
18,00€
In stock
140 gram white vinyl, 370 copies. Composed and recorded by Robert Piotrowicz in 2009, mixed in 2011. All instruments: modular synthesizer, guitar, piano, vibraphone, software by Robert Piotrowicz. Mastering and cut: Rashad Becker. “When Snakeboy is Dying” is the first album of Robert Piotrowicz in which he deploys a broad spectrum of instruments. Most of his previous published compositions were committed to creating a multilayered electronic sculpture built with analogue modular synthesizer. Performing on all instruments by himself alone and using a variety of composing methods, Piotrowicz created an album which strikes with internal integrity and organic complexity whilst leaving the recipient with an impression of listening to an ensemble. In terms of tonal reduction and assigned function of individual instruments, the score recalls the spirit of minimalism, however the density and dynamics of narration remains in vivid contrast to such associations. The strength of Piotrowicz’s work reveals itself in the complexity of events as well as the rich palette of colours and the mobility of architecture in the overall sound picture. The instruments are organized in careful relations with each other, to build not only the horizontal tensions but the vertical ones as well. The beauty of microtonal constructions is amplified by strong impacts and vitality of electronics. What at first might seem like a fragile recording, with every further second it builds and maintains drama and intensity.
Composé et enregistré en 2009, mixé en 2011. Quittant (provisoirement ?) les champs de la musique électronique plus axée sur une accumulation de couches et de trames comme il la pratiquait précédemment, Robert Piotrowicz se lance ici dans un projet de composition plus ambitieux. Il joue de tous les instruments (synthétiseur modulaire, guitare, piano, vibraphone, ordinateur) pour créer l’impression d’un ensemble en quête de microtonalité dans une architecture sonore mouvante, la palette est riche et les évènements complexes, et le rapport électronique / acoustique est très proche d’une esthétique nord-américaine (d’Alvin Lucier à Duane Pitre par exemple). Ce disque, qui semble nouveau à chaque écoute, traduit une grande maturité du musicien et ravira autant les amateurs de musiques nouvelles que ceux d’électroniques. Un vinyl blanc de 140 grammes. Un tirage de 370 copies.
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