True than Nature encourages active listening. There is sound that exists seemingly for its own sake – a continuing drone that slowly evolves, sound of nature – and there are sounds that refer to a momentary action, and sudden intrusions of sound. BJ Nilsen triggers shifts in the perception for the listener that alter how you perceive and experience the world through sound, and how you think about sound.

Listening to True than Nature is full of moments of instability. The shifts between sound spaces refocus your listening, or throw you out of a world you were imagining. You recognize sounds, wind, rain, metal bending, a hammer on stone, the background noise of a city, but often there is an unfamiliarity about these sounds. You think you recognize them, but often you are not sure, because you are not there, and different worlds clash or coexist at the same time.

BJ Nilsen (SE/NL) is a Swedish sound artist and composer based in Amsterdam. His work explores the intersection of field recording, sound, space, and perception. Through subtle electronic manipulations and detailed editing, Nilsen transforms environmental recordings into layered, immersive soundscapes that inhabit the space between reality and imagination.
His upcoming release, True than Nature (2025) on Ideologic Organ, continues a 30-year career spanning original scores and sound design for music, film, visual arts, and performance. His most recent album, Irreal (2021), was released on Editions Mego.