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CD in digipak includes 20-page booklet.
Reed instruments are capable of some of the most impassioned music on the planet, all due to the malleability of the reeds, themselves – historically made of plant tissue, which vibrate when air hits them. The origin of most reed instruments is steeped in rural, pastoral culture. Many insistent, loud, often joyful, reed instruments have always been played outdoors as traditional accompaniment for dancing and celebrations.
This compelling album is the second volume in the Excavated Shellac release series, featuring rare, never-before issued 78rpm records from around the world, centered on a unique theme. The previous volume (Excavated Shellac: Strings) focused on stellar stringed instrument performances. This release examines some of the most intense and hypnotic music set to disc during the early years of international recording, all featuring reed instruments. All previously unreleased on CD, with three bonus tracks not available on the newly-released vinyl LP. All records have been carefully transferred and mastered and are presented with extensive liner notes by Jonathan Ward.
“Jon Ward’s Excavated Shellac focuses on ethnic music on 78’s. He’s one of the smartest obsessive record collectors I know, and the stuff he posts I would gladly pay to download… it is always stuff you would never hear anywhere else, nothing here on CD. This is the rarest of the rare and the best of the best. Stellar!” Steve Roden, Wire Magazine’s Web Exclusive
“Featuring Ward’s informative notes and commentary… (Excavated Shellac is) an astounding selection of music from India, Ireland, Turkey, Burma, Poland, Africa, Japan, Spain, the US, and more…rare treats.” Susanna Bolle, The Boston Phoenix.
1. I Tre Antonio della Basilicata, Tarantella Popolare (Italy)
2. Sylvain Poujouly & Achille Marc, Lou Bolontinou (Auvergne, France)
3. Karzana Oyun Havasi, Zurnacı Mahir and Ali (Turkey)
4. Tufanpur Orchestra, Reng-E Ghafghaz (Iran)
5. Ahn Ki-Ok and Kin Yin Kuan, Janggochum (North Korea)
6. Guangdong Troupe with Da Kai men, Untitled (China)
7. T. Rajarathnam Pillai, Raga Alapana (Todi) (India)
8. Selim, Ekâri Eselimmit (Albania)
9. Obdulia Alvarez, “La Busdonga”, Cantar Bien Neña (Asturias, Spain)
10. Jhande Nath, Lahara Saamp Ke Masta Karneka (India)
11. Hoseynkali was Roofakah, Raqs Jooli, Aroosi (Kurdistan)
12. Mohamed Efendi Baz, Alia Mozmar Khedawi Masr (Upper Egypt)
13. Ngoma Ya Kitokomire, Mimi Naona Haya (Tanzania)
14. Mqonga Sikanise, Into Ezimnandi (South Africa)
Bonus Tracks Not Included on LP
15. Musicians of Radio Studio Skopje, Macedonia, Macedonsko Oro (Macedonia)
16. Uncredited musicians, Raqsi Kalon (Tajikistan)
17. Parush Parushev, Ruchenitsa (Bulgaria)
Après Excavated Shellac : Strings (épuisé en vinyl et réédité en CD), voici une nouvelle compilation organisée par Jonathan Ward, grand collectionneur de 78 tours du monde entier. On quitte le monde des cordes pour celui des anches. Une base dans la ruralité et une culture pastorale… les instruments à anches – un volume imposant et joyeux – ont toujours accompagnés les fêtes, les danses et autres célébrations, en extérieur. Ici on voyage en Italie, France, Turquie, Iran, Chine, Inde, Albanie, Kurdistan, Afrique du Sud… au grès d’enregistrements des premières décennies du 20ème siècle.
Avec trois morceaux supplémentaires sur la version CD.
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