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This year 2015, Yannick Dauby and Wan-Shuen Tsai were part of a public art project at National Taiwan University. Yannick’s work was a creation project related to the sound universe of bats and led to a series of public events, including soundwalks and exhibitions in the campus. The blog chiroptera documented the activities of field recording and creation, some in collaboration with students. Here is a new output of this project, released as a CD.
Echoes as Messengers is a kind of domestic sound installation, an electroacoustic composition which develop itself slowly and sparsely, a “Discreet music” inspired by echolocation.
It has been composed with the ultrasonic voices of the Japanese House Bat (Pipistrella abramus) recorded in Taipei (Spring 2015), transformed and combined with the help of analogue electronics (notably the infamous Blippoo box by Rob Hordijk, the Sidrax organ by Peter Blasser and other modular synthesizers) and digital processing.
Please try to listen to it at low volume, or at dusk, or windows open.
This project as been informed and influenced by the remarkable works of Donald Griffin, Alvin Lucier, David Tudor and David Dunn.
Il y a chez Yannick Dauby depuis quelques temps la volonté de faire résonner ses tournages sonores avec le monde de la synthése analogique, de créer des ponts et des parallèles entre des phénomènes naturels et l’électronique de studio.
Dans ce nouvel opus, Yannick Dauby explore le chant ou plutôt les ultrasons des chauves souris. Une musique qu’il conseille d’écouter à faible volume ou la nuit et qu’il déclare influencée par les œuvres de Donald Griffin, Alvin Lucier, David Tudor et David Dunn.
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