offerings and interventions by John Coxon. The result is so fantastic and engaging, it leaves little question of why it has been one of Treader’s most popular releases since it first emerged. A world of shimmering sonority and rippling, sometimes brittle texture - an album filled witth surprise - elements of nature and humanity forced into balance and harmony by Parker’s tones and ear. A wonderful rethinking a musical structure and creative approach, the announcement for the vinyl reissue of Evan Parker With Birds has already sent the heads scrambling to get a copy.
One of the final Incus releases and one that was written up in The Penguin Guide to Jazz as ‘an essential document of modern music’. Otoroku is proud to release the first ever vinyl re-issue of Evan Parker’s legendary recording The Snake Decides. Featuring 4 solos recorded in 1986 in St. Paul's Church, Oxford by the late Michael Gerzon. The Snake Decides is a groundbreaking example how far the language of a particular instrument can be taken.
From Brian Morton’s liner new notes:
“The Snake Decides attracts a certain array of adjectives - intense, radical, fearsome, hypnotic, virtuosic – and occasionally allows a more ambitious reviewer to avoid platitude by talking more specifically about 32nd harmonics, circular breathing, multiphonics and Gerson's exact choice and placement of microphones. But this misses a point, too. Listening to this record, either for the first or the fortieth time, is an arousing experience.”
Remastered by Giuseppe Ielasi and housed in a reverse board sleeve with new liner notes by Brian Morton this is the ultimate document of one of the most important recordings in all of Parker’s extensive and exploratory catalogue. Edition of 500 copies.
Soprano saxophone solos recorded in 1986 in St. Paul’s Church, Oxford by the late Michael Gerzon -- ’a giant in the field of audio’. Reissue of Incus LP 49.
“Reissue of ah um 015. Soprano saxophone solos recorded in 1989 in the Holywell Music Room, Oxford by the late Michael Gerzon - the follow up to The Snake Decides.”
Soprano saxophone solos originally recorded direct-to-disc in 1978 at Nimbus Studios, Wyastone Leys, Monmouth by Michael & Gerald Reynolds. Originally issued as Incus LP 19 and previously reissued as Chronoscope CPE 2002-2.