Sven-Ake JOHANSSON
“More compositions”

KNM Berlin, Ensemble Zwischentöne, Eberhard Blum, Agnieszka Dziubak, Gunnhildur Einarsdottir, Sven-Åke Johansson, a.o. Rec.1992 – 2013.
“Italienische Vekehrsverständigung” (1983) for seven woodwindplayers
woodwind ensemble, conducted by SÅJ,recorded Ballhaus Naunynstrasse Berlin 1992. “Klingend und festgehalten” (1995) five stations for combo drum set
“Bom-Zeke-Bom” (1995) for septet, Ensemble Zwischentöne. “22 Miniaturen für Akkordeonorchester” (1991) for accordeon orchestra. Akeordeon Orchestra Berlin, direction by Gerhard Scherer, recorded Sophiensaele Berlin 2003. “Wagenstück” (1990) for sextet. Ensemble Zwischentöne, direction by Peter Ablinger, recorded Sophiensaele Berlin 2003. “Im Memoriam Tom Cora” (2007) for prepared cello and brushes. Agnieszka Dziubak cello, recorded Berlin 2007.
“Variations on Vimse” (2011) for harp. Gunnhildur Einarsdottir harp, recorded Berlin 2013. “Neue Kochstrasse” (2006) for grenaphon timpani and loudhailer.Sven-Åke Johansson grenaphon, timpani, loudhailer, recorded Technisches Museum Berlin 2006. “Konzert für MC(H-D) und gemischtem Chor” (2000) for motorcycles and mixed choir. Harley Davidson Ensemble, direction by Sven-Åke Johansson, recorded Marstall Berlin 2000. “Wegen Überfüllung bereits geschlossen” (1992), chamber piece for two voices, bandoneon, clarinet, piano, double bass, percussion. Ensemble Zwischentöne, direction by Peter Ablinger, recorded Ballhaus Naunynstrasse Berlin 1992. “Flötenquartett NR.1” (1992) for four flutes. Eberhard Blum, Johanna Kessner, Christiane Hellmann, Klaus Schoepp, flutes, recorded Museum der bildenden Künste Leipzig 1993. “Abovensen zur See” (2005) for Ship horns, voice and percussion. MS Friedrich, Hafenamt 1, Piguin, Feuerlöschboot Bremen, Schiff Zwei. Sven-Åke Johansson percussion, voice, recorded at Neues Museum Weserburg Bremen 2005. “Die neue Zeit ist pausenlos” (2008) for the Ensemble Zwischentöne, direction, Andrea Neumann, Bill Dietz, recorded Ballhaus Naunynstrasse Berlin 2008. “Polis, Wachs und Pomade” (2000) chamber piece for strings, wind instruments and voice. Axel Dörner, Michael Gross trumpets, Andrew Digby trombone, Ekkehard Windrich, Marc Sabat violine, Jörg Winkler viola, Sven-Åke Johansson voice, recorded at Konzerthaus Berlin 2002. “Abovensen geht leicht gebückt…” (2002) for voice and percussion. Sven-Åke Johansson drums, vocals, recorded at Konzerthaus Berlin 2002. “Einen staubigen Klang finden” (1998) for trumpet, bass clarinet, violine and double bass. Winfried Rager clarinet, Michael Gross trumpet, Arnulf Ballhorn double bass, Imke Dithmar viola, recorded at Rundfunkhaus Köln 1999.