“Sinter injects vast amounts of oxygen into the room, air swirling and echoing in huge spaces, light shimmering and hazy. In metallurgical terms, sintering is the making of objects from powder and “powdery”, especially with a metallic connotation, isn’t the worst term you could use for much of this music. Field recordings (and, per the sleeve, "domestic recordings") are mixed with electronics throughout; nary a French horn in sight though I think I pick up a bit of Kamerman’s small clattering devices here and there. […] An extraordinary piece capping one of the finest recordings I’ve heard in quite a while. Excellent work”. Brian Olewnick. ErstAEU, a new sub-label to “document the work of young American experimental musicians working in a post-electroacoustic vein”.