
80,00€
Out of stock
“alga marghen very proudly presents the only authorized reissue of all Walter Marchetti original recordings previously released by Cramps Records. An LP sized 4CD box set including “La caccia”, “In terram utopicam”, “Per la sete dell’orecchio”, “Natura morta” and “Vandalia”. Also included is the new book by Walter Marchetti titled “De musica inversa”, an instruction manual of both theory and practice for the proper and improper use of music. A method for perfecting oneself in composition annotated and commented upon by Gabriele Bonomo.
“The most amazing thing about music is its exterior aspect. High, vertical, translucent, almost turgid, maybe a bit too monolithic. One should, in any case, give a lot of attention to the large number of interstices which lead to the centre of the ear, wherefrom sounds spread out through a dense network leading to more circuits which direct these same and their relationships directly to the brain, in a logic of musical articulation which is nothing less than frightening. Even if, to attentive listening, dominating all is the eye of silence”.
CD1, titled “La caccia”, includes “La caccia” (1965), “Adversus” (Home-made electric music) (1966) and “Osmanthus fragrans” (Home-made electric music) (1973). The 16 page booklet presents the orginal scores, photos of both the 1965 ZAJ performances and of Marchetti recording “La caccia” in the 1970s, photos of the concert at Galleria Multhipla in 1974, and the reproduction of the original “La caccia” LP layout.
CD2, titled “In terram utopican”, includes “J’aimerais jouer avec un piano qui aurait une grosse queue” (1974/75) and “Per la sete dell’orecchio” (1981). The 16 page booklet presents the original score of “J’aimerais jouer”, photos of the performances in Milano and at the Venice Biennale, and the reproduction of the original “In terram utopicam” LP layout.
CD3, titled “Natura Morta”, includes the piece with the same title from 1980. The 8 page booklet reproduces original photos of the performance at Milanopoesia in 1988, as well as the text titled “In my music”.
CD4, titled “Vandalia”, includes “Perpetuum mobile” (1981), “Song for John Cage” (1985) and “Le secche del delirio” (1989). The 8 page booklet presents the photo of the “Perpetuum mobile” performance at Musicalia in 1981, the score of “Song for John Cage”, the photos of two “Musica da camera” installations, as well as the reproduction of the original “Vandalia” CD layout.
The 180 page “De musica inversa” book and all the texts included in the CD booklets are published in both English and Italian. “Too true: in all music there are, in effect, a lot of sounds henceforth… more than that, too many; everything that we listen to has become heavy beyond measure, completely unbearable. Rather than chasing it we should look for how to escape from music. Everything in it is monolithic, frozen, and the notes of music which slowly, more or less, are thickening around the listeners wrap them all in dripping blankets of death.” CD edition limited to 400 copies.” label info
Version CD + livre. Voici la réédition officielle (nous précise le label) des disques de Water Marchetti parus sur Cramps dans les années 70 et 80. Une boite format 33 tours avec quatre CDs et un livre de 180 pages intitulé ’De musica inversa’ (anglais et italien), manuel d’instruction théorique et pratique pour une bonne et mauvaise utilisation de la musique, annoté et commenté par Gabriele Bonomo. Né en 1931, Walter Marchetti a adopté la pensée et les attitudes de John Cage et Fluxus pour créer en 1964, le groupe ZAJ avec Juan Hidalgo et Esther Ferrer. Voici l’occasion rêvée de se (re)plonger dans ses œuvres historiques ou le piano, l’électricité, l’enregistrement et la performance occupent une place centrale.
CD1 : ‘La caccia’, avec ‘La caccia’ (1965) pièced pour appeaux, ‘Adversus’ (1966) et ‘Osmanthus fragrans’ (1973), deux pièces d’amplification de l’électricité domestique. CD2 ’In terram utopican’, avec ‘J’aimerais jouer avec un piano qui aurait une grosse queue’ (1974-75) et ‘Per la sete dell’orecchio’ (1981) ou la musicalité des pierres jetées dans un puit. CD3, ‘Natura Morta’ (1980), ou le piano comme nature morte. CD4, ‘Vandalia’, avec ‘Perpetuum mobile’ (1981) une réflexion sur le paysage sonore, ‘Song for John Cage’ (1985) stridulation assourdissante des grillons et voix pour John Cage et ‘Le secche del delirio’ (1989) où le pianiste joue dans une porcherie. Tirage limité de 400 exemplaires
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