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Fani Konstantinidou is a composer and sound artist living and working in the Netherlands. She has a particular interest in cultural and social identities and their influence in music composition. Since 2015 she works on her personal artistic project, Sound Topographies, where she uses a variety of sound sources inspired by her own surroundings. From musical instruments to spoken language and from everyday sound[scape]s to computer-generated sounds, her music is characterized by shifting
sonic textures that circulate between drones, noise, arrhythmic melodies, and atonal rhythms.
Inspired by the influence of space and time in music, she creates and recreates timelines of sonic events aiming at musical dialogues and public communication through sound.
The two trilogies were realized between 2015-2019 in the Netherlands and implemented into a sequence of live shows during the same period. Both inspired by cultural sonic imprints, the Winter Trilogy (computer & accordion) and The Big Fall (computer & analogue synthesizer) explore the potential and the antitheses between analogue versus digital while expressing a personal view of particular rural landscapes.
Compositrice et artiste sonore qui vit et travaille aux Pays-Bas, Fani Konstantinidou s’intéresse aux identités culturelles et sociales et à leur influence sur la composition musicale. Sa musique est marquée par un foisonnement de textures sonores en mouvement étendues dans un continuum envoutant. Ici deux trilogies réalisées entre 2015 et 2019, “Winter Trilogy” pour ordinateur et accordéon et “The Big Fall” pour ordinateur et synthétiseur analogique, qui chacune à sa manière explore le flux, le bourdon et l’espace à travers des outils analogiques et numériques tout en exprimant une vision personnelle d’un paysage froid et désertique.