Francisco LÓPEZ
“Untitled #274”
15,00€
In stock
Untitled
274 was composed by Francisco Lopez and performed by Kasper T. Toeplitz at GRM Studios in Paris, France.
Francisco López is internationally recognized as one of the major figures of the sound art and experimental music. For more than thirty years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a profound listening of the world. Destroying boundaries between industrial sounds and wilderness sound environments, shifting with passion from the limits of perception to the most dreadful abyss of sonic power, proposing a blind, profound and transcendental listening, freed from the imperatives of knowledge and open to sensory and spiritual expansion.
Kasper T. Toeplitz has worked with academic research organizations, such as GMEM, GRM, IRCAM, and Radio-France, as well as with experimental musicians, such as Éliane Radigue, Zbigniew Karkowski, Dror Feiler, Tetsuo Furudate, Phill Niblock and Art Zoyd. Citing Giacinto Scelsi and Iannis Xenakis as influences, his early work was mostly written for traditional instruments.
Une composition de Francisco López commandée et interprétée par Kasper Toeplitz (basscomputer) dans les studios du GRM à Paris. Cela fait quelques années que Kasper Toeplitz commande des pièces à différents compositeurs peu habitués de la chose. Il fut par exemple celui qui convertit Eliane Radigue au travail instrumental, et a déjà commandé des pièces à Phill Niblock, Dror Feiler ou Zbigniew Karkowski. De l’autre côté, on connait Francisco López surtout pour ses compositons acousmatiques et son travail de captation sonore à travers la planète. Mais il a déjà travaillé avec des instrumentistes, comme par exemple le pianiste Reinier van Houdt.
“Untitled
274” (initialement composée en quadriphonie) joue de la déflagration dynamique sous différentes formes, une accumulation et un grain qui se rapprochent du bruit blanc.
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