Christof Migone’s ‘Wet Water (Let’s Dance)’ immerses you in a mysterious soundscape, characterised by electronic noise and watery flows. Each piece explores inarticulation and the struggle to communicate, challenging traditional notions of sound and language. In the work captured in this collection, the relation between elements is abstract, entangled, puzzle-like in its weirdness, and all the more rewarding for that.

The four pieces constituting The Release (Into Motion), which take up the entirety of disc two, are different, more conventionally ‘musical’ in structure and style, but still sharing, as with all of Migone’s work, a conceptual sensibility and feeling of underlying logics at work. In each piece, layers of roughly pitched electronics tones flow into and around each other, as if mirroring the dynamic surfaces, continuous motion, interference patterns, and interacting currents of ocean waves. These sounds derive from a performance work in which Migone held a tomato frozen in a block of ice in his mouth while it slowly melted over more than thirty minutes—a painful looking exercise, based on the documentation images. How such an endurance ritual produced these sounds is mysterious and oblique, but at the same time highly suggestive. Like so much of the work captured and documented in this collection, the relation between elements is abstract, entangled, puzzle-like in its weirdness, and all the more rewarding for that.

— Joel Stern