
20,00€
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2017 repress.
“Steve Reich remains one of the most important figures in 20th century music. Though he studied at the prestigious arts institutions Julliard and Mills College, by the mid- 1960s Reich set about dismantling the very orthodoxy that he had been trained in. Forming a new musical language based on repetitive processes, Reich became established as part of the so-called ‘Big Four’ of New York minimalists (along with La Monte Young, Terry Riley and Philip Glass). Reich’s influence can easily be seen today in both the classical world and contemporary pop music. ‘Four Organs’ is the ultimate minimalist composition. Performed by Reich, Glass, Art Murphy and Steve Chambers, four identical Farfisa organs strike a single chord and gradually lengthen each note to produce polyrhythms between the players. Anchored by Jon Gibson’s stoicallysteady pulse on maracas, the piece deconstructs its opening burst to a sustained mass of sound — stretching the tones to create (in Reich’s words) ‘slow-motion music.’ Inspired by Reich’s early training on drums, ‘Phase Patterns’ treats the keyboards like tuned percussion instruments: a basic rhythm pattern is played in unison and almost imperceptibly increases tempo to move out-of-sync. Each progressive cycle emphasizes unique figures that are not generated by an individual alone, but rather emerge from the communal expression of the group. Originally released on Shandar in 1971, Four Organs / Phase Patterns is one of most highly regarded avant-garde recordings in the past 45 years. This first-time vinyl reissue features cover photography by artist Michael Snow and is recommended for fans of Neu!, Glenn Branca and Tim Hecker.”
Réédition 2017.
Réédition du fameux catalogue Shandar, label des années 70 dirigé par Daniel Caux et Chantal Darcy et financé par la fondation Maeght.
“Four Organs” (1970) interprété par Jon Gibson, Art Murphy, Philip Glass, Steve Chambers, Steve Reich. “Phase Patterns” (1970) interprété par Art Murphy, Jon Gibson, Steve Chambers, Steve Reich. Deux pièces pour orgue électrique qui jouent sur la répétiton et le déphasage. Au bout d’un moment il y a réellement des effets psychoacoustiques qui se créent dans l’intensité de la répétition.
Minimal hardcore pourrait-on dire !
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