Working at once on site-specific field recordings, using the microphone as an instrument, and in-studio composition, it took several months of labour for the artist to reach the essential: a thirty-minute piece depicting a typical worker's day, from beginning to end.
Enter and Shelter both reflect the artist's chosen standpoint: in recording the factory's sounds, he gives voice to the voiceless, without having them speak.
The resulting physical displacement conveys political meaning, with the immersion weaving the work into a historicity.
limited to 150 copies.
all sounds recorded in a tyre factory by d_T
mastered and cut by rashad becker