PITA
“Get in”
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Recorded and mixed by Peter Rehberg at Twisted, Wien March 2015-January 2016. Mastered and cut by Rashad Becker at D&M, Berlin, January 2016. Artwork by Tina Frank. Dedicated to Thomas Jerome Newton.
Twelve years have passed since Editions Mego boss Peter Rehberg released his last full length release ‘Get Off’ on the Hapna label. In the interim, along with running the label, Rehberg has embarked on a series of soundtracks for the French artist and choreographer Gisele Vienne. Out of this collaboration the seeds were planted for the prolific KTL, guitar-computer duo with Stephen O’Malley.
After a surprise return to live performance in 2015 we are now presented with Pita’s new full length document under the banner of “Get In”.
“Get In” extends the perennial Pita sound into a paradox of intimidation and beauty. “20150609” teases the juncture between the human and the tool, the improvised and composed and the analogue and digital. “Aahn” inhabits a field of electronic nebula, simultaneously inviting and alien. “Line Angel” could be a new form of minimalism for the post internet crowd. “S200729” harks to an acid most splintered whilst “Mfbk” completes proceedings as an ambient drift underscored with classical overtones. “Get in” is a beautiful, engaging and unsettling listen. A multi-headed hydra presented as the ultimate dystopian sonic journey.
Suite logique à “Get out” (1999), “Get down” (2002), “Get off” (2004), “Get in” a été enregistré entre mars 2015 et janvier 2016. Peter Rehberg continue sa dislocation d’un sonore torsadé et vrillé comme il le faut après avoir traversé l’univers de la metteur en scène Gisèle Vienne et les cprdes électriques de Stephen O’Malley.
“Get in” fait le point sur un état musical, des préoccupations qui s’étendent de l’ambient à l’électronique pulsée, du brassage de codes à des atmosphères cinématographiques. Une musique à l’image des productions des labels Editions Mego et Spectrum Spools.
